| Oh, Boy! | |
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| Music | Jerome Kern |
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| Lyrics | Guy Bolton P. G. Wodehouse |
| Book | Guy Bolton P. G. Wodehouse |
| Productions | 1917 Broadway |
Oh, Boy! is a musical in two acts, with music by Jerome Kern and book and lyrics by Guy Bolton and P. G. Wodehouse. Jerome David Kern ( January 27, 1885 &ndash November 11, 1945) was an American Composer of popular music Guy Reginald Bolton ( November 23, 1884 - September 6, 1979) was a British - American Playwright and writer of Sir Pelham Grenville Wodehouse, KBE (15 October 1881 – 14 February 1975 (ˈwʊdhaʊs was an English Comic novelist who enjoyed enormous popular success Guy Reginald Bolton ( November 23, 1884 - September 6, 1979) was a British - American Playwright and writer of Sir Pelham Grenville Wodehouse, KBE (15 October 1881 – 14 February 1975 (ˈwʊdhaʊs was an English Comic novelist who enjoyed enormous popular success Year 1917 ( MCMXVII) was a Common year starting on Monday (link will display the full calendar of the Gregorian calendar (or a Common year Broadway theater, commonly called simply Broadway, refers to theatrical performances presented in one of the 39 large professional theaters with 500 seats or more located Musical theatre is a form of Theatre combining Music, Songs spoken Dialogue and Dance. Jerome David Kern ( January 27, 1885 &ndash November 11, 1945) was an American Composer of popular music Guy Reginald Bolton ( November 23, 1884 - September 6, 1979) was a British - American Playwright and writer of Sir Pelham Grenville Wodehouse, KBE (15 October 1881 – 14 February 1975 (ˈwʊdhaʊs was an English Comic novelist who enjoyed enormous popular success The story concerns befuddled George, who elopes with Lou Ellen, the daughter of Judge Carter. He must win over her parents and his Quaker aunt. His dapper polo champion friend Jim is in love with madcap actress Jackie, but she must extricate herself from a scrape with a bumbling constable whom she punched at a part raid.
The piece was the most successful of the "Princess Theatre Musicals" and ran 463 performances on Broadway. Broadway theater, commonly called simply Broadway, refers to theatrical performances presented in one of the 39 large professional theaters with 500 seats or more located A London production played at the Kingsway Theatre in 1919, running for 167 performances. A silent film version was also produced in 1919.
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Background
Early in the 20th century, American musical theatre consisted of a mix of elaborate European operettas, like The Merry Widow (1907), British musical comedy imports, likeThe Arcadians (1910), George M. Cohan's shows, the operettas of Victor Herbert, and the spectacular revues of Florenz Ziegfeld. Musical theatre is a form of Theatre combining Music, Songs spoken Dialogue and Dance. The Merry Widow (Die lustige Witwe is an Operetta by the Austro-Hungarian Composer Franz Lehár. Edwardian Musical Comedies are those British Musical theatre shows from the period between the 1890s when Gilbert and Sullivan began to lose their dominance to the The Arcadians is an Edwardian musical comedy styled a "Fantastic Musical Play" in three acts by Mark Ambient and Alexander M George Michael Cohan ( July 3, 1878 &ndash November 5, 1942) was a United States Entertainer, Playwright, Operetta is a genre of light Opera, light in terms both of music and subject matter Victor August Herbert ( February 1 1859 &ndash May 26 1924) was a Cellist, conductor and Composer best known A revue is a type of multi-act popular theatrical Entertainment that combines Music, dance and sketches. Florenz Ziegfeld Jr ( March 21, 1869 &ndash July 22, 1932) called Flo Ziegfeld, was an American Broadway But as Cohan's and Herbert's creative output waned, new creative talent was being nurtured on Broadway, including Jerome Kern, Irving Berlin and Sigmund Romberg. Irving Berlin (11 May 1888 &ndash 22 September 1989 was a Russian-born American Composer and Lyricist, and one of the most prolific American songwriters Sigmund Romberg, born Zsigmond Romberg ( July 29, 1887, Nagykanizsa − November 9, 1951 Kern began by revising British musicals to suit American audiences, adding songs that "have a timeless, distinctly American sound that redefined the Broadway showtune. "[1]
