Video poetry is poetry in video form. Video is the technology of electronically capturing, Recording, processing storing transmitting and reconstructing a sequence of Still images It is also called “videopoetry”, video-visual poetry, poetronica, poetry video, media poetry, Cin(E)-Poetry, in relation with used techniques, with more or less wide use of digital technology, and also in correlation with the length and content of video works. Video poetry is a wide-ranging category, where very different typologies of works converge. Sometimes video poetry uses digital elaboration, becoming similar to Digital poetry, completely generated by software, otherwise it is absent of digital effects, becoming something similar to performance or simply poetry reading recorded in video (digital or analogue). Digital poetry is a form of Electronic literature with a wide range of approaches to Poetry that all have in common prominent and crucial use of Computers A performance, in Performing arts, generally comprises an event in which one group of people (the performer or performers behave in a particular way for another group of people A poetry reading is a performance of Poetry, normally given on a small stage in a Café or Bookstore, although poetry readings given by notable poets frequently But in general we can say that can not be considered “video poetry” the simple recording in video of a poetry reading or of a performance. In many video poetry works is evident the connection with video art and we could consider video poetry a particular form of video art containing poetry text, variously elaborated at acoustic and at visual level. Video art is a type of Art which relies on Moving pictures and is comprised of Video and/or audio data
Authors
The Italian artist, writer and poet Gianni Toti, is considered the father of this kind of experimentation. Since the early 1980s he began to mix together cinema, poetry text, and electronic images, creating a new genre called “poetronica”. His video poem operas are generally films produced with the support of specialized teams and cultural centers, such as CICV (Centre de Recherche Pierre Schaeffer in Montbéliard, F), and universities. Videopoetry developed in the 1990s, with short experimental video works and video installations, which vary in typology, length, and structure. The 1990s collectively refers to the years between and including 1990 and 1999 Video installation is a Contemporary art method that combines Video technology with Installation art. Other international authors who contributed to video poetry as a specific “genre”, exclusive from video art include: Akenaton, Arnaldo Antunes, George Aguilar, Philippe Boisnard[1], Jennifer Bozick and Kevin McCoy, Caterina Davinio, Gary Hill, Philadelpho Menezes, Javier Robledo, Aleesandro Amaducci. Arnaldo Antunes (born Arnaldo Augusto Nora Antunes Filho September 2, 1960) is a writer and composer from Brazil Kevin McCoy may refer to Kevin McCoy (rector, rector of the Pontifical North American College Kevin McCoy (artist, New York City artist Caterina Davinio (born in Foggia, Apulia, Italy, on November 25, 1957) is an Italian poet novelist and New media Gary Hill (born in 1951 Santa Monica California, US) is an American artist who lives and works in Seattle Washington. Philadelpho Menezes (born in 1960 in São Paulo, Brazil, dead in 2000 Brazil in a car accident There are also poetry films without the presence of poetry text, but are defined as videopoetry by their authors. Some media poems utilize words in motion, emphasized in their iconic and typographical aspects grounded in the Futurist tradition. These pieces are elaborated digitally, using animation software and computer graphics. Among the authors who in the 1990s explored this genre: Arnaldo Antunes, Caterina Davinio, the Russian writer and critic Anna Alchuk, in collaboration with computer artist Olga Kumeger and the musician Serguey Letov. Arnaldo Antunes (born Arnaldo Augusto Nora Antunes Filho September 2, 1960) is a writer and composer from Brazil Caterina Davinio (born in Foggia, Apulia, Italy, on November 25, 1957) is an Italian poet novelist and New media Related to poetry performance in video (but emphasizing the specific video language) the artists: Akenaton, Bartolomé Ferrando, Enzo Minarelli, Xavier Sabater, Nicholas Tardy, Massimo Mori, Clemente Padìn, Fernando Aguiar, and other sound and performance poets. Akhenaten (often alt: Akhnaten, or rarely Ikhnaton) (In English ˌɑkəˡnɑtən or approximately "AHK-en-AHT-en" his royal name Amenhotep Fernando João Lobo Aguiar (born March 18, 1972 in Chaves) is a Portuguese -born Canadian football player
References
- ^ he received in 2007 the Great Multi-media Price of SGDL de France for the whole of its videopoetic creations
- Eduardo KAC, New Media Poetry: Poetic Innovation and New Technologies, "Visible Language" Vol. 30, No. 2, Rhode Island School of Design, 1996
- AAVV, La coscienza luccicante. Dalla videoarte all’arte interattiva, Gangemi, Rome 1998
- S. BORDINI, Videoarte e arte, Ed Lithos, Rome 1995
- Caterina DAVINIO, Tecno-Poesia e realtà virtuali (Techno-Poetry and Virtual Reality), essay with preface by Eugenio Miccini (It/En), Mantova, Sometti, 2002.
