Piers Plowman (written ca. 1360–1399) or Visio Willelmi de Petro Ploughman (William's Vision of Piers Plowman) is the title of a Middle English allegorical narrative poem by William Langland. Middle English is the name given by Historical linguistics to the diverse forms of the English language spoken between the Norman invasion of An allegory (from αλλος allos "other" and el αγορευειν agoreuein "to speak in public" is a figurative mode of representation Narrative poetry is Poetry that tells a story The poems may be short or long and the story it relates to may be simple or complex William Langland (ca 1332 - ca 1386 is the conjectured Author of the 14th-century English Dream-vision Piers Plowman. It is written in unrhymed alliterative verse divided into sections called "passus" (Latin for "step"). In prosody, alliterative verse is a form of verse that uses Alliteration as the principal structuring device to unify lines of poetry as opposed to Latin ( lingua Latīna, laˈtiːna is an Italic language, historically spoken in Latium and Ancient Rome. Piers is considered by many critics to be one of the early great works of English literature along with Chaucer's Canterbury Tales. The term English literature refers to Literature written in the English language, including literature composed in English by Writers not necessarily from Geoffrey Chaucer (c 1343 – 25 October 1400? was an English author poet Philosopher, bureaucrat, courtier and Diplomat. The Canterbury Tales is a collection of stories written by Geoffrey Chaucer in the 14th century (two of them in Prose, the rest in verse)
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Synopsis
The poem – part theological allegory, part social satire – concerns the narrator's intense quest for the true Christian life, which is told from the point of view of the medieval Catholic mind. A Christian is a person who adheres to Christianity, a monotheistic Religion centered on the life and teachings of Jesus of Nazareth Catholic is an Adjective derived from the Greek adjective '' / 'katholikos' meaning "whole" or "complete". This quest entails a series of dream-visions and an examination into the lives of three allegorical characters, Dowel ("Do-Well"), Dobet ("Do-Better"), and Dobest ("Do-Best"). An allegory (from αλλος allos "other" and el αγορευειν agoreuein "to speak in public" is a figurative mode of representation
The poem begins in the Malvern Hills in Malvern, Worcestershire. The Malvern Hills are a range of hills in the English counties of Worcestershire, Herefordshire and a small area of northern Gloucestershire Malvern is a Town and Civil parish in Worcestershire, England. A man named Will falls asleep and has a vision of a tower set upon a hill and a fortress (donjon) in a deep valley; between these symbols of heaven and hell is a "fair field full of folk", representing the world of mankind. In the early part of the poem Piers, the humble plowman of the title, appears and offers himself as the narrator's guide to Truth. The latter part of the work, however, is concerned with the narrator's search for Dowel, Dobet and Dobest.
Title and authorship
It is now commonly accepted that Piers Plowman was written by William Langland, about whom little is known. William Langland (ca 1332 - ca 1386 is the conjectured Author of the 14th-century English Dream-vision Piers Plowman. This attribution of the poem to Langland rests principally on the evidence of an early-fifteenth-century manuscript of the C-text (see below) of Piers held at Trinity College, Dublin (MS 212), which ascribes the work to one 'Willielmus de Langlond':
Memorandum quod Stacy de Rokayle pater willielmi de Langlond qui stacius fuit generosus & morabatur in Schiptoun vnder whicwode tenens domini le Spenser in comitatu Oxoniensi qui predictus willielmus fecit librum qui vocatur Perys ploughman. Evidence in its broadest sense includes anything that is used to determine or demonstrate the Truth of an assertion Trinity College Dublin ( TCD; Irish Coláiste na Tríonóide Baile Átha Cliath; Latin: Collegium Sacrosanctae et Individuae Trinitatis Reginae
(It should be noted that Stacy de Rokayle was the father of William de Langlond; this Stacy was of noble birth and dwelt in Shipton-under-Wychwood, a tenant of the Lord Spenser in the county of Oxfordshire. The aforesaid William made the book which is called Piers Plowman. )
Other manuscripts also name the author as "Robert or William langland", or "Wilhelmus W. " (which could be shorthand for "William of Wychwood").