The Princess Theatre was a simply designed, 299-seat Broadway theatre that had failed to attract successful productions because of its small size. For Decatur Alabama 's Princess Theatre see Princess Theatre Decatur 1910s Originally planned as a venue for short dramatic plays Broadway theater, commonly called simply Broadway, refers to theatrical performances presented in one of the 39 large professional theaters with 500 seats or more located [2] Theatre agent Elisabeth Marbury asked Kern and Bolton to write a series of musicals specifically tailored to its smaller setting, with an intimate style and modest budgets, that would provide an alternative to the star-studded extravaganzas of Ziegfield and others. Kern and Bolton's first Princess Theatre musical was Nobody's Home (1915), an adaptation of a London show called Mr. Popple of Ippleton. Their second, with Wodehouse, was an original musical called Very Good Eddie (1915). Very Good Eddie is a musical with a book by Guy Bolton and Philip Bartholomae music by Jerome Kern, and lyrics by Schuyler Green with additional The little show ran for 314 performances on a modest budget. [1] Oh, Boy!, like the first two Princess Theatre shows, featured modern American settings and simple scene changes (one set for each act) to more aptly suit the small theatre, eschewing operetta traditions of foreign locales and elaborate scenery. [2]
Oh, Boy! premiered on February 20, 1917 at the Princess Theatre in New York City and ran 463 performances, making it the third-longest running Broadway musical in the teens. Events 1472 - Orkney and Shetland are left by Norway to Scotland, due to a Dowry payment Year 1917 ( MCMXVII) was a Common year starting on Monday (link will display the full calendar of the Gregorian calendar (or a Common year For Decatur Alabama 's Princess Theatre see Princess Theatre Decatur 1910s Originally planned as a venue for short dramatic plays The City of New York [2] It was produced by William Elliott and F. Ray Comstock. Staging was by Edward Royce, orchestrations were done by Frank Saddler, and the orchestra was conducted by Max Hirschfeld. Scenery was designed by D. M. Aiken, and costumes were designed by Faibsey.
Synopsis
Act One
The telegram boy arrives at George Budd's apartment at Medowsides, Long Island, and Briggs, George's butler, puts the telegram aside. Long Island is an island located in southeastern New York, USA, its western shores directly across from Manhattan, from which the island stretches Jim Marvin, a young dandy, enters through the window followed by a troupe of young people ("Let's Make a Night of It"). A dandy (also known as a beau gallant or flamboyant person is a man who places particular importance upon Physical appearance, refined language and leisurely hobbies Jim's polo team has won a silver cup, and he's brought all his friends to George's house to celebrate. Jim is surprised to find that George is not home; George never goes out at night. However, he decides to continue the party regardless and goes into the dining room with his friends to find some food and drink.
George is not home because he has eloped with Lou Ellen Carter. They return to the apartment ready to spend their first night together ("You Never Knew About Me"), not realizing they have guests. They go into the bedroom, and Jim and his friends return to the living room, not knowing George is home with Lou Ellen. Jim rhapsodizes on the wonders of an available female ("A Package of Seeds"). George and Lou Ellen overhear the noisy guests and open the door. They see no one, as everyone is now in the dining room, but George notices the telegram. It is from his Quaker Aunt Penelope, who controls his portion of the family fortune. She cautions him not to become engaged to Lou Ellen without careful consideration and tells him she is coming to visit. George and Lou Ellen decide that Lou Ellen will have to go back to her parents for a while. Lou Ellen tries to sneak out through the party by pretending that that she is one of the partiers. The girls ask her to go with them to their next party, but she explains that she is "An Old-Fashioned Wife". The landlord insists that the party must end, and everyone leaves, as George and Lou Ellen go to find a taxi to take her home.
Jim is left alone in the apartment when a pretty girl with a gun enters and explains she is escaping from the police. She is an actress named Jackie, and she was at a party at the Cherrywood Inn when a tipsy old gentleman named Tootles made a pass at her. He climbed on a table to read a speech, got into an altercation with a constable and started a riot. In the confusion, Jackie lost her handbag and gave the policeman a black eye. The policeman, P. C. Simms, has come to arrest her, but Jim tells him Jackie is George's wife. Jim offers to go back to the cabaret, find her handbag, and make Tootles absolve Jackie of any blame. Jackie thanks him ("A Pal Like You"), and they decide she should spend the night at George's to support her alibi. George can stay at Jim's place. She puts on Lou Ellen's pajamas. George returns and begins a letter to Lou Ellen ("Letter Song: I'll Just Dream About You") when Jackie emerges from the bedroom and explains her situation. George agrees to let her stay, and when Simms returns, George shows him the wedding certificate to prove he is married and reintroduces him to Jackie, who is still wearing the pajamas. Simms decides everything is in order and leaves, and Jackie can stay "Till the Clouds Roll By". George spends the night on Jim's sofa.
