| Modern Dances | |||||
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| Studio album by Jandek | |||||
| Released | 1987 | ||||
| Recorded | unknown | ||||
| Genre | Garage Rock / punk | ||||
| Length | 43:29 | ||||
| Label | Corwood Industries | ||||
| Producer | Corwood Industries | ||||
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| Jandek chronology | |||||
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Modern Dances is the fourteenth album by Jandek, released as Corwood #0752. A studio album is an original collection of new tracks by a recording artist Jandek is the musical project of an Outsider musician who operates out of Houston Texas. A music genre is a categorical and typological construct that identifies musical sounds as belonging to a particular category and type of music that can be distinguished from other In the Music industry, a record label can be a Brand and a Trademark associated with the Marketing of music recordings and Music Corwood Industries is a Houston Texas -based company whose only output would appear to be the music of Jandek. In the Music industry, a record producer or music producer has many roles among them controlling the recording sessions coaching and guiding the musicians organizing Forced Exposure was an independent music magazine ( Zine) published sporadically out of Massachusetts from the early-'80s to 1993 edited by Jimmy Johnson and Jandek is the musical project of an Outsider musician who operates out of Houston Texas. Follow Your Footsteps is the second album released in 1986 by avant-[[folk music|folk/]] blues Singer/songwriter Jandek, and his thirteenth Blue Corpse is the fifteenth album by Jandek, and his second for 1987 Jandek is the musical project of an Outsider musician who operates out of Houston Texas. It is the first of two releases from 1987, and marks the end of the original "garage" band (which would have a different incarnation starting a few albums later).
Contents |
Modern Dances sounds like a looser-limbed cousin to the crazed tension of Telegraph Melts and Foreign Keys, and also marks the end of the original "garage" band. Telegraph Melts is the twelfth album and first release of 1986 by musician Jandek. Foreign Keys is the second album released in 1985 by musician Jandek, and his eleventh overall Everyone sounds a little worn here, and there's some tension between band members. This is most audible on "Number 512," in which the guitarist, bassist and drums are playing an open jam similar to many other songs, and "Nancy" begins singing "What we need very quickly is a change. . . and immediately we will change the pace/ because we’re tired of this one. " The band continues, unabated, and she continues ranting around them, insulting the drummer (though in a "jabbing" sort of way) and finishing with "somebody's got to go fast with me/cause oh God I get so bored. "
But that's not to misrepresent the album as an extended "jam" session. The first track re-writes the devastating "You Painted Your Teeth" (from Telegraph Melts) as "Painted My Teeth," and it's a riot. Telegraph Melts is the twelfth album and first release of 1986 by musician Jandek. Over a much looser music, the two trade off, with "Nancy" saying "you just made my day. . . you didn't paint your teeth. " To which the man responds, "I'll tell you somethin' baby/I painted my teeth. . . behind your back. . . I want to do it again. " We also find out that "Karl Marx painted his teeth. " This leads into the equally-loose "Twelve Minutes Since February 32'ND" in which the Corwood Rep builds up a serious head of steam and goes into his screaming as the band finally takes off.
But from there it's pretty mellow, as things go, with a less-raucous take of "Spanish in Me" from Foreign Keys (as "Spanish in Me 03")"Hand for Harry Idle" and "I Want to Know Why" being the standard odd, garage sound and a pair of what seem to be pretty straight-up religious numbers ("Nothing is Better than God" and "Spiritual Song") making for an interesting diversion in the middle. Foreign Keys is the second album released in 1985 by musician Jandek, and his eleventh overall The vocals are mostly traded around here, with it all feeling like a late night loft session, at least until the last "I wanna know why" is screamed, and the band fades away.
And then we're dropped back down a hole, so to speak. The final three tracks are acoustic numbers, and they're as creepy as anything on Six and Six. Six and Six is the name of the second album by reclusive Houston musician Jandek, though it was the first to be released under that moniker (the previous A memorial to the band, or the loss of "Nancy?" Hard to say, but they hit hard, with "Carnival Queen" especially apocalyptic, ending with the high-end, ghostly wail singing, "Carnival queen/your hair is on fire/your nails pierce my palms. "
Shaggy haired and sinewy Jandek looks to our right in the right 1/4 of the frame. A featureless brick wall dominates the left 3/4.
To the right of Jandek is the glint of some sort of machine. . . (a tractor?). The lower part of the right side of the frame is a four-slat fence (very similar, possibly identical, to the fencing around the garden in the Telegraph Melts album cover). Telegraph Melts is the twelfth album and first release of 1986 by musician Jandek. A large, featureless brick wall in Jandek's neighborhood? Where would that be? Perhaps related to the cement pediment in the lower right corner of Telegraph Melts. Telegraph Melts is the twelfth album and first release of 1986 by musician Jandek.