The attribution to William Langland is also based on internal evidence, primarily a seemingly autobiographical section in Passus 5 of the C-text of the poem. An autobiography, from the Greek αὐτός autos "self" βίος bios "life" and γράφειν graphein "to write" The main narrator of the poem in all the versions is named Will, with allegorical resonances clearly intended, and Langland (or Longland) is thought to be indicated as a surname through apparent puns; e. A narrator (or the extremely rarely used female equivalent narratress) is within any story (literary work movie play verbal account etc g. , at one point the narrator remarks: "I have lyved in londe. . . my name is longe wille" (B. XV. 152). This could be a coded reference to the poet's name, in the style of much late-medieval literature. Langland's authorship, however, is not entirely beyond dispute, as recent work by Stella Pates and C. David Benson has demonstrated.
In the sixteenth century, when Piers was first printed, authorship was attributed by various antiquarians (such as John Bale) and poets to John Wycliffe and Geoffrey Chaucer, amongst others. An antiquarian or antiquary is one concerned with Antiquities or things of the past For the American baseball player use John Bale (baseball John Bale ( 21 November, 1495 &ndashNovember 1563 was an John Wycliffe (ˈwɪklɪf also spelled Wyclif, Wycliff, Wiclef, Wicliffe, or Wickliffe) (mid-1320s – 31 December Geoffrey Chaucer (c 1343 – 25 October 1400? was an English author poet Philosopher, bureaucrat, courtier and Diplomat. Some sixteenth and seventeenth-century persons regarded the poem as anonymous, and/or associated it with texts in the plowman tradition of social complaint, particularly the Chaucerian pseudepigrapha, The Plowman's Tale and Pierce the Ploughman's Crede. Pseudepigrapha (from Ancient Greek ψευδής There are actually two pseudo-Chaucerian texts called The Plowman's Tale. Pierce the Ploughman's Crede is a medieval Alliterative poem of 855 lines savagely lampooning the four orders of Friars. (The latter was appended to Owen Rogers' 1560 edition of Piers Plowman, a degraded version of Robert Crowley's 1550 editions. Robert Crowley also Robertus Croleus, Roberto Croleo, Robart Crowleye, Robarte Crole, and Crule (c ) The character of Piers himself had come to be considered by many readers to be in some sense the author.
The first printed editions by Crowley named the author as "Robert Langland" in a prefatory note. Langland is described as a probable protégé of Wycliffe. With Crowley's editions, the poem followed an existing and subsequently repeated convention of titling the poem The Vision of Piers [or Pierce] Plowman, which is in fact the conventional name of just one section of the poem.
Some medievalists and text critics, beginning with John Matthews Manly, have posited multiple authorship theories for Piers, an idea which continues to have a periodic resurgence in the scholarly literature. One scholar now disputes the single-author hypothesis, supposing that the poem may be the work of 2-5 authors, depending upon how authorship is defined. In keeping with contemporary scholarly trends in textual criticism, critical theory, and the history of the book, Charlotte Brewer, among others, suggests that scribes and their supervisors be regarded as editors with semi-authorial roles in the production of Piers Plowman and other early modern texts; but this has nothing to do with Manly's argument. Textual criticism (or lower criticism) is a branch of Literary criticism that is concerned with the identification and removal of Transcription errors in In the Humanities and Social sciences, critical theory is the examination and critique of Society and Literature, drawing from knowledge across The history of the Book is the story of a suite of technological Innovations that improved the quality of text conservation the access to Information Scribes is a programmers' text editor for GNOME with a simple design
The text
Piers Plowman is considered to be one of the most analytically challenging texts in Middle English textual criticism. Middle English is the name given by Historical linguistics to the diverse forms of the English language spoken between the Norman invasion of Textual criticism (or lower criticism) is a branch of Literary criticism that is concerned with the identification and removal of Transcription errors in There are 50-56 surviving manuscripts, some of which are fragmentary. A manuscript is any Document that is Written by hand as opposed to being printed or reproduced in some other way None of the texts are known to be in the author's own hand, and none of them derive directly from any of the others. All are unique.
All modern discussion of the text revolves around the classifications of W. W. Skeat. Walter William Skeat ( November 21, 1835 - 1912 English Philologist, was born in London on the 21st of November 1835 and educated Skeat argued that there are as many as ten forms of the poem, but only three are to be considered authoritative—the A, B, and C-texts—although the definition of "authoritative" in this context is surely problematic. According to the three-version hypothesis, each version represents different manuscript traditions deriving from three distinct and successive stages of authorial revision. Although precise dating is debated, the A, B, and C texts are now commonly thought of as the progressive (20-25 yrs. ) work of a single author.
