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Director Shōhei Imamura
Director Shōhei Imamura

Shōhei Imamura (今村 昌平 Imamura Shōhei?, Tokyo, 15 September 1926 – 30 May 2006) was a Japanese film director. officially, is one of the 47 prefectures of Japan and located on the eastern side of the main island Honshū. Events 668 - Eastern Roman Emperor Constans II is assassinated in his bath at Syracuse Italy. Year 1926 ( MCMXXVI) was a Common year starting on Friday (link will display the full calendar of the Gregorian calendar. Events 1416 - The Council of Constance, called by the Emperor Sigismund a supporter of Antipope John XXIII burns Jerome of Prague following Year 2006 ( MMVI) was a Common year starting on Sunday of the Gregorian calendar. A film director, or filmmaker, is a person who directs the making of a Film. Imamura was the first Japanese director to win two Palme d'Or awards, and is regarded as one of the most important and idiosyncratic filmmakers in the history of Japanese cinema. The Palme d'Or ( English: Golden Palm) is the highest prize awarded to competing films at the Cannes Film Festival. However, despite being one of the greatest Asian directors, he was never Oscar nominated in any category. "The Oscar" redirects here for the film see The Oscar (film.

His eldest son Daisuke Tengan is also a script writer and film director, and worked on the screenplays to Imamura's films, The Eel (1997), Dr. Akagi (1998), Warm Water Under a Red Bridge (2001) and 11'9''01 September 11 (2002). The Eel ( Japanese: うなぎ Unagi) is a 1997 film directed by Shohei Imamura starring Koji Yakusho, Misa Shimizu Dr Akagi, known in Japan as, is a 1998 Japanese film by director Shohei Imamura. is a 2001 Japanese film by director Shōhei Imamura. This was Imamura's last feature film

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Early life

Though born to a comfortably upper-middle-class doctor's family in Tokyo, Imamura was introduced to another part of post-war Japanese society early in life. officially, is one of the 47 prefectures of Japan and located on the eastern side of the main island Honshū. For a short time after 1945, when Japan was in a devastated condition following the war, Imamura participated in the thriving black market selling cigarettes and liquor. Reflecting this period of his life, Imamura's interests as a filmmaker were usually focused on the lower strata of Japanese society. He studied Western history at Waseda University, but spent more time participating in theatrical and political activities ([1]). The term Western world, the West or the Occident ( Latin: occidens -sunset -west as distinct from the Orient) can have multiple meanings often abbreviated to, is one of the top universities in Japan. He cited a viewing of Akira Kurosawa's Rashomon (羅生門 Rashōmon?) in 1950 as an early inspiration, and said he saw it as an indication of the new freedom of expression possible in Japan in the post-war era. is a 1950 Japanese film directed by Akira Kurosawa, working in close collaboration with Cinematographer Kazuo Miyagawa.

Early career

Upon graduation from Waseda in 1951, Imamura began his film career working as an assistant to Yasujirō Ozu at Shochiku Studios on the films Early Summer (麦秋 Bakushū?) (1951), The Flavor of Green Tea over Rice (お茶漬の味 Ochazuke no aji?) (1952) and Tokyo Story (東京物語 Tōkyō monogatari?) (1953). was an influential Japanese Filmmaker. Marriage and family were among the most persistent themes in his body of work is a Japanese Movie studio and production company for Kabuki. is a 1951 film by Yasujiro Ozu. Like most Ozu films Early Summer deals with many issues ranging from communication problems between generations and the rising role is a 1952 Japanese film directed by Yasujiro Ozu about a wealthy middle-aged couple (played by Shin Saburi and Michiyo Kogure) who have marital difficulties is a 1953 Japanese film directed by Yasujiro Ozu. It tells the story of a mother and father who travel to the bustling metropolis of Tokyo to visit their grown children Imamura, however, found himself uncomfortable with the highly refined and restrained way Ozu was portraying Japanese society in his films of this period. While Imamura's films were to have a quite different style from that of Ozu, like Ozu, Imamura was to focus on what he saw as particularly Japanese elements of society in his films. "I've always wanted to ask questions about the Japanese, because it's the only people I'm qualified to describe," he said. He sometimes expressed surprise that his films were appreciated overseas ([2]).

Nikkatsu

Imamura left Shochiku in 1954 for a better salary at Nikkatsu, where he made his first film-- Stolen Desire (盗まれた欲情 Nusumareta yokujō?)-- in 1958. is Japanese entertainment company well known for its Film and Television productions is a 1958 Japanese film by director Shohei Imamura. This was the first film Imamura directed With this early tale of traveling actors, Imamura was able to indulge in some of the controversial and eccentric themes that were to mark his career as a filmmaker. Nikkatsu, however, was not enthusiastic about his more radical tendencies, and forced him to make a series of lighter films with which he was not happy. is Japanese entertainment company well known for its Film and Television productions Nishi Ginza Station (西銀座駅前 Nishi Ginza ekimae?) was a comedy based on a pop-song. is a 1958 Japanese film by director Shohei Imamura. This was Imamura's second film as director Endless Desire (果てしなき欲望 Hateshinaki yokubō?) and My Second Brother (にあんちゃん Nianchan?) were similar light fare that did not satisfy Imamura. is a 1958 Japanese film by director Shohei Imamura. This was Imamura's third film as director is a 1959 Japanese film by director Shohei Imamura. Plot The film tells the story of four orphans living in an impoverished mining town

