Simon Boccanegra is an opera with a prologue and three acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the play Simón Bocanegra by Antonio García Gutiérrez. Opera is an art form in which Singers and Musicians perform a Dramatic work (called an opera which combines a text (called a Libretto A libretto is the text used in an extended Musical work such as an Opera, Operetta, Masque, sacred or secular Oratorio and Francesco Maria Piave ( 18 May 1810 &ndash 5 March 1876) was an Italian librettist who was Verdi 's life-long A play, or stageplay, is a form of Literature written by a Playwright, almost always consisting of Dialogue between Fictional characters Antonio García Gutiérrez ( July 5 1812, Chiclana de la Frontera, Cádiz &mdash August 6 1884, Madrid) was a It was first performed at Teatro La Fenice, Venice on March 12, 1857. Teatro La Fenice ("The Phoenix " is an Opera house in Venice, Italy. Venice ( Italian: Venezia, Venetian: Venesia or Venexia) is a city in Northern Italy, the capital of the Events 538 - Witiges, king of the Ostrogoths ends his siege of Rome and retreats to Ravenna, leaving Click here for Indian Rebellion of 1857 Year 1857 ( MDCCCLVII) was a Common year starting on Thursday (link will display the The revised version, with text changes by Arrigo Boito, was first performed at La Scala, Milan on March 24, 1881. Arrigo Boito ( February 24, 1842 &ndash June 10, 1918) aka Enrico Giuseppe Giovanni Boito Pseudonym Tobia Gorrio was an Italian The Teatro alla Scala (or La Scala, as it is known in Milan, Italy, is one of the world's most famous Opera houses The theatre was Milan (Milano Milan (listen) is one of the largest cities in Italy, located in the plains of Lombardy. Events 1401 - Mongol emperor Timur sacks Damascus. 1603 - James VI of Scotland Year 1881 ( MDCCCLXXXI) was a Common year starting on Saturday (link will display the full calendar of the Gregorian calendar (or a Common
Simon Boccanegra is part of the standard operatic repertoire and there are many recordings of it.
Contents |
| Role | Voice type | Premiere Cast March 12, 1857[1] (Conductor: - ) |
Revised version Premiere Cast March 24, 1881[2] (Conductor: Franco Faccio)[3] |
|---|---|---|---|
| Simon Boccanegra, a corsair, later the first Doge of Genoa |
baritone | Leone Giraldoni | Victor Maurel |
| Maria Boccanegra, his daughter, known as Amelia Grimaldi |
soprano | Luigia Bendazzi | Anna d'Angeri |
| Jacopo Fiesco, a Genoese nobleman, known as Andrea |
bass | Giuseppe Echeverria | Edouard de Reszke |
| Gabriele Adorno, a Genoese gentleman | tenor | Carlo Negrini | Francesco Tamagno |
| Paolo Albiani, a goldsmith and the Doge’s favourite courtier |
bass | Giacomo Vercellini | Federico Salvati |
| Pietro, a Genoese popular leader and courtier |
baritone | Andrea Bellini | Giovanni Bianco |
| Captain of the Crossbowmen | tenor | Angelo Fiorentini | |
| Amelia’s maid | mezzo-soprano | Fernanda Capelli | |
| Soldiers, sailors, people, senators, the Doge’s court, prisoners - Chorus | |||
Paolo persuades Pietro to support the nomination of Simon Boccanegra for doge of Genoa. Boccanegra arrives and agrees to stand, thinking that Fiesco would then allow him to wed his daughter, who is being held prisoner in her father's gloomy palace just to prevent such a union and by whom Simon has already a daughter, Maria. Pietro rallies support for Boccanegra. Fiesco enters, stricken with grief over his daughter's death ("Il lacerato spirito"). He does not tell Boccanegra. Boccanegra accosts Fiesco and begs forgiveness. Fiesco promises clemency only if Boccanegra lets Fiesco have his granddaughter. Boccanegra explains he cannot for the child has vanished. Boccanegra finds his beloved's body as the people hail Boccanegra as the new doge.