According to the three versions hypothesis, the A-text was written ca. 1367-70 and is the earliest. It breaks off, apparently unfinished, at Book 11 and Book 12 is written by another author or interpolator. The poem runs to about 2500 lines. The B-text (Warner's ur-B text) was written ca. 1377-79; it revises A, adds new material, and is three times the length of A. It runs to about 7300 lines. The C-text was written in the 1380s as a major revision of B except for the final sections. There is some debate over whether the poem can be regarded as finished or not. It entails additions, omissions, and transpositions; it is not significantly different in size from B. Some scholars see it as a conservative revision of B that aims at disassociating the poem from Lollardy and the religious and political radicalism of John Ball during the Great Rising of 1381. Lollardy was the political and religious movement of the Lollards from the mid- 14th century to the English Reformation. John Ball (c 1338 - 15 July 1381) was an English Lollard priest who took a prominent part in the Peasants' Revolt of 1381. (Ball appropriated Piers and other characters in the poem for his own verses, speeches, and letters during the Rising. ) There is little actual evidence for this proposal, and much against it.
Skeat believed that the A-text was incomplete and based his editions on a B-text manuscript (Oxford, MS. Walter William Skeat ( November 21, 1835 - 1912 English Philologist, was born in London on the 21st of November 1835 and educated Laud Misc. 581) that he wrongly thought was probably a holograph. A holograph is a document written entirely in the handwriting of the person whose Signature it bears Modern editors following Skeat, such as George Kane and E. Talbot Donaldson, have maintained the basic tenets of Skeat's work: there were three final authorial texts, now lost, that can be reconstructed, albeit imperfectly and without certainty, by rooting out the "corruption" and "damage" done by scribes.
The Kane, Kane-Donaldson, and Russell-Kane editions of the three versions, published by the Athlone Press, have been controversial, but are among the most important accomplishments in modern editorial work and theory. The University of London is a university based primarily in London, England, UK. A. V. C. Schmidt has also published editions of A, B, and C; the promised second volume containing a full textual apparatus indicating his editorial decisions has not yet been published. For now, Schmidt's edition, while invaluable for classroom use and for a different perspective on the poem's textual history, is of less use to textual scholars working on the poem and who require a critical edition. Textual criticism (or lower criticism) is a branch of Literary criticism that is concerned with the identification and removal of Transcription errors in
A. G. Rigg and Charlotte Brewer hypothesized the existence of a Z-text predecessor to A which contains elements of both A and C. The Z-text is based on Oxford MS. Bodley 851, which Rigg and Brewer edited and published. It is the shortest version, and its authenticity is disputed. Ralph Hanna III has convincingly disputed the Rigg/Brewer approach based on codicological evidence and internal literary evidence; consequently the Z-text is now more commonly viewed as a scribal corruption of A with C elements. Codicology (from Latin la ''cōdex'' Genitive la ''cōdicis'' "notebook book" and Greek grc -λογία -logia) is More recently, Lawrence Warner has shown that what we have thought of as B in fact incorporates matter produced as part of the C-revision: if B circulated before C, it looked nothing like what had been assumed.
There are some scholars who dispute the ABC chronology of the texts altogether, Jill Mann foremost amongst them. There is also a (minority) school of thought that two authors contributed to the three versions of the poem. Neither of these reappraisals of the textual tradition of the poem are generally seen as very robust.
Editorial, Publication and Reception History
14th-15th Centuries
John Ball, a priest involved as a leader in the Great Rising of 1381 (also known as the Peasants' Revolt), included Piers and other characters in his writings. John Ball may refer to John Ball (priest (d 1381 active in Peasants' Revolt John Ball (Puritan (1585–1640 British If Piers Plowman already had perceived associations with Lollardy, Ball's appropriations from it enhanced his and its association with the Lollards as well. Lollardy was the political and religious movement of the Lollards from the mid- 14th century to the English Reformation. The real beliefs and sympathies at work in Langland's poem and the revolt remain, for this reason, mysterious and debatable.
No doubt because of Ball's writings, the Dieulacres Abbey Chronicle account of the revolt refers to Piers, seemingly as a real person who was a leader with Ball in the revolt. Similarly, early in the history of the poem's dissemination in manuscript form, Piers is often treated as the author of the poem. Since it is hard to see how this is credible, to those who read the poem, perhaps the idea was that Piers was a mask for the author. Or, as the ideal character of the poem, Piers might be seen as a kind of alter-ego for the poet that was more important to his early readers than the obviously authorial narrator and his apparent self-disclosures as Will. Ironically, Will's name and identity were substantially lost.
