Taiko (太鼓?) means "drum" in Japanese (etymologically "great" or "wide drum"). The drum is a member of the percussion group technically classified as a Membranophone. is a language spoken by over 130 million people in Japan and in Japanese emigrant communities Outside Japan, the word is often used to refer to any of the various Japanese drums (和太鼓, 'wa-daiko', "Japanese drum", in Japanese) and to the relatively recent art-form of ensemble taiko drumming (sometimes called more specifically, "kumi-daiko" (組太鼓). For a topic outline on this subject see List of basic Japan topics.
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Japanese taiko drums, while having antecedents in Chinese[1] and Korean Janggu drums, have been developed into a wide range of percussion instruments that are used in both Japanese folk and classical musical traditions. China ( Wade-Giles ( Mandarin) Chung¹kuo² is a cultural region, an ancient Civilization, and depending on perspective a National Korea is a geographic area composed of two sovereign countries a civilization and a former state situated on the Korean Peninsula in East Asia. The janggu (or janggo; also spelled changgo) or sometimes called seyogo (slim waist drum is The modern Japanese music scene includes a wide array of performers in distinct styles both traditional and modern ranging from rock electro punk folk metal reggae salsa and tango Folk music can have a number of different meanings including Traditional music: The original meaning of the term "folk music" was synonymous Classical music is a broad term that usually refers to mainstream music produced in or rooted in the traditions of Western liturgical and Secular music
Taiko, in general, are stick percussion instruments. With the exception of the kotsuzumi and ootsuzumi, all taiko are struck with bachi. Bachi ( 桴, 枹) (also batchi or buchi) is the name for the Wooden sticks used to play Japanese Taiko drums They have heads on both sides of the drum body, and a sealed resonating cavity. Taiko are also characterized by a high amount of tension on the drums heads, with a correspondingly high pitch relative to body size. This high tension likely developed in response to Japan's wet and humid summers when most festivals take place. Many taiko are not tunable, and a drum with high head tension would counteract the slacking effects of humidity.
Taiko are categorized into two types of construction. Byou-uchi daiko (鋲撃ち太鼓) taiko have heads nailed to the body. Tsukushime-daiko (付締め太鼓) have heads sewn onto iron rings, which are then laced to each other around the drum body.
Byou-uchi daiko are typically hollowed out of a single piece of wood. The preferred wood is keyaki (欅) due to its density and beautiful grain, but a number of other woods are used, grouped under the generic term meari (目有). Zelkova serrata ( Keyaki or Japanese Zelkova; Korean: 느티나무 neutinamu; Japanese: ケヤキ keyaki Byou-uchi daiko cannot be tuned, and their sizes are limited by the diameter of the tree they are made from.
The typical byou-uchi daiko is the nagado-daiko (長胴太鼓, long-body taiko). The nagado-daiko is an elongated drum, roughly shaped like a wine barrel, that can be shifted in many different ways that affect the sound of the instrument. The drum can also be played by more than one performer at the same time. This style of drum also signifies the family of drums that are made from a single piece of wood. Nakado-daiko are available in a variety of sizes, from 1. 0 shaku (12" in head diameter), to 3. The shaku (尺 is an archaic Japanese unit of Length, approximately equal to the foot. 0 shaku in 1 sun increments. The cun ( is a traditional Chinese unit of length. Its traditional measure is the width of a person's thumb at the knuckle whereas the width of the two forefingers denotes The chu-daiko is a medium sized nakado-daiko. Nagado-daiko over 3. 0 shaku are also available, but they are referred to as ōdaiko (大太鼓 great drum). Smaller byou-uchi daiko such as the sumo-daiko and hayashi-daiko also exist.
One of the most defining drums of any Taiko ensemble would be the ōdaiko. The ōdaiko is the largest drum in all of Taiko if not the entire world. Some of the drums are so large that they cannot even be moved so they’ve taken up residence inside of a temple or shrine. Made from a single piece of wood, some ōdaiko can come from trees that are hundreds of years old.
Tsukeshime-daiko (付締め太鼓) are available in a wide variety of styles, and are tunable. This style of taiko is typically tensioned before each performance. The tensioning system is usually rope, but bolt systems and turnbuckles have been used as well. Tsukeshime-daiko can either have stitched heads placed on bodies carved from single piece of wood, such as the shime-daiko and tsuzumi, or stitched heads placed on a stave-construction body such as the okedo-daiko.