Scene 1: Twenty-five years later
The doge has exiled many of his political opponents and confiscated their property. In the Grimaldi castle, Fiesco, to avoid discovery, is using the name Andrea Grimaldi, plotting with Boccanegra's enemies to overthrow him. Unknowingly, years earlier, the Grimaldis had adopted Boccanegra's child and Fiesco's granddaughter after discovering the orphan in a convent. They called her Amelia, hoping that she would be the heir to their family's fortune, their sons having been exiled. Amelia awaits her lover, Gabriele Adorno (Aria:"Come in quest'ora bruna"). He arrives, and she warns him of the dangers of political conspiracy. Word arrives that the doge is coming. Amelia, fearing that a forced marriage to Paolo is to be arranged, urges Adorno to ask her father for permission to marry. Fiesco agrees and reveals that Amelia is actually a penniless foundling. When Adorno says that he does not care, Fiesco blesses the marriage. Boccanegra enters. He pardons Amelia's exiled brothers, but she refuses to marry Paolo. When she tells Boccanegra that she was adopted, he realizes that she is his long-lost daughter. Finally reunited, they are overcome with joy. When Paolo enters, Boccanegra denies permission for the arranged marriage. Furious, Paolo decides to kidnap Amelia.
Scene 2: The senate is in session
The doge is interrupted by the sounds of a mob demanding Boccanegra's head. He orders the doors opened, and the crowd bursts in, chasing Adorno. Adorno confesses to killing Lorenzino for the attempted kidnapping of Amelia, ordered by an unknown high ranking official. Adorno guesses it is must be Boccanegra and is about to attack him when Amelia rushes in and stops the fight (Aria: "Nell'ora soave"). Boccanegra has Adorno arrested for the night (Aria: "Plebe! Patrizi! Popolo!"). Discerning that Paolo is the actual man responsible, he makes everyone, including Paolo, utter a curse on the real kidnapper.
Paolo and Fiesco discuss plans to murder Boccanegra, but Fiesco refuses. Paolo next tells Adorno that Amelia is the doge's mistress, hoping Adorno will murder Boccanegra. Just before Amelia enters, Adorno's anger and jealousy prompts an angry outburst (Aria: "Sento avvampar nell'anima"). Amelia enters, and Adorno accuses her of infidelity. She claims only to love Adorno, but does not explain that Boccanegra is her father for Adorno's family was killed by the doge. Adorno hides as Boccanegra enters. Amelia vows to Boccanegra that she would die for Adorno. Boccanegra agrees to pardon him. He drinks from a poisoned glass of wine and falls asleep. Adorno tries to kill him, but Amelia stops him. Boccanegra wakes and reveals that Amelia is his daughter. Adorno begs for forgiveness (Aria: "Perdon, Amelia. . . Indomito") and promises to fight for the doge.
Paolo is condemned to death for leading the uprising against the doge. Fiesco is released from prison. Paolo tells Fiesco that he has poisoned Boccanegra. Fiesco confronts Boccanegra, who is now dying. Boccanegra recognizes his old enemy, but is happy to tell him that Amelia is his granddaughter. Fiesco feels great remorse and tells Boccanegra about the poison. Adorno and Amelia, newly married, find her father and grandfather have reconciled. Boccanegra asks that Adorno be named his successor, and after the doge dies, Fiesco proclaims it so.
| Year | Cast (Boccanegra, Maria, Adorno, Fiesco) |
Conductor, Opera House and Orchestra |
Label |
|---|---|---|---|
| 1958 | Tito Gobbi, Victoria de los Angeles, Giuseppe Campora, Boris Christoff |
Gabriele Santini, Teatro dell'Opera di Roma orchestra and chorus |
Audio CD: EMI Cat: CDMB 63513 (Digitally remastered, 1990) |
| 1973 | Piero Cappuccilli, Katia Ricciarelli, Placido Domingo, Ruggero Raimondi |
Gianandrea Gavazzeni, RCA Italiana Opera Chorus and Orchestra |
Audio CD: RCA |
| 1995 | Vladimir Chernov, Kiri Te Kanawa, Plácido Domingo, Robert Lloyd |
James Levine, Metropolitan Opera orchestra and chorus |
DVD: Deutsche Grammophon Cat: 00440 073 0319 |