In some contemporary chronicles of the Rising, Ball and the Lollards were blamed for the revolt, and Piers began to be associated with heresy and rebellion. Heresy is an introduced change to some system of belief especially a religion that conflicts with the previously established canon of that belief The earliest literary works comprising the Piers Plowman tradition follow in the wake of these events, although they and their sixteenth-century successors are not anti-monarchical or supportive of rebellion. Like William Langland, who may have written the C-Text version of Piers Plowman to disassociate himself from the Rising, they look for the reform of the English church and society by the removal of abuses in what the authors' deem a restorative rather than an innovative project.
16th–18th centuries
The most conspicuous omissions from William Caxton's press were the Bible and Piers Plowman. Both may have been avoided for political reasons—e. g. , Wycliffite associations. John Wycliffe (ˈwɪklɪf also spelled Wyclif, Wycliff, Wiclef, Wicliffe, or Wickliffe) (mid-1320s – 31 December It is possible that Piers may have been banned from print under prohibitions against histories, but this is uncertain; the language and metre might also have been obstacles. However, as in the case of Adrian Fortescue, as late as 1532, hand-copying of Piers manuscripts was still going on, and a staunch Roman Catholic like Fortescue could appreciate it as a critical, reformist but not a revolutionary, Protestant text. For the Beatified English Knight of Malta see Adrian Fortescue (martyr.
Robert Crowley's 1550 editions of Piers Plowman present the poem as a social-gospelling Protestant's goad to the reformation of religion and society. Robert Crowley also Robertus Croleus, Roberto Croleo, Robart Crowleye, Robarte Crole, and Crule (c The poem's publication probably did have resonance. Many texts evoke Piers and/or Plowmen for reforming purposes: one of the Marprelate tracts claims Piers Plowman for its grandfather. The Marprelate Controversy was a war of pamphlets waged in England and Wales in 1588 and 1589, between a Puritan writer who employed the pseudonym
Many scholars, and the new ODNB, assert that Piers Plowman was a banned book, that it was published as "propaganda" for reformist interests backed by Edward Seymour, 1st Duke of Somerset or other high-placed aristocrats, and that Crowley added interpretive glosses and substantially altered the text of the poem for propaganda purposes. The Dictionary of National Biography ( DNB) is a standard work of reference on notable figures from British history published from 1885 Many societies have banned certain Books This is a partial list of books that have been banned. } Edward Seymour 1st Duke of Somerset (c 1506 &ndash 22nd January 1552 was Lord Protector of England in the period between the death of Henry VIII in These inferences exceed the evidence, even if Piers Plowman was politically sensitive, as many books were in the Tudor period. The political nature of the poem—its mention of and association with popular rebellion—would obviously be unacceptable to the king, Somerset, and others, reform-minded though they were. In the passus summaries in the second and third editions, Crowley emphasizes material in the poem warning of political instability and widespread corruption when the king is a child (as was then the case); hardly state-sponsored propaganda. Other contemporary Edwardian and later Elizabethan publications by Crowley show that he was at this time concerned that the elite were using the Reformation to gain power and wealth, while the common people suffered economic and spiritual malnourishment.
Piers Plowman likely functioned for Crowley as a reformist text with polemic and prophetic qualities (although he denies the latter in his preface), but the text and apparatus do not overtly convey that impression. Some of Crowley's marginal glosses and his passus summaries are clearly polemical, but there are very few glosses (and no passus summaries) in the first edition. The assertion of propagandistic editorial intervention by Crowley exaggerates both his glosses, and the evidence that he deliberately deleted "Catholic" elements of Langland's poem--i. e. , a few references to purgatory, transubstantiation, and some praise for monasticism. In the second and third editions, where the glosses were substantially increased, almost half are biblical citations.
Several scholarly sources claim that Crowley deleted 13 lines (N2r, B. 10. 291-303) praising monasticism. This idea first appears in an unpublished dissertation as a misreading of W. W. Skeat's parallel text edition of Piers Plowman. Walter William Skeat ( November 21, 1835 - 1912 English Philologist, was born in London on the 21st of November 1835 and educated The error was repeated in John N. King's influential English Reformation Literature, p. 331. J. R. Thorne and Marie-Claire Uhart noted King's error by pointing out that the supposedly deleted passage does not appear in most extant manuscripts of the poem and was in all likelihood not in Crowley's source texts. ("Robert Crowley's Piers Plowman," Medium Aevum 55. 2 (1986): 248-55.