When George returns home in the morning, Lou Ellen's father, Judge Carter, has come to see if George is a suitable son-in-law. Jim has invited more of his friends to George's apartment, and the Judge finds it hard to believe George is really a serious young man. George invents a story about unstable explosives that frightens Judge Carter away. A flapper sings and dances for George ("A Little Bit of Ribbon") before Jackie emerges. The term flapper in the 1920s referred to a "new breed" of young Women who wore short skirts bobbed their hair listened to the new Jazz music Meanwhile, Jim could not find Tootles or the handbag, but he has found Tootles's speech. Briggs goes to the train station to waylay Aunt Penelope. Lou Ellen and her mother arrive and are shocked at the apparently immoral behavior going on in the appartment. When Jackie accidentally mentions that she has stayed there all night, George tells them she is his Aunt Penelope. Jackie tries to convince them she is a Quaker ("The First Day in May"). Judge Carter returns, and Jackie recognizes him as Tootles! She decides to follow him to the Country Club, where he is going to give his speech for the Polo Trophy. A country club is a private Club which offers a variety of recreational Sports facilities usually located in city outskirts or rural areas Hopefully he'll be able to clear her name with the police and get her handbag back.
Act Two
At the Medowsides Country Club, Jim and his friends begin the trophy ceremony with a song ("Koo-La-Loo"). Briggs is frantically searching for George. He tried to lock Aunt Penelope in the kitchen, but she punched him in the eye and escaped. When George and Jackie arrive, Simms greets them as Mr. and Mrs. Budd and asks them where Jackie got her pajamas; he would like to get a pair for his wife. Jackie tells Jim that even though she is becoming fond of George, she also likes him ("Rolled Into One"). Mrs. Carter dislikes George and persuades her husband to forbid Lou Ellen to speak to him ("Oh Daddy, Please").
Jackie tells the judge that she will give him his speech if he will get her handbag back from Simms. Jim asks Jackie to think about marrying him ("Nesting Time in Flatbrush"). Jackie orders a strong drink to fortify her to be George's wife, his aunt, and a flapper stimultaneously. Lou Ellen is despondent because she cannot speak to George, but she reassures herself that "Words Are Not Needed". Aunt Penelope arrives, and Simms tells her George and Jackie are married; he saw her in pajamas. Aunt Penelope feels faint and asks for a glass of water but accidentally takes Jackie's drink. Soon inebriated, she asks George about the pajamas, and he sends her to the ladies' room. Jackie, Jim, and George sing an extemporaneous piece about "Flubby Dub the Caveman. " Lou Ellen meets Aunt Penelope in the ladies' room, and Aunt Penelope tells her about the pajamas. Lou Ellen asks her mother to make George explain who was wearing her pajamas and who Jackie is, since Aunt Penelope is George's aunt.
Aunt Penelope spots Briggs and declares that he is a madman who tried to lock her up. Simms jumps at the chance to arrest him and rushes to empty his hands, giving Jackie's handbag to Judge Carter. Judge Carter and Jackie exchange the handbag and the speech. Aunt Penelope demands an explanation: did she dream all the strange happenings, and is George really married? George explains to everyone that he is married to Lou Ellen. Simms is thoroughly confused, but George tells him that Jackie is Jim Marvin's wife, and it is quite certain that she soon will be.
Songs
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Roles and original cast
- George Budd – Tom Powers
- Lou Ellen Carter (his new wife) – Marie Carroll
- Jim Marvin (his friend) – Hal Forde
- Jackie Sampson (an actress) – Anna Wheaton
- Briggs, George's butler – Carl Lyle
- Judge Daniel Carter – Frank McGinn
- Mrs. Tom Powers is also the name of a fictional Irish-American gangster played by James Cagney in The Public Enemy. Carter – Augusta Haviland
- Miss Penelope Budd (George's aunt) – Edna May Oliver
- Constable Simms – Stephen Maley
- Jane Packard – Marion Davies
- Polly Andrus – Justine Johnstone
Notes
- ^ a b Kenrick, John. Edna May Oliver ( November 9, 1883 – November 9, 1942) was an Oscar -nominated American film actress Marion Davies ( January 3, 1897 &ndash September 22, 1961) was an American film Actress. Justine Johnstone ( January 31, 1895 &ndash September 4, 1982) was an American stage and silent screen actress who retired to become a pathologist "History of The Musical Stage 1910-1919: Part I", Musicals 101.com: The Cyber Encyclopedia of Musical Theatre, TV and Film, accessed May 27, 2008
- ^ a b c Bloom and Vlastnik, pp. 230–31
References
- Bloom, Ken and Vlastnik, Frank. Broadway Musicals: The 101 Greatest Shows of all Time. Black Dog & Leventhal Publishers, New York, 2004. ISBN 1-57912-390-2
- Gänzl, Kurt. Gänzl's Book of the Broadway Musical: 75 Favorite Shows, from H. M. S. Pinafore to Sunset Boulevard. Schirmer Books, New York, 1995. 0-02-870832-6
External links
- Oh, Boy! at the IBDB database
- Rockwell, John. "Kern's 'Oh, Boy!' Celebrates a Centennial", New York Times, January 26, 1985
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