Mystery plays and Miracle plays are among the earliest formally developed plays in medieval Europe. Medieval mystery plays focused on the representation of Bible stories in churches as tableaux with accompanying antiphonal song. Etymology According to the Online Etymology Dictionary, the word bible is from Latin biblia, traced from the same word through Medieval Latin and Late Latin Tableau vivant (plural tableaux vivants) is French for "living picture This article is about the musical term See Antiphon (person the orator of ancient Greece They developed from the 10th to the 16th century, reaching the height of their popularity in the 15th century before being rendered obsolete by the rise of professional theatre.
The plays originated as simple tropes, verbal embellishments of liturgical texts, and slowly became more elaborate. See also Figure of speech In linguistics trope is a rhetorical Figure of speech that consists of a play on words i As these liturgical dramas increased in popularity, vernacular forms emerged, as traveling companies of actors and theatrical productions organised by local communities became more common in the later Middle Ages.
The Quem Quœritis is the best known early form of the dramas, a dramatised liturgical dialogue between the angel at the tomb of Christ and the women who are seeking his body. These primitive forms were later elaborated with dialogue and dramatic action. Eventually the dramas moved from church to the exterior - the churchyard and the public marketplace. These early performances were given in Latin, and were preceded by a vernacular prologue spoken by a herald who gave a synopsis of the events.
In 1210 the Pope forbade clergy to act in public, thus the organization of the dramas was taken over by town guilds, after which several changes followed. Vernacular texts replaced Latin, and non-Biblical passages were added along with comic scenes. Acting and characterization became more elaborate.
These vernacular religious performances were, in some of the larger cities in England such as York, performed and produced by guilds, with each guild taking responsibility for a particular piece of scriptural history. York ( is an historic Walled city sited at the confluence of the rivers Ouse and Foss in North Yorkshire, England. A guild is an association of craftsmen in a particular trade The earliest guilds were formed as confraternities of workers From the guild control originated the term mystery play or mysteries, from the Latin mysterium.
Mystery plays are now typically distinguished from Miracle plays, which specifically re-enacted episodes from the lives of the saints rather than from the Bible; however, it is also to be noted that both of these terms are more commonly used by modern scholars than they were by medieval people, who used a wide variety of terminology to refer to their dramatic performances. A saint (from the Latin sanctus) is a human being to whom has been attributed (and who has generally demonstrated a high level of Holiness and Sanctity
The mystery play developed, in some places, into a series of plays dealing with all the major events in the Christian calendar, from the Creation to the Day of Judgment. By the end of the 15th century, the practice of acting these plays in cycles on festival days (such as Corpus Christi, performed on the Feast of Corpus Christi) was established in several parts of Europe. Corpus Christi is a Passion play by Terrence McNally dramatizing the story of Jesus and the Apostles. Corpus Christi ( Latin for Body of Christ) is a Christian feast. Sometimes, each play was performed on a decorated cart called a pageant that moved about the city to allow different crowds to watch each play. The entire cycle could take up to twenty hours to perform and could be spread over a number of days. Taken as a whole, these are referred to as Corpus Christi cycles.
The plays were performed by a combination of professionals and amateurs and were written in highly elaborate stanza forms; they were often marked by the extravagance of the sets and 'special effects', but could also be stark and intimate. The variety of theatrical and poetic styles, even in a single cycle of plays, could be remarkable.
There are four complete or nearly complete extant English biblical collections of plays; we may no longer call all of them "cycles. " The most complete is the York cycle of forty-eight pageants; there are also the Towneley plays of thirty-two pageants, once thought to have been a true 'cycle' of plays acted at Wakefield; the N Town plays (also called the Ludus Coventriae cycle or Hegge cycle), now generally agreed to be a redacted compilation of at least three older, unrelated plays, and the Chester cycle of twenty-four pageants, now generally agreed to be an Elizabethan reconstruction of older medieval traditions. The York Mystery Plays are an English cycle of forty-eight Mystery plays or Pageants, which cover sacred history from the Creation Wakefield lies at the heart of the City of Wakefield, a Metropolitan borough of West Yorkshire, England. The N-Town Plays (also called the Hegge Cycle and the Ludus Coventriae cycle) are a cycle of 42 medieval Mystery plays from between 1450 and 1500 The Chester Mystery Plays is a cycle of Mystery plays dating back to at least the early part of the 15th century Also extant are two pageants from a New Testament cycle acted at Coventry and one pageant each from Norwich and Newcastle-on-Tyne. Additionally, a fifteenth-century play of the life of Mary Magdalene and a sixteenth-century play of the Conversion of Saint Paul exist, both hailing from East Anglia. Saint Mary Magdalen or Mary Magdalene is described both in the canonical New Testament and in the New Testament apocrypha, as a devoted Paul the apostle (שאול התרסי Šaʾul HaTarsi, meaning " Saul of Tarsus " Σαούλ Saul and Σαῦλος Saulos and East Anglia is often used as a shorthand for the Kingdom of the East Angles. Besides the Middle English drama, there are three surviving plays in Cornish, and several cyclical plays survive from continental Europe. Middle English is the name given by Historical linguistics to the diverse forms of the English language spoken between the Norman invasion of For the Cornish-English dialect see West Country dialects and List of Cornish dialect words.