The shime-daiko is roughly snare-drum sized, and is generally available in five sizes - Namizuke, or number 1 size, is the lightest and is used in classical theater such as noh and kabuki. The shime-daiko is a small Japanese drum The word "shime-daiko" comes from a larger word "tsukeshime-daiko" (付締め太鼓 often shortened to simply "shime-daiko" or is a major form of classic Japanese musical Drama that has been performed since the 14th century is a form of traditional Japanese theatre. Kabuki theatre is known for the stylization of its drama and for the elaborate Make-up worn by some of its performers Nichougakke, or number 2, are usually used by amateur players for its light and yet sturdy frame. sanchou - gochou; number 3 to number 5 are used by semi-professional to world class performance groups.
Other Japanese taiko include the uchiwa-daiko (団扇太鼓、fan taiko), hira-daiko (平太鼓, flat taiko), o-daiko (大太鼓, big taiko), and a host of percussion instruments used in Japan's traditional noh, gagaku, and kabuki ensembles. or is a major form of classic Japanese musical Drama that has been performed since the 14th century Gagaku (ja [[wiktionary雅 雅]][[wiktionary楽 楽]] literally "elegant music" is a type of Japanese classical music that has been performed at the Imperial court is a form of traditional Japanese theatre. Kabuki theatre is known for the stylization of its drama and for the elaborate Make-up worn by some of its performers
The Aomori region is famous for the Nebuta festival where huge okedo are played by many people while carted through the streets. The Okedo has its own upright stand which was invented by Asano Taiko Drum Company.
Again, like the nagado-daiko, the okedo has a rim sound, called "ka. " When playing the rim of an okedo, however, it is important to only hit the outermost metal ring and not the actual rim of the drum body. The thin, light wood of the okedo is particularly susceptible to denting and will quickly deteriorate if hit.
Along with the martial use of the Taiko drums, they also held a strong foundation in the court style music called Gagaku. Gagaku (ja [[wiktionary雅 雅]][[wiktionary楽 楽]] literally "elegant music" is a type of Japanese classical music that has been performed at the Imperial court You would expect to find this style of music held in the castles and shrines across ancient Japan. Gagaku alone is one of the oldest styles of court music that is still being played in the world today.
Modern taiko is recognized as having been established in 1951 by Daihachi Oguchi. Year 1951 ( MCMLI) was a Common year starting on Monday. Events of 1951 January He is credited with forming the first actual Taiko ensemble referred to as kumi-daiko and starting the modern popularity of Taiko performances. Daihachi Oguchi was originally known for his jazz drumming performances. Jazz is an American Musical art form which originated in the beginning of the 20th century in African American communities in the Southern United States As the story goes, he was going to play a drumming piece for one of the local shrines and decided to add somewhat of a jazz style flare to the piece. Coming from a jazz background, Daihachi Oguchi speculated why the Taiko drums had never previously been played as an ensemble before. From this simple idea Daihachi Oguchi put together various Taiko of all different shapes, sizes, and pitches to be included in his ensemble. The drums were also arranged in the same type of manner that a jazz drum set would be expected to look like. Since an actual Taiko ensemble had never really performed together and the people he had playing with him were in no way professional musicians, he based the rhythms of their performance on the simplistic arrangement of the shrine music that had been previously played; which allowed for nearly any person with the interest in Taiko could play along. It was from the foundation of the first Taiko ensemble that Daihachi Oguchi continued on to lead the successful Taiko group named Osuwa Daiko. At 84 years old in 2007, Daihachi Oguchi is widely attributed as the GrandMaster of modern Taiko. Year 2007 ( MMVII) was a Common year starting on Monday of the Gregorian calendar in the 21st century. To date, he has formed or helped to form nearly 200 taiko groups in Japan, Singapore, Canada and the U.S.
Around the same time as Daihachi Oguchi’s Taiko ensemble's name was spreading around Japan via radio and television broadcasts, another pioneer in the field called, Sukeroku Daiko, emerged. For a topic outline on this subject see List of basic Japan topics. Singapore Country to "Dominion of Canada" or "Canadian Federation" or anything else please read the Talk Page The United States of America —commonly referred to as the Their performances consisted of speed, fluidity, and power. They also brought flashy choreography and solos. Despite the group’s eventual break up, one of its members, Seido Kobayashi, went on to form the group Oedo Sukeroku Daiko, which is credited for being the very first professional Taiko group.
