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One popular concept of the "villain", meant to mimic the purposely distinctive visage of villains, initially from the stage plays of the 1880s.
One popular concept of the "villain", meant to mimic the purposely distinctive visage of villains, initially from the stage plays of the 1880s. Events and Trends Technology Development and commercial production of Electric lighting Development and commercial production of gasoline-powered

A villain is an "evil" character in a story, whether an historical narrative or, especially, a work of fiction. Evil, in many cultures is used to describe acts or thoughts which are contrary to some particular religion History is the study of the past particularly the written record Those who study history as a Profession are called Historians Etymology Fiction is the telling of stories which are not real More specifically fiction is an imaginative form of Narrative, one of the four basic Rhetorical modes. The villain usually is the bad guy, the character who fights against the hero. A hero (from Greek grc ἥρως hērōs) in Greek mythology and Folklore, was originally a Demigod, the offspring of a mortal and A female villain is sometimes called a villainess. Random House Unabridged Dictionary defines villain as "a cruelly malicious person who is involved in or devoted to wickedness or crime; scoundrel; or a character in a play, novel, or the like, who constitutes an important evil agency in the plot. "[1]

Contents

Word origin

French villains in the 15th century.
French villains in the 15th century.

The etymology of the word is probably Middle English villein from Old French villain, in turn from Late Latin villanus, meaning serf or peasant, someone who is bound to the soil of a villa, which is to say, worked on the equivalent of a plantation in late Antiquity, in Italy or Gaul. Etymology is the study of the History of Words &mdash when they entered a language from what source and how their form and meaning have changed over time Middle English is the name given by Historical linguistics to the diverse forms of the English language spoken between the Norman invasion of Old French was the Romance Dialect continuum spoken in territories which span roughly the northern half of modern France and parts of modern Belgium Latin ( lingua Latīna, laˈtiːna is an Italic language, historically spoken in Latium and Ancient Rome. A peasant is an agricultural worker who subsists by working a small plot of ground Fundamentally a plantation is usually a large Farm or estate, especially in a tropical or semitropical country on which Cotton, Tobacco [2] Consequently, it meant a person of less than knightly status, and so came to mean a person who was not chivalrous; because many unchivalrous acts, such as treachery or rape, are villainous in the modern sense, and because the word was used as a term of abuse, it took on its modern meaning. Chivalric order Chivalry is a term related to the Medieval institution of Knighthood. [3]

Folk and fairy tales

Baba Yaga often acts as a villain in Russian fairy tales
Baba Yaga often acts as a villain in Russian fairy tales

Vladimir Propp, in his analysis of the Russian fairy tales, concluded that a fairy tale had only eight dramatis personae, of which one was the villain,[4] and his analysis has been widely applied to non-Russian tales. Baba Yaga (Ба́ба-Яга́ Баба Рога Баба Яга Баба Рога Polish, Czech, Baba Jaga Baba Roga is in Slavic folklore, a witch-like Vladimir Yakovlevich Propp (Владимир Яковлевич Пропп &mdash 22 August 1970) was a Russian formalist scholar who A fairy tale or fairy story is a fictional Story that may feature folkloric characters (such as fairies, enchantments]] often involving Dramatis personæ is a Latin phrase (literally 'the masks of the drama' used to refer collectively to the characters in a dramatic work—-commonly employed The actions that fell into a villain's sphere were:

None of these acts must necessarily occur in a fairy tale, but when they occurred, the character that performed them was the villain. The villain therefore could appear twice: once in the opening of the story, and a second time as the person sought out by the hero. [5]

When a character performed only these acts, the character was a pure villain. Various villains also perform other functions in a fairy tale; a witch who fought the hero and ran away, which let the hero follow her, was also performing the task of "guidance" and thus acting as a helper. [6]

The functions could also be spread out among several characters. If a dragon acted as the villain but was killed by the hero, another character -- such as the dragon's sisters -- might take on the role of the villain and pursue the hero. [7]

Two other characters could appear in roles that are villainous in the more general sense. One is the false hero; this character is always villainous, presenting a false claim to be the hero that must be rebutted for the happy ending. The false hero is a Stock character in Fairy tales and sometimes also in Ballads The character appears near the end of a story in order to claim to be the [8] Among these characters are Cinderella's stepsisters, chopping off parts of their feet to fit on the shoe. Cinderella ( French: Cendrillon, Slovak: Popoluška, German: Aschenputtel, Spanish: Cenicienta [9] Another character, the dispatcher, sends a hero on his quest. This may be an innocent request, to fulfill a legitimate need, but the dispatcher may also, villainously, lie to send a character on a quest in hopes of being rid of him. [10]