Crowley may have made small attempts to remove or soften single references to transubstantiation, the Mass, purgatory, and the Virgin Mary as a mediator and object of devotion. See also Eucharist (Catholic Church On the related belief that Christ is present in the Eucharist in body blood soul and divinity see Real Presence. The Mass is the Eucharistic celebration in the Latin liturgical rites of the Roman Catholic Church. See also Intermediate state Limbo|Heaven|Sheol|Hades in Christianity|Hell in Christianity Purgatory, in the original sense is the condition or process of purification He also appears to have added a line against clerical pluralism--a vice he often attacked and may have eventually indulged in personally--as it appears in no extant manuscripts of Piers Plowman. Originally a benefice was a gift of land ( Precaria) for life as a reward for services rendered However, in regard to purgatory, Crowley left almost a dozen other references to it in the poem. And in the case of Mary, Crowley left at least three significant references to her in the poem. He actually added a line to his second and third editions that clearly refers to Marian intercession (F1r). Thorne and Uhart note that in the manuscript tradition, "Christ" frequently replaces "Mary," so again Crowley may be following his source texts rather than deviating from them, though he certainly may have preferred sources that de-emphasized Mary.
Crowley's first edition--aimed at the Latin-reading elite--was followed by subsequent editions. Crowley may have been financed by wealthy and highly-placed Protestants, perhaps even some who had the power to relax restrictions on the press at the end of Edward VI's reign. Edward VI (12 October 1537 &ndash 6 July 1553 became King of England and Ireland on 28 January 1547 and was crowned on 20 February at the age of nine The first edition may have had little or only partial commercial success with a very small audience, and this would not necessarily preclude the production of further editions. Less than stellar sales and/or the limitations of a small market might have motivated the shift to a different audience in the later editions. It is probable that among the middle and lower classes it had some significance; this is supported by the contemporary proliferation of texts that responded to it; e. g. : Thomas Churchyard's. Thomas Churchyard (c 1520 &ndash 1604 English Author, was born at Shrewsbury, the son of a farmer The poem's obscure record may have had something to do with Crowley's radical politics, and the prophetic/apocalyptic aspects of his edition.
There is, at any rate, strong evidence that Crowley's editions did not have much of an impact on Latin-literate, elite audiences. After 1550, it was not printed again until 1813 except for Owen Rogers' 1561 edition--a cheap knock-off of Crowley's text that omits the preface naming the author while adding--in some cases--Pierce the Ploughman's Crede. Pierce the Ploughman's Crede is a medieval Alliterative poem of 855 lines savagely lampooning the four orders of Friars. The few people who mention Piers Plowman before 1700 usually attribute it to someone other than Langland, and often it is unclear if they are referring to Langland's poem or one of the many other texts circulating in print as part of the Piers Plowman Tradition, particularly The Plowman's Tale. The Piers Plowman tradition is made up of about 14 different poetic and prose works from about the time of John Ball (d There are actually two pseudo-Chaucerian texts called The Plowman's Tale. Since Piers was conflated with the author and dreamer-narrator of the poem at an early date, "Piers Plowman" or a Latin equivalent is often given as the name of the author, which indicates complete unfamiliarity with--or else silent incredulity toward--Crowley's preface.
