Giovanni Battista di Jacopo (1494-1540), known as Rosso Fiorentino (meaning "the Red Florentine" in Italian), or Il Rosso, was an Italian Mannerist painter, in oil and fresco, belonging to the Florentine school. Italy (Italia officially the Italian Republic, (Repubblica Italiana is located on the Italian Peninsula in Southern Europe, and on the two largest Mannerism is a period of European art which emerged from the later years of the Italian High Renaissance around 1520. Painting (pān'tīng in Art, is the practice of applying Color to a Surface (support base such as e Fresco (plural either frescos or frescoes) is any of several related Painting types done on Plaster on walls or The Florentine School refers to artists in from or influenced by the naturalistic style developed in the 14th century largely through the efforts of Giotto di Bondone
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Biography
Born in Florence Italy with the red hair that gave him his nickname, Rosso first trained in the studio of Andrea del Sarto alongside his contemporary, Pontormo. Florence ( Italian: Firenze Florentia and Fiorenza) is the Capital City of the Italian region of Tuscany Andrea del Sarto (1486 &ndash 1531 was an Italian painter from Florence, whose career flourished during the High Renaissance and early- Mannerism Jacopo Carucci ( May 24, 1494 — January 2, 1557) usually known as Jacopo da Pontormo, Jacopo Pontormo or simply In late 1523, Rosso moved to Rome, where he was exposed to the works of Michelangelo, Raphael, and other Renaissance artists, resulting in the realignment of his artistic style. Michelangelo di Lodovico Buonarroti Simoni Two biographies were published of him during his lifetime One of them by Giorgio Vasari, proposed that he was the pinnacle of all Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28 1483 – April 6 1520 was an Italian painter and
Fleeing Rome after the Sacking of 1527, Rosso eventually went to France where he secured a position at the court of Francis I in 1530, remaining there until his death. The Sack of Rome on 6 May 1527, carried out by the mutinous troops of Charles V Holy Roman Emperor, marked a crucial imperial victory in This article is about the country For a topic outline on this subject see List of basic France topics. Francis I (September 12 1494 &ndash March 31 1547 was crowned King of France in 1515 in the cathedral at Reims and reigned until 1547 Together with Francesco Primaticcio, Rosso was one of the leading artists to work at the Chateau Fontainebleau as part of the "First School of Fontainebleau", spending much of his life there. Francesco Primaticcio ( April 30, 1504 &ndash 1570 was an Italian Mannerist painter, Architect and sculptor The Palace of Fontainebleau, located 345 miles from the centre of Paris, is one of the largest French royal Châteaux The palace as it is today is the work of many The Ecole de Fontainebleau refers to two periods of artistic production in France during the late Renaissance centered around the royal Château de Fontainebleau Following his death in 1540 (which, according to an unsubstantiated claim by Vasari, was a suicide [1]), Francesco Primaticcio took charge of the artistic direction at Fontainebleau. Giorgio Vasari ( 30 July 1511 – 27 June 1574) was an Italian painter and Architect, who is today famous Francesco Primaticcio ( April 30, 1504 &ndash 1570 was an Italian Mannerist painter, Architect and sculptor
Rosso's reputation, along those of other stylized late Renaissance Florentines, was long out of favour in comparison to other more naturalistic and graceful contemporaries, but has revived considerably in recent decades. That his masterpiece is in a small city, away from the tourist track, was a factor in this, especially before the arrival of photography. His poses are certainly contorted, and his figures often appear haggard and thin, but his work has considerable power.
Deposition altarpiece (Volterra)
His masterpiece is generally considered to be the Deposition or Descent from the Cross altarpiece in the Pinacoteca Comunale di Volterra (initially painted for the Duomo). The Descent from the Cross ( Greek: Αποκαθελωσις Apokathelosis) or Deposition, is the scene as depicted in art from the Gospel account of An altarpiece is a picture or Relief representing a religious subject and suspended in a frame behind the Altar of a church Volterra is a town in the Tuscany region of Italy. History The town was a Neolithic settlement and an important Etruscan center with an In contrast to the frozen grief of other depositions, this one appears as a hurried and complicated operation, while the figures below have simple and forceful expressions of quiet grief, with powerful expressions hinted at by hidden faces. The sky is somber. The three ladders and those carrying down Christ appear precarious. Christ himself is sallow. Contrast this frenetic, windswept scene with the equally complex, but more restrained composition on the same theme by the near contemporary Florentine Mannerist Pontormo. Jacopo Carucci ( May 24, 1494 — January 2, 1557) usually known as Jacopo da Pontormo, Jacopo Pontormo or simply
Gallery
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