The villainous foil

Darth Vader, one of the most iconic villains in film history, makes his entrance in Star Wars Episode IV: A New Hope.
Darth Vader, one of the most iconic villains in film history, makes his entrance in Star Wars Episode IV: A New Hope. Anakin Skywalker Darth Vader is a fictional character in George Lucas ' Science fiction saga Star Wars. Star Wars Episode IV A New Hope (originally released as Star Wars) is a 1977 Space opera

In fiction, villains commonly function in the dual role of adversary & foil to the story's heroes. In their role as adversary, the villain serves as an obstacle the hero must struggle to overcome. In their role as foil, the villain exemplifies characteristics that are diametrically opposed to those of the hero, creating a contrast distinguishing heroic traits from villainous ones.

Others point out that many acts of villains have a hint of wish-fulfillment fantasy, which makes some people identify with them as characters more strongly than with the heroes. Fantasy is a Genre that uses magic and other Supernatural forms as a primary element of plot, theme, and/or setting Because of this, a convincing villain must be given a characterization that makes his or her motive for doing wrong convincing, as well as being a worthy adversary to the hero. UserScottandrewhutchins: http//enwikipediaorg/w/indexphp?title=Characterization&diff=next&oldid=157919139 --> Characterization is a process of conveying Motivation is the reason or reasons for engaging in a particular behavior especially Human behavior as studied in Philosophy, Conflict, Economics As put by film critic Roger Ebert: "Each film is only as good as its villain. Roger Joseph Ebert (iːbɝt born June 18, 1942) is an American film critic and Screenwriter. Since the heroes and the gimmicks tend to repeat from film to film, only a great villain can transform a good try into a triumph. "[11]

The Evil Genius villain

The Evil Genius is an archetype or even a caricature that is a recurring staple in certain genres of fiction, particularly comic books, spy fiction, video games, action films and cartoons. The evil demon, sometimes referred to as the evil genius, is a concept in Cartesian Philosophy. An archetype ( pronounced: /ˈɑːkɪtaɪp/ (Brit or /ˈɑrkɪtaɪp/ (Amer A caricature is either a Portrait that exaggerates or distorts the essence of a person or thing to create an easily identifiable visual likeness or in literature a description A genre (ˈʒɑːnrə also /ˈdʒɑːnrə/ from French "kind" or "sort" from Latin: genus (stem gener-) is a loose set A comic book (often shortened to simply comic and sometimes called a comic paper or comic magazine) is a Magazine or Book of narrative The Genre of spy fiction —sometimes called political thriller or spy thriller or sometimes shortened simply to Spy-fi —arose before A video game is a Game that involves interaction with a User interface to generate visual feedback on a video device. Action movies are a Film genre where action sequences such as fights, Shootouts Stunts Car chases or explosions either take precedence The word cartoon has various meanings based on several very different forms of Visual art and Illustration. The evil genius serves as a common adversary and foil of the hero. A hero (from Greek grc ἥρως hērōs) in Greek mythology and Folklore, was originally a Demigod, the offspring of a mortal and

As the term suggests, evil geniuses are characters of great intelligence who choose to use their knowledge for antisocial ends. Their schemes often hinge on mundane details that heroes can exploit, foiling their plots at the climax of the story. A hero (from Greek grc ἥρως hērōs) in Greek mythology and Folklore, was originally a Demigod, the offspring of a mortal and

Origins

Evil geniuses have commonly had difficult childhoods. Normally, this is used to compare them to superheroes. It implies that the villain and hero have followed similar paths, only to deviate at key points. Evil geniuses often come from poor or impoverished backgrounds but have fought their way to the top and put on an aura of sophistication so that no one will suspect their humble beginnings.

Characteristics

The evil genius is different from the mad scientist, in that the mad scientist tends to be amoral, rather than evil. An Evil Genius is generally a clever schemer, while the Mad Scientist typically pursues scientific knowledge with no regard for the consequences. A mad scientist might create an army of zombies, just to see if it is possible, but an evil genius would have a diabolical use for this army, and a plan to escape the town without being killed (a reason for which mad scientists are often found in the employ or working in concert with an evil genius, and as such will be killed or left for dead by the evil genius).