Aside from Raphael Holinshed who merely quotes John Bale, the only sixteenth-century references to "Robert Langland" as the author of Piers Plowman come from Bale and Crowley in his preface to the various impressions. Raphael Holinshed (died c 1580 was an English Chronicler whose work commonly known as Holinshed's Chronicles, was one of the major sources used by For the American baseball player use John Bale (baseball John Bale ( 21 November, 1495 &ndashNovember 1563 was an In 1580 John Stow attributed Piers Plowman to "John Malvern," a name that surfaces again with John Pitts in 1619 and Anthony à Wood in 1674. John Stow (c 1525&ndash 6 April 1605) was an English Historian and Antiquarian. For the football player of the same name see John Pitts (football player. Anthony Wood or Anthony à Wood ( 17 December 1632 &ndash 28 November 1695) was an English antiquary. Wood also supplied "Robertus de Langland" as a possible alternative, and Henry Peacham attributed the poem to John Lydgate in 1622. Henry Peacham is the name shared by two English Renaissance writers who were father and son John Lydgate of Bury (c 1370 – c 1451 was a Monk and Poet, born in Lidgate Suffolk, England. Except for Crowley and Francis Meres (who simply cribs Webbe) William Webbe is the only person to comment on the alliterative Piers Plowman favorably, since he disliked verse with "the curiosity of Ryme. Francis Meres (1565 &ndash January 29, 1647) was an English churchman and Author. William Webbe (born 1550 was an English critic and translator " However, Webbe still disparaged the poem's harsh and obscure language. Several other writers regard the poem's matter approvingly, seeing it as anti-Catholic satire and polemic. Satire is often strictly defined as a literary genre or form; although in practice it is also found in the graphic and Performing arts In satire human Polemics (pəˈlɛmɪks/ /poʊ- is the practice of disputing or controverting religious, philosophical, or political matters
The Plowman's Tale was printed more and over a longer period of time than Piers Plowman; it was also printed as a Chaucerian text and included in many editions of Chaucer and mentioned as a familiar text in Foxe's Book of Martyrs. The Book of Martyrs, by John Foxe, is an Apocalyptically oriented English Protestant account of the Persecutions of Such associations gave it far more exposure--and positive exposure--than Piers Plowman. Yet in many cases it seems that readers read or heard of The Plowman's Tale or another plowman text and thought it was Piers Plowman. (E. g. , John Leland, William Prynne, possibly John Milton, and John Dryden. This is about John Leland antiquary For other people called John Leland see John Leland (disambiguation. William Prynne (1600 &ndash 24 October 1669) was a seventeenth-century English author polemicist and political figure John Milton ( 9 December, 1608 – 8 November, 1674) was an English Poet, Prose Polemicist and John Dryden (– was an influential English poet Literary critic, Translator and playwright who dominated the literary life of Restoration England ) Given the diffusion of different Piers/Plowman texts, it is usually not possible to be certain about what someone means to refer to when they mention "Piers Plowman" unless they provide specific identifying details--and most writers do not.
When Langland's poem is mentioned, it is often disparaged for its barbarous language. Similar charges were made against Chaucer, but he had more defenders and was already well established as a historical figure and "authority. " Despite the work of Bale and Crowley, Langland's name appears to have remained unknown or unaccepted since other authors were suggested after Crowley's editions. Sometimes "Piers Plowman" was referred to as the author of the poem, and when writers refer to a list of medieval authors, they will often mention Piers Plowman as an author's name or a substitute for one. One gets the overall impression that Langland and Piers Plowman had less existence as author and text than did the fictional figure of Piers, whose relationship to a definite authorial and textual origin had been obscured much earlier.
Crowley's (or Rogers') edition may have reached Edmund Spenser, Michael Drayton, John Milton, and John Bunyan, but no records, citations, borrowed lines, or clear allusions to Piers Plowman exist in their writings. Edmund Spenser (c 1552 &ndash 13 January, 1599) was an important English Poet and Poet Laureate best known for The Michael Drayton (1563 &ndash December 23, 1631) was an English Poet who came to prominence in the Elizabethan era. John Milton ( 9 December, 1608 – 8 November, 1674) was an English Poet, Prose Polemicist and John Bunyan (28 November 1628 &ndash 31 August 1688 a Christian writer and Preacher, was born at Harrowden (one mile south-east of Bedford Spenser and Milton do directly refer to The Plowman's Tale. Milton quotes two stanzas from it in Of Reformation, attributing it to Chaucer, and he makes another allusion in An Apology for a Pamphlet that could be to Piers Plowman but is more likely to The Plowman's Tale. Spenser liberally borrows from The Plowman's Tale in The Shepheardes Calendar, also attributing it to Chaucer. The Shepheardes Calender was Edmund Spenser 's first major poetic work published in 1579 Raphael Holinshed briefly refers to it in his Chronicles, borrowing from Bale. John Stow refers to it but attributes it to a John Malvern. William Webbe refers to its "quantitative" meter and language approvingly, but his knowledge of the poem is indirect. Francis Meres later repeated Webbe's remarks. Abraham Fraunce mentions Piers Plowman, but he merely repeats the identifying features printed in Crowley's preface and Bale's indices. Abraham Fraunce (b between 1558 and 1560 &ndash 1633 was an English Poet. George Puttenham, calls it a satire in his Arte of English Poesie, noting its obscure language unapprovingly. George Puttenham (1529–1590 is the reputed English author of The Arte of English Poesie (1589 Others of this era also regarded Piers Plowman as a satire; perhaps the other plowman texts typically associated with it contributed to this generic classification.