- Caterina DAVINIO, “Parole virtuali. La poesia video-visiva tra arte elettronica e avanguardia”, in "Doc(K)s. Un notre web” (book & CD), serie 3, 21, 22, 23, 24, Ajaccio (F) 1999
- Caterina DAVINIO, "Scritture/Realtà virtuali" in "Doc(K)s" (web), 2000
- Sandra LISCHI, "Elettronica, videoarte e poetronica", in Vito ZAGARRIO (a cura di), Storia del cinema italiano 1977-1985, Guido Lombardi
- Sandra LISCHI, Visioni elettroniche, Fondazione Scuola Nazionale di Cinema. Collection: Biblioteca di bianco e nero, Rome/Venice, Marsilio, 2001
- Gianni TOTI, "Il video artista, cattiva coscienza della TV", «Cinemasessanta», 190, January-February 1990.
- Marco Maria GAZZANO, Gianni TOTI, "Immagine & Pubblico. Video", special n. dedicated to video art, , suppl. n. 2/3, April – September, Ente Autonomo Gestione Cinema, Rome 1990
- Gianni TOTI. "Il tempo del senso", in “Internet Catalogue”, XVIII VideoArt Festival, Locarno (CH) 1997
Web
General Bibliography
- P. CASTELLIN, J. TORREGROSA, P. BOOTZ, "DOC(K)S/Alire" 10, Series 3, n. 13/14/15/16, Ajaccio (France) 1997
- V. ACCAME, Quale segno, arte scrittura comunicazione, Archivio di Nuova Scrittura, Milano 1993
- "ALIRE", revue sur disquette, Mots-Voir (27, Allée des Coquelicots, 59650, Villeneuve d'Ascq)
- L. ANCESCHI, Progetto di una sistematica dell’arte, Milano 1997
- J. -P. BALPE, "L'Ordinateur, sa muse", in "Pratiques" nº 39, Metz 1984
- J. -P. BALPE, "La position de l'auteur dans la génération automatique de textes à orientations littéraires", in "Lynx" nº 17, Université de Paris-X Nanterre, Nanterre, 1987
- E. BARRET, The Society of Text, Hypertext, Hypermedia, and the Social Construction of Information, MIT Press, Cambridge 1993
- M. CALVESI, Le due avanguardie. Dal Futurismo alla Pop Art, Milano 1966
- P. L. CAPUCCI, Realtà del virtuale, rappresentazioni tecnologiche, comunicazioni, arte, Bologna 1996
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- A. DE CAMPOS, Re/visão de sousândrade (con Haroldo de Campos), Edições Invenção, San Paolo 1964 (2ª edizione, ampliata, Nova Fronteira, San Paolo 1982)
- A. DE CAMPOS, Teoria da poesia concreta (con D. Pignatari e H. de Campos). Edições Invenção, San Paolo 1965; 2ª edizione, ampliata, Duas Cidades, San Paolo 1975; 3ª edizione, Brasiliense, 1987
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- J. Donguy, Poésies expérimentales—Zones numériques, Presses du réel, 2007.
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- "VISIBLE LANGUAGE" nº 30, 1996
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Notes
See also
Video art is a type of Art which relies on Moving pictures and is comprised of Video and/or audio data Digital art most commonly refers to Art created on a Computer in Digital form Digital poetry is a form of Electronic literature with a wide range of approaches to Poetry that all have in common prominent and crucial use of Computers Visual poetry, is Poetry or Art in which the visual arrangement of text images and symbols is important in conveying the intended effect of the work Sound poetry is a form of literary or Musical composition in which the Phonetic aspects of Human speech are foregrounded at the expense of more conventional Concrete poetry, pattern poetry or shape poetry is Poetry in which the typographical arrangement of words is as important in conveying the intended effect Performance poetry is Poetry that is specifically composed for or during performance before an audience Fluxus —a name taken from a Latin word meaning "to flow"—is an international network of artists composers and designers noted for blending different artistic media Futurism was an Art movement that originated in Italy in the early 20th century
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