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Modulate
Modulate cover
Studio album by Bob Mould
Released March 12, 2002
Genre Alternative
Label Granary Music
Producer Bob Mould
Professional reviews
Bob Mould chronology
The Last Dog and Pony Show
(1996)
Modulate
(2002)
Live Dog 98: The Forum, London UK
(2002)

Modulate is Bob Mould's fifth solo album, released in 2002 after a four-year layoff. Bob Mould (born Robert Arthur Mould, October 16 1961 Malone, New York) is an American Musician, principally known for his work as Although a few tracks on his previous release, The Last Dog And Pony Show, had featured tape loops and samples, Mould shocked his fans with such a dramatic embrace of electronica. Rolling Stone magazine awarded the album 2 1/2 stars out of five, declaring: "Ultimately, this is a rock record with electronic effects, not a techno record with guitars, and it falls short of being totally satisfying as either. Rolling Stone is a United States -based Magazine devoted to Music, Politics, and Popular culture that is published "

The song "The Receipt" is widely considered to be an attack directed at former Hüsker Dü bandmate Grant Hart. For other uses see Husker Du. Hüsker Dü was an American Alternative rock band formed in Minneapolis-St Grantzberg Vernon Hart (born March 18, 1961) is an American Musician, best known as the Drummer and co- Songwriter for the

Mould dubbed the tour supporting this album "The Carnival Of Light And Sound. " It featured him performing alone on stage, backed by prerecorded tracks as short films were projected on screens behind him.

Track listing

  1. "180 Rain"
  2. "Sunset Safety Glass"
  3. "Semper Fi"
  4. "Homecoming Parade"
  5. "Lost Zoloft"
  6. "Without?"
  7. "Slay/Sway"
  8. "The Receipt"
  9. "Quasar"
  10. "Soundonsound"
  11. "Hornery"
  12. "Comeonstrong"
  13. "Trade"
  14. "Author's Lament"

Dictionary

modulate

-verb

  1. (transitive) To regulate, adjust or adapt
  2. (transitive) To change the pitch, intensity or tone of one's voice or of a musical instrument
  3. (transitive) (electronics) to vary the amplitude, frequency or phase of a carrier wave in proportion to the amplitude etc of a source wave (such as speech or music)
  4. (intransitive, music) to move from one key or tonality to another, especially by using a chord progression
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