Samuel Pepys owned a copy of Piers Plowman. Samuel Pepys, FRS (23 February 1633 – 26 May 1703 was an English naval administrator and Member of Parliament, who is now most famous for A Crowley edition owned in 1613 by an educated English Catholic, Andrew Bostoc, has its owner's notes responding to Crowley's in the margins, refuting them from the text itself, discriminating between the editor and the author/text. Milton cites "Chaucer's Plowman" in "Of Reformation" (1641) when he is discussing poems that have described Constantine as a major contributor to the corruption of the church. The end of Piers Plowman, Passus 15, makes this point at length--but it is also made briefly in one stanza in The Plowman's Tale (ll. 693-700). In "An Apology for a Pamphlet. . . " Milton refers to The Vision and Crede of Pierce Plowman, which might mean one or both of these texts. Perhaps it refers to Rogers' 1561 edition which put them together. Edmund Bolton argued for the language of the court as the appropriate language for writing history. This is an article about the seventeenth-century poet For the reality TV "star" see Beauty and the Geek (UK TV series Edmund Mary Bolton For Bolton, Spenser's Hymns are good models, but the rest of his poems are not--and neither are those of "Jeff. Chaucer, Lydgate, Peirce Ploughman, or Laureat Skelton. " John Pitts (1619) attributes Piers Plowman to John Malvern, Henry Peacham (1622) attributes it to Lydgate. Henry Selden (1622) appears to have read the poem closely enough to admire it for its criticism of the church as well as its judgment and invention. Henry Rogers Selden ( October 14, 1805 – September 18, 1885) was an American Lawyer and Politician who He gives the author as Robert Langland. John Weever (1631) also names Robert Langland, as does David Buchanan (1652). John Weever (1576 - 1632 English Poet and Antiquary was a native of Preston, Lancashire. David Thomas Hugh Buchanan (born 6 May 1986 in Rochdale, England) is a Northern Irish footballer, playing for Bury Buchanan, however, makes Langland a Scot and attributes other works to him aside from Piers Plowman. Thomas Fuller (1662) bases his remarks about Langland on Selden and Bale, emphasizing Langland's proto-Protestant status. Thomas Fuller (1608 &ndash August 16, 1661) was an English churchman and historian Fuller also notes that The Praier and Complaynte of the Ploweman unto Christe was "first set forth by Tindal, since, exemplified by Mr. Fox. The Praier and Complaynte of the Ploweman unto Christe written not longe after the yere of our Lorde Tyndale redirects here For the English family see Tyndall. For other uses see Tyndale (disambiguation. John Foxe (1517 &ndash April 18, 1587) martyrologist is remembered as the author of what is popularly known as Foxe's Book of Martyrs " Since the language of this text is similar to that of Piers Plowman, Fuller attributes it to Langland as well. Anthony à Wood mentions both Malvern and Langland as author names. Anthony Wood or Anthony à Wood ( 17 December 1632 &ndash 28 November 1695) was an English antiquary. Thomas Dudley, father of Anne Dudley Bradstreet (1612-72), brought a copy of Crowley's Piers Plowman to America. Thomas Dudley ( October 12, 1576 July 31, 1653) was a colonial magistrate who served several terms as governor of the Massachusetts Anne Bradstreet (c 1612 – September 16, 1672) was a writer and the first notable American poet and the first woman to be published in Colonial America Alexander Pope (1688-1744) owned a copy of Rogers' reprint of Crowley's edition of Piers Plowman with the Crede appended, and Isaac D'Israeli (1766-1848) wrote in his Amenities of Literature that Pope had "very carefully analyzed the whole" of the latter text. Alexander Pope (21 May 1688 – 30 May 1744 is generally regarded as the greatest English Poet of the eighteenth century best known for his Satirical Isaac D'Israeli ( May 11, 1766 - January 19, 1848) was a British writer and scholar D'Israeli also mentions Lord Byron's (1788-1824) praise for Piers Plowman.
19th–20th Centuries
With its old language and alien worldview, Piers Plowman fell into obscurity until the nineteenth century, particularly the latter end. Barring Rogers, after Crowley, the poem was not published in its entirety until Thomas Whitaker's 1813 edition. It emerged at a time when amateur philologists began the groundwork of what would later become a recognized scholarly discipline. Whitaker's edition was based on a C-text, whereas Crowley used a B-text for his base.
