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Synecdoche from Greek συνεκδοχη, "simultaneous understanding" (pronounced /sɪˈnɛkdəkɪ/) is a figure of speech in which:

Synecdoche is closely related to metonymy (the figure of speech in which a term denoting one thing is used to refer to a related thing); indeed, synecdoche is often considered a subclass of metonymy. In Rhetoric, metonymy (mɨˈtɒnɨmi is the use of a word for a concept or object associated with the concept/object originally denoted by the word It is more distantly related to other figures of speech, such as metaphor. Metaphor (from the Greek: μεταφορά - metaphora, meaning "transfer" is language that directly compares seemingly unrelated subjects

The use of synecdoche is a common way to emphasize an important aspect of a fictional character; for example, a character might be consistently described by a single body part, such as the eyes, which come to represent the character. This is often used when the main character does not know or care about the names of the characters that he/she is referring to.

Also, sonnets and other forms of love poetry frequently use synecdoches to characterize the beloved in terms of individual body parts rather than a whole, coherent self. The sonnet is one of the poetic forms that can be found in Lyric poetry from Europe. This practice is especially common in the Petrarchan sonnet, where the idealised beloved is often described part by part, from head to toe. The sonnet is one of the poetic forms that can be found in Lyric poetry from Europe.

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Dictionary

synecdoche

-noun

  1. (rhetoric) A figure of speech by which an inclusive term stands for something included, or vice versa; a figure of speech in which a part is spoken of as the whole (hand for laborer) or vice-versa (the court for the judge).
  2. (rhetoric) The use of synecdoche; synecdochy.
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