Another Taiko ensemble that set the framework for one of the most popular groups began on Sado Island. was a province of Japan until the late 19th century since then it has been a part of Niigata Prefecture The group, Za Ondekoza, was founded in 1969 by a man named Tagayasu Den. ("demon drum group" sometimes referred to as " Za Ondekoza " is a Japanese troupe specializing in Taiko drumming Year 1969 ( MCMLXIX) was a Common year starting on Wednesday (link will display full calendar of the Gregorian calendar. He set out to make Taiko more than just entertainment but a way of life. He collected a group of youths from rural areas across Japan so that they would be uninfluenced by the big city way of life. With this mindset, the students practiced a very rigorous training regime that typically consisted of marathon running and communal living. Due to complications, the group members and Tagayasu Den split off and Mr. Den left Sado Island. was a province of Japan until the late 19th century since then it has been a part of Niigata Prefecture The remaining members, with the help of drums from Asano Taiko, went on to form the Taiko group Kodo.
Kodo has gone on to be one of the world's most popular and recognized performance ensembles. Since 1988, the group has also hosted the Earth Celebration International Music Festival, which brings music enthusiasts from all over the world to their headquarters. Year 1988 ( MCMLXXXVIII) was a Leap year starting on Friday (link displays 1988 Gregorian calendar)
Most recently, a new generation of Taiko performers groups have emerged. Art Lee (Art Lee - Taiko) is a solo performer living in Japan, and director of a group, Tokara, through which he introduces a new style of artistry of movement and sound into Taiko composition. Entertainment groups such as Wadaiko Yamato and TAO have become full agencies in which the performance group is the main charter of the company as a whole. Wadaiko Yamato is a Japanese musical group of Taiko Drummers founded in 1993 by Masa Ogawa Other groups such as Shidara, stick with the traditional way of life of their area, while infusing their towns festival traditions into the entertainment industry.
The Taiko band GOCOO from Tokyo is the first internationally renowned group lead by a female drummer (Kaoly Asano). GOCOO are seven female and four male Taiko drummers from Tokyo ( Japan) GOCOO is also the first Taiko ensemble to exhibit free-spirited Taiko MUSIC, rising freely between the East and the West, tradition and pop, rite and party. GOCOO are seven female and four male Taiko drummers from Tokyo ( Japan)
Additionally, taiko has grown in the United States since coming over from Japan in the late 1960s. The first American taiko group, San Francisco Taiko Dojo, was formed in 1968 by Seiichi Tanaka, a postwar immigrant who studied taiko in Japan and brought the styles and teachings to America. A year later, a few members of Senshin Buddhist Temple in Los Angeles were putting away a drum after an obon festival and decided to just have a jam session and after several hours of playing, they decided to form a group. Shortly after, Kinnara taiko was formed. In 1973, the third American taiko group, San Jose Taiko, was formed by a group of young Japanese Americans in the San Jose Japantown.
In the 1990s, there was a new development in taiko in the United States. In 1990, students at UCLA formed the first intercollegiate taiko group, Kyodo Taiko. In 1992, the second and third collegiate groups were formed, Stanford Taiko at Stanford University and Jodaiko at the University of California, Irvine. Since the formation of these three groups, collegiate groups have formed all around the nation. It's estimated that about 36 collegiate taiko groups and about 300 taiko groups in general exist in the United States today.
There are four different styles of Taiko performance.
Taiko ensembles are groups that are nearly completely drum instruments, with a couple of exceptions. Each from the drums plays a very specific role to the overall aspect of the ensemble. Of the many different styles and shapes of Taiko drums, the most common drum found in an ensemble would likely be the nagado-daiko.
Drums are not the only instruments played in the ensemble. They also incorporate a wide variety of other Japanese instruments to their ensembles. Common string instruments found with many different Taiko groups would be the biwa, koto, and the shamisen. The biwa ( 琵琶) is a Japanese short-necked fretted Lute, and a close variant of the Chinese Pipa. The koto ( 琴 or 箏) is a traditional Japanese stringed Musical instrument derived from the Chinese Zither ( Guzheng The shamisen or samisen ( Japanese: 三[[wiktionary 味|味]] 線, literally "three flavor strings" also called sangen (literally Of the woodwinds used, the bamboo flutes known as the shakuhachi and the shinobue are popular items. The is a Japanese end-blown Flute. Its name means "18 feet" referring to its size The shinobue ( Kanji: 篠笛; also called takebue) is a Japanese Transverse flute that has a
In feudal Japan, taiko were often used to motivate troops, to help set a marching pace, and to call out orders or announcements. Approaching or entering a battle, the taiko yaku (drummer) was responsible for setting the marching pace, usually with six paces per beat of the drum (beat-2-3-4-5-6, beat-2-3-4-5-6).
According to one of the historical chronicles (the Gunji Yoshu), nine sets of five beats would summon an ally to battle, while nine sets of three beats, sped up three or four times is the call to advance and pursue an enemy.
See Taiko bibliography.