With Whitaker an editorial tradition truly began in the modern sense, with each new editor striving to present the "authentic" Piers Plowman and challenging the accuracy and authenticity of preceding editors and editions. Then, as before in the English Reformation, this project was driven by a need for a national identity and history that addressed present concerns, hence analysis and commentary typically reflected the critic's political views. In the hands of Frederick Furnivall and W. Frederick James Furnivall ( 4 February 1825 &ndash 2 July 1910) one of the co-creators of the Oxford English Dictionary W. Skeat, Piers Plowman could be, respectively, a consciousness-raising text in the Working Man's College or a patriotic text for grammar school pupils. A grammar school is one of several different types of School in the history of education in the United Kingdom and other English-speaking countries
Piers Plowman has often been read primarily as a political document. In an 1894 study, J. J. Jusserand was primarily concerned with what he saw as the poem's psychological and sociopolitical content--as distinct from the aesthetic or literary--in a dichotomy common to all modern humanistic studies. Jean Adrien Antoine Jules Jusserand ( February 18, 1855 &ndash July 18, 1932) was a French Author and diplomat Four years later Vida Dutton Scudder compared the poem with socialist ideas from the works of Thomas Carlyle, John Ruskin, and the Fabians. (Julia Vida Dutton Scudder ( December 15, 1861 - October 9, 1954) was an Educator, Writer, and welfare activist Thomas Carlyle (4 December 1795 – 5 February 1881 was a Scottish essayist satirist and historian whose work was highly influential during the Victorian era. John Ruskin (8 February 1819 &ndash 20 January 1900 is best known for his work as an Art critic, sage writer, and Social critic, but is remembered The Fabian Society is a British Intellectual Socialist movement whose purpose is to advance the principles of Social democracy via Gradualist
Introduced to the emerging university programs for English language and literature, Piers Plowman helped round out the English literary canon. The Western canon is a term used to denote a canon of books and more widely music and art, that has been the most influential in
Related texts
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- Pierce the Ploughman's Crede
- The Plowman's Tale
- The Pilgrim's Tale
- Plowman Writings - Song of the Husbandman, God Spede the Plough, I-blessyd Be Cristes Sonde, and Chaucer's Plowman. Pierce the Ploughman's Crede is a medieval Alliterative poem of 855 lines savagely lampooning the four orders of Friars. There are actually two pseudo-Chaucerian texts called The Plowman's Tale. The Pilgrim's Tale is an English anti-monastic poem It was probably written ca
- Jack of the North
See also
External links
- International Piers Plowman Society Website of international scholarly organization for the study of Piers Plowman and other alliterative poems; includes searchable database of annotations of all scholarship on these poems since 1986. Jack of The North identifies an otherwise untitled short dialogue responding to and supporting anti- Enclosure actions in Cambridgeshire in 1549, the year The Piers Plowman tradition is made up of about 14 different poetic and prose works from about the time of John Ball (d Allegory in the Middle Ages was a vital element in the Synthesis of Biblical and Classical traditions into what would become recognizable as Medieval culture
- Piers Plowman Electronic Archive A multi-level, hyper-textually linked electronic archive of the textual tradition of all three versions of the fourteenth-century allegorical dream vision Piers Plowman.
- University of Virginia e-text of Piers Plowman.
- William Langland page at Harvard. With link to modern English text of Piers.
- Piers Plowman and the Rising of 1381.
- Piers Plowman and Its Sequence by John Matthews Manly, vol. 2, The End of the Middle Ages," in The Cambridge History of English and American Literature, 18 vols. , Edited by A. W. Ward & A. R. Waller, (1907-21).
- Daniel F. Pigg, "Figuring subjectivity in 'Piers Plowman C' and 'The Parson's Tale' and 'Retraction': authorial insertion and identity poetics," Style, Fall 1997. Abstract: In Chaucer's Parson's Tale, Retraction, and Langland's C. 5, the authors engage in a homologue to confession by which they inscribe their identities in their texts and become themselves the subjects of poetic reflection. The "autobiographical" passage which opens passus 5 combines autobiographical and confessional modes to reintegrate the penitent subject -- both "Will" and WL -- into the body of the Church. The Retraction is similarly to be understood as Chaucer's sincere questioning of his own "entente," the key action required of the penitent in the confessional. His deployment of both clerical and literary discourses in the Retraction demonstrates that the subject cannot be separated from institutions.
- Dr. Anthony Colaianne, Chris Baugh - Medieval English Narrator - listen to recorded excerpts of Medieval English literature, including Piers Plowman.
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