With his 1961 film, Pigs and Battleships (豚と軍艦 Buta to gunkan?), Imamura was able to fully indulge his interests in a wild and energetic story about the U. is a 1961 Japanese film by director Shohei Imamura. Plot The film depicts the mutually exploitive relationship that exists between the U S. military base at Yokosuka and its relationship with lower elements of Japanese society. is a city located in Kanagawa, Japan. It is located at the mouth of Tokyo Bay in the Miura Peninsula, and the city stretches across Shocked by the film and what they perceived as anti-American sentiments, Nikkatsu did not allow Imamura another project for two years. His next films, 1963's The Insect Woman (にっぽん昆虫記 Nippon konchūki?) and 1964's Unholy Desire or Intentions of Murder (赤い殺意 Akai satsui?) showed no toning down of his style. is a 1963 film directed by Japanese director Shōhei Imamura. is a 1964 Japanese film by director Shohei Imamura. This film embodies many of the central interests in Imamura's career including strong lower-class women With these three films, Imamura had established himself as a director with a strong and unique vision, and one of the leading figures of the Japanese New Wave.

Seeing himself as a cultural anthropologist, Imamura stated, "I like to make messy films," [3] and "I am interested in the relationship of the lower part of the human body and the lower part of the social structure. . . I ask myself what differentiates humans from other animals. What is a human being? I look for the answer by continuing to make films" ([4]).

Imamura Productions

In order to more freely explore themes like these without studio interference, he established his own production company, Imamura Productions, in 1965. His first independent feature was a free adaptation of Akiyuki Nozaka's 1963 novel about life on the fringes of Osaka society, Erogotoshi-Tachi (The Pornographers). is a city in Japan, located at the mouth of the Yodo River on Osaka Bay, in the Kansai region of the main island of Honshū Indicative of his interests, Imamura added a subtitle to the film: An Introduction to Anthropology through The Pornographers (エロ事師たちより　人類学入門 Erogotoshitachi yori Jinruigaku nyūmon?). The Pornographers is a 1966 Japanese film directed by Shohei Imamura and based on a novel of the same name by Akiyuki Nosaka.

He next made his first venture into the documentary genre with 1967's A Man Vanishes (人間蒸発 Ningen Jōhatsu?). is a 1967 Japanese film by director Shohei Imamura. Aside from fan made copies it has never been released in an English translation His 1968 film The Profound Desire of the Gods (神々の深き欲望 Kamigami no Fukaki Yokubō?) is an investigation of the clash between modern and traditional societies on a southern Japanese island. is a 1968 Japanese film by director Shohei Imamura. Plot The film depicts the traditional society that exists on a southern Japanese One of Imamura's more ambitious and costly projects, this film's poor box-office performance led to a retreat back into smaller, documentary-like films for the next decade.

1970s documentaries

History of Postwar Japan as Told by a Bar Hostess (にっぽん戦後史　マダムおんぼろの生活 Nippon Sengoshi - Madamu onboro no Seikatsu?) and Karayuki-san, the Making of a Prostitute were two of these projects, both focusing on one of his favorite themes: Strong women who survive on the periphery of Japanese society. is a 1970 Japanese film by director Shohei Imamura. After the poor box-office performance of his ambitious 1968 film The Profound Desire of the Karayuki-san the Making of a Prostitute is a 1975 Japanese film by director Shohei Imamura. Imamura returned to more traditional fictional narrative forms with 1979's Vengeance Is Mine (復讐するは我にあり Fukushū suruwa wareniari?), though even this story about a serial killer is based on actual events of 1963.

Imamura founded the Yokohama Vocational School of Broadcast and Film (Yokohama Hōsō Eiga Senmon Gakkō) in 1975. While a student at this school, director Takashi Miike was given his first film credit, as assistant director on Imamura's 1987 film Zegen. (born August 24, 1960) is a highly prolific and controversial Japanese Filmmaker. is a 1987 Japanese film by director Shohei Imamura. Plot This Black comedy is a satire of Japan's 20th century imperialism [5] Another graduate of Imamura's film school is new Korean director, Hwang Byung-Guk [6]

1980s

Two large-scale remakes followed: Eijanaika (ええじゃないか ee ja nai ka?) (a re-imagining of the 1957 Yuzo Kawashima film, Sun in the Last Days of the Shogunate (幕末太陽傳 Bakumatsu taiyōden?), which Imamura helped write) and The Ballad of Narayama (楢山節考 Narayama bushikō?), a re-telling of Keisuke Kinoshita's 1958 The Ballad of Narayama. is a 1981 Japanese film by director Shohei Imamura. Plot The film depicts carnivalesque atmosphere summed up by the cry " Ee ja ( 4 February, 1918 - 11 June, 1963) was a notable Japanese filmmaker, most famous for making tragi-comic films dealing with the lives of Lower-class is a 1983 Japanese film by director Shohei Imamura. It stars Sumiko Sakamoto as Orin Ken Ogata, and Shoichi Ozawa. was a Japanese director. Partial filmography Keisuke's films Twenty-four Eyes and The Rose on His Arm won the

Filmography

See also

Further reading

External references

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