These biblical plays differ widely in content. Most contain episodes such as the Fall of Lucifer, the Creation and Fall of Man, Cain and Abel, Noah and the Flood, Abraham and Isaac, the Nativity, the Raising of Lazarus, the Passion, and the Resurrection. Other pageants included the story of Moses, the Procession of the Prophets, Christ's Baptism, the Temptation in the Wilderness, and the Assumption and Coronation of the Virgin. In given cycles, the plays came to be sponsored by the newly emerging Medieval craft guilds. The York mercers, for example, sponsored the Doomsday pageant. The guild associations are not, however, to be understood as the method of production for all towns. While the Chester pageants are associated with guilds, there is no indication that the N-Town plays are either associated with guilds or performed on pageant wagons. Perhaps the most famous of the mystery plays, at least to modern readers and audiences, are those of Wakefield. Unfortunately, we cannot know whether the plays of the Towneley manuscript are actually the plays performed at Wakefield but a reference in the Second Shepherds' Play to Horbery Shrogys ( line 454) is strongly suggestive. Horbury is a large village west of Wakefield and south of Ossett, in West Yorkshire, England. In "The London Burial Grounds" by Mrs Basil Holmes (1897), the author claims that the Holy Priory Church, next to St Katherine Cree on Leadenhall Street, London was the location of miracle plays from the tenth to the sixteenth century. St Katharine Cree is a Church of England church in the Aldgate ward of the City of London, located on Leadenhall Street near Leadenhall Edmund Bonner, Bishop of London (c 1500 - 1569) stopped this in 1542. Edmund Bonner (also Edmund Boner) (c 1500 &ndash September 5, 1569) Bishop of London, was an English Bishop.
The most famous plays of the Towneley collection are attributed to the Wakefield Master, an anonymous playwright who wrote in the fifteenth century. Early scholars suggested that a man by the name of Gilbert Pilkington was the author, but this idea has been disproved by Craig and others. The epithet "Wakefield Master" was first applied to this individual by the literary historian Gayley. The Wakefield Master gets his name from the geographic location where he lived, the market-town of Wakefield in Yorkshire. He may have been a highly educated cleric there, or possibly a friar from a nearby monastery at Woodkirk, four miles north of Wakefield. It was once thought that this anonymous author wrote a series of 32 plays (each averaging about 384 lines) called the Towneley Cycle. The Master's contributions to this collection are still much debated, and some scholars believe he may have written fewer than ten of them. A cycle is a series of mystery plays performed during the Corpus Christi festival. These works appear in a single manuscript, which was kept for a number of years in Towneley Hall of the Towneley family. Thus the plays are called the Towneley Cycle. The manuscript is currently found in the Huntington Library of California. It shows signs of Protestant editing — references to the Pope and the sacraments are crossed out, for instance. Likewise, twelve manuscript leaves were ripped out between the two final plays because of Catholic references. This evidence strongly suggests the play was still being read and performed as late as 1520, perhaps as late in Renaissance as the final years of King Henry VIII's reign.
The best known pageant in the Towneley manuscript is The Second Shepherds' Pageant, a burlesque of the Nativity featuring Mak the sheep stealer and his wife Gill, which more or less explicitly compares a stolen lamb to the Saviour of mankind. The Harrowing of Hell, derived from the apocryphal Acts of Pilate, was a popular part of the York and Wakefield cycles. The Harrowing of Hell is a doctrine in Christian theology referenced in the Apostles' Creed and the Athanasian Creed (Quicumque vult, which states that The Acts of Pilate (Latin Acta Pilati Greek Πράξεις Πιλάτου) is a book of the New Testament Pseudepigrapha
The dramas of the Elizabethan and Jacobean periods were developed out of mystery plays. English Renaissance theatre is English drama written between the Reformation and the closure of the theatres in 1642. Highlights of the Jacobean Era The practical if not formal unification of England and Scotland under one ruler was a development of the first order of importance for both
The Mystery Plays were revived in York in 1951 as part of the Festival of Britain. York ( is an historic Walled city sited at the confluence of the rivers Ouse and Foss in North Yorkshire, England. Year 1951 ( MCMLI) was a Common year starting on Monday. Events of 1951 January The Festival of Britain was a national exhibition which opened in London and around Britain in May 1951 More recently, the N-Town cycle of touring plays have been revived as the Lincoln mystery plays. Lincoln Mystery Plays (N Town The Lincoln Mystery Plays exists to bring people together to perform medieval mystery plays and other productions in Lincoln