Hubris is a common characteristic among evil geniuses, so much so that they often boast of their grand designs to their adversary, or otherwise compromise their plots in a moment of overconfidence. Hubris, sometimes spelled hybris ( Ancient Greek ὕβρις is a term used in modern English to indicate overweening Pride, self-confidence

Other types of villain

Image:Perilsofpauline.jpeg
A sterotypical villain kidnaps the heroine of "The Perils of Pauline". The Perils of Pauline was a motion picture serial shown in weekly installments featuring Pearl White as the title character
Not all villains are intentionally evil, but do evil in the deluded belief of its morality. These are tragic villains, a notable tragic villain was Travis Bickle played by Robert De Niro in the movie Taxi Driver.
Not all villains are intentionally evil, but do evil in the deluded belief of its morality. These are tragic villains, a notable tragic villain was Travis Bickle played by Robert De Niro in the movie Taxi Driver. A tragic villain is a character usually an Antagonist, that does not truly intend to be a Villain. Taxi Driver is a film directed by Martin Scorsese and written by Paul Schrader. Robert Mario De Niro Jr (born August 17 1943 is a two-time Academy Award -winning American Film Actor, director and producer Taxi Driver is a film directed by Martin Scorsese and written by Paul Schrader.

Note that, as mentioned above, a villain's disposition towards evil distinguishes them from an antagonist. An antagonist (from Greek ανταγωνιστής - antagonistes, "opponent competitor rival" is a character or For example, Javert in Les Miserables is an antagonist: he opposes the hero, but does so by such means and under such pretexts as not to become entirely odious to the reader. Les Misérables (pronounced /le miːzeʁabl(ə translated variously from French as The Miserable Ones, The Wretched Note also that a villain may repent, be redeemed, or become in league with the hero. Sometimes, a villain may even appear as the protagonist of a story, while the hero who opposes them may be the antagonist.

See also

References

  1. ^ Random House Unabridged Dictionary Web Result
  2. ^ (1984) in David B. El caballo del malo is a Spanish expression which arrived during the period many Westerns were being filmed in Spain. Guralnik: Webster's New World Dictionary. New York: Simon and Schuster. Simon & Schuster Inc, a division of CBS Corporation, is a Publisher founded in New York in 1924 by Richard L  
  3. ^ C. S. Lewis, Studies in Words, Cambridge University Press, [[{{{date}}}]]. Clive Staples Lewis (29 November 1898 – 22 November 1963 Studies in Words is a secular work of linguistic scholarship written by Clive Staples Lewis and published by the Cambridge University Press in 1960 Cambridge University Press (known colloquially as CUP is a Publisher given a Royal Charter by Henry VIII in 1534
  4. ^ Vladimir Propp, Morphology of the Folk Tale, p 79 ISBN 0-292-78376-0
  5. ^ Vladimir Propp, Morphology of the Folk Tale, p 84 ISBN 0-292-78376-0
  6. ^ Vladimir Propp, Morphology of the Folk Tale, p 81 ISBN 0-292-78376-0
  7. ^ Vladimir Propp, Morphology of the Folk Tale, p 81 ISBN 0-292-78376-0
  8. ^ Vladimir Propp, Morphology of the Folktale, p60, ISBN 0-292-78376-0
  9. ^ Maria Tatar, The Annotated Brothers Grimm, p 136 ISBN 0-393-05848-4
  10. ^ Vladimir Propp, Morphology of the Folktale, p77, ISBN 0-292-78376-0
  11. ^ Review of Star Trek II: The Wrath of Khan by Roger Ebert. Star Trek II The Wrath of Khan is the second feature film based on the Star Trek Science fiction Television series, following Roger Joseph Ebert (iːbɝt born June 18, 1942) is an American film critic and Screenwriter.
  12. ^ a b John Grant and John Clute, The Encyclopedia of Fantasy, "Dark Lord", p 250 ISBN 0-312-19869-8

Further reading

Dictionary

villain

-noun

  1. A vile, wicked person.
  2. An extremely depraved person, or one capable or guilty of great crimes.
  3. A deliberate scoundrel.
  4. The bad person in a stage or screen play.
  5. (archaic) The lowest level of medieval serfdom.
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