| Ambient 1: Music For Airports | |||||
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| Studio album by Brian Eno | |||||
| Released | 1978 | ||||
| Recorded | London & Cologne, 1978 | ||||
| Genre | Electronic Music Ambient Experimental |
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| Length | 48:32 | ||||
| Label | EG , Polydor Virgin , GRT |
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| Producer | Brian Eno | ||||
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Ambient 1: Music for Airports (1978) is an Ambient music album by Brian Eno. PopMatters is an international Webzine of cultural criticism Its scope is broadly cast on all things pop culture Brian Peter George St John le Baptiste de la Salle Eno (born 15 May 1948 commonly known as Brian Eno (ˈiːnoʊ is an English Musician, producer Before and after Science is a 1977 album by Brian Eno. It is less experimental than its predecessor Another Green World, containing eight Music for Films (1978 is one of Brian Eno's ambient albums It is a Conceptual work intended as a soundtrack for imaginary films Ambient music is a Musical genre in which sound is more important than notes Brian Peter George St John le Baptiste de la Salle Eno (born 15 May 1948 commonly known as Brian Eno (ˈiːnoʊ is an English Musician, producer
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This was the first of four albums released on Eno's own, then new, Ambient label to actually carry the name "ambient" - a term which he coined to differentiate his minimalistic approach to the album's material and "the products of the various purveyors of canned music"[1].
Notice of similarly quiet, unobtrusive music had been given on albums such as Evening Star, Discreet Music, Music for Films and Harold Budd's The Pavilion of Dreams (which he produced), but in this album it was given precedence as a full-blown concept. Evening Star (1975 is an album by the British ambient musicians Robert Fripp and Brian Eno. Discreet Music (1975 is an album by the British ambient musician Brian Eno. Music for Films (1978 is one of Brian Eno's ambient albums It is a Conceptual work intended as a soundtrack for imaginary films Harold Budd ( May 24 1936) is an American ambient / Avant-garde composer The Pavilion of Dreams is the second album from composer Harold Budd.
The music was designed to be continuously looped as a sound installation, with the intent to defuse the tense, anxious atmosphere of an airport terminal. It was installed at the Marine Air Terminal of New York’s LaGuardia Airport. The Marine Air Terminal at LaGuardia Airport in New York City remains the only active airport terminal dating from the first generation The City of New York LaGuardia Airport (ləˈɡwɑɹdiə is an airport located in Queens County on Long Island in the The City of New York.
The track labelling is the way it is because of the album's first release (1978) as an LP, and so the first track means "first track, first side", and so on. A gramophone
See Miscellanea for citations.
All tracks were composed by Eno except "1/1", which was composed by Eno, former Soft Machine drummer Robert Wyatt, and Rhett Davies. Soft Machine was an English rock band from Canterbury, named after the book The Soft Machine by William S Robert Wyatt (born Robert Wyatt-Ellidge, 28 January 1945 in Bristol) is an English Musician, and founding member of the influential
Music for Airports employs the phasing of tape loops of different length in some tracks, where, for example, in "1/1", a single piano melody is repeated and at different times other instruments will fade in and out in a complex, evolving pattern due to the phenomenon of phasing: at some point these instrumental sounds will clump together, at some points, be spread apart.
Talking about the first piece, Eno has said:
| “ | . . . I found this very short section of tape where two pianos, unbeknownst to each other, played melodic lines that interlocked in an interesting way. To make a piece of music out of it, I cut that part out, made a stereo loop on the 24-track, then I discovered I liked it best at half speed, so the instruments sounded very soft, and the whole movement was very slow. | ” |
The two tracks containing the wordless "aaaaah"-style vocals intermingle four tracks which loop back on themselves and constantly interact with each other in new ways. Subtle changes in timing occur, adding to the timbre of the pieces.
Eno explains of the vocal-only piece:
| “ | One of the notes repeats every 23 seconds. It is, in fact, a long loop running around a series of tubular aluminum chairs in Conny Plank's studio. The next lowest loop repeats every 25 seconds or something like that. The third one every 29 seconds or something. What I mean is they all repeat in cycles that are called incommensurable — they are not likely to come back into sync again. Your experience of the piece, of course, is a moment in time, there. So as the piece progresses, what you hear are the various clusterings and configurations of these six basic elements. The basic elements in that particular piece never change. They stay the same. But the piece does appear to have quite a lot of variety. | ” |
2/2, the synth piece, was performed with an ARP 2600. The ARP 2600 is a semi-modular analog subtractive audio synthesizer, designed by Alan R
| Country | Label | Cat. Robert Wyatt (born Robert Wyatt-Ellidge, 28 January 1945 in Bristol) is an English Musician, and founding member of the influential Konrad "Conny" Plank (frequently spelled Planck) ( May 3, 1940 in Germany – December 18, 1987 in Cologne No. | Media | Release Date |
|---|---|---|---|---|
| US | Editions EG | EGS 201 | LP | 1978 |
| US | Polydor | AMB 001 | LP | 1978 |
| France | Polydor | 2310 647 | LP | 1978 |
| Canada | GRT | 9167-9835 | LP | 1978 |
| Italy | Polydor | 2310 647 | LP | 1978 |
| US | Editions EG | EEGCD 17 | CD | Aug 1990 |
| UK | Virgin Records | ENOCD 6, 7243 8 66495 2 2 |
CD | 2004 |