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The stutter edit is a musical technique in which samples are reorganized, broken down, and spliced together, then given a rhythm and time signature. Rhythm (from Greek ῥυθμός - rhythmos, "any measured flow or movement symmetry" is the variation of the length and accentuation of The time signature (also known as " meter signature" is a notational convention used in Western Musical notation to specify how many beats [1] Used in electronic music, the stutter edit allows for the composition of not only the common 16th notes, but also 64th notes and beyond—far beyond. Electronic music is music that employs Electronic musical instruments and Electronic Music technology in its production Stutter edit notes can go beyond 2,048th notes and can be measured in milliseconds. [2] As a result, these extremely short, fast groups of notes are often placed into the spacing of an eighth or sixteenth note in an otherwise “normal” bar, creating rhythmic accenting and patterns that call attention to a particular section. These patterns can be placed at the beginning of a bar, or towards the end for a more syncopated sound.

Creation

Due to the extremely rapid rhythmic bursts, after a certain rhythmic point—i. e. the 128th note—some stutters begin to sound like a tone rather than a short percussive beat. Traditional stutter edits splice percussive vocals or drum loops because they begin as rhythmic rather than constant tones. These percussive, on-the-beat areas are known as attack transients, and are usually no longer than an eighth note. The splicing of percussive samples results in a more attention-getting sound than it would with a single sustained pitch. [3] Stutters also often reduce notes within bars, beginning with 32nd notes, then reducing to 64th and 128th or something similar.

Stutter edits involve such minute numbers that they cannot be created within one program. Often, separate plugins are necessary to tweak the edit to the desired level, and then import it back into the primary program, known as the Digital Audio Workstation (DAW). A digital audio workstation (DAW is an electronic system designed to record, edit and play back digital audio It is in part due to this that the stutter edit is such a time-consuming process. Along with splicing and cutting the individual sample, the sample is often taken out of the DAW, sometimes to a differently formatted program or plugin. This means that upon importing the edit back into the DAW, further editing is required to achieve the desired effect. [3]

Programs and the glitch edit

As a relatively new technique, for most, the stutter edit is a trial-and-error process. However, there are new programs and plugins emerging to make creation faster and simpler:

The glitch edit is less about rhythmic synchronicity and intended more to jar and “wake up” the listener. Glitches also use sustained harmonic samples, as opposed to the percussive samples used in stutter edits. Usually in short bursts of sound; the glitch is almost always syncopated, placed on weaker beats to grab attention. [3]

References

  1. ^ Trupiano, Joe. The Art of Glitch.
  2. ^ Harrington, Richard. Reveling in the Human Side of Electronica.
  3. ^ a b c Alexander, Jason Scott. . Fractal Tendencies.
  4. ^ Apple - Pro - Profiles - BT, p. 1
  5. ^ Harmony Central - Signal Processing with Propellerhead's ReCycle
  6. ^ Sony Creative Software
  7. ^ dblue Glitch v1.1.8 beta demo available for download

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