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Music
Religious music:
HistoricalContemporary
PiyyutZemirotNigun
PizmonimBaqashot
Secular music:
IsraeliIsraeli Folk
KlezmerSephardicMizrahi
Not Jewish in Form:
ClassicalMainstream and Jazz
Dance:
Israeli Folk DancingBallet
HorahHava NagilaYemenite dance
Israel
HatikvahJerusalem of Gold
Piyyutim
Adon OlamGeshemLekhah Dodi
Ma'oz TzurYedid NefeshYigdal
Music for Holidays
HanukkahPassoverShabbat
Music of the Haggadah
Ma NishtanaDayenuAdir Hu
Chad GadyaEchad Mi Yodea
Music of Hanukkah
BlessingsOh ChanukahDreidel Song
Al HanisimMi Y'malelNer Li

:This article is about the music of the Mizrahi Jews. Jewish music, the music of Jews, is quite diverse and dates back thousands of years Jewish music, the music of Jews, is quite diverse and dates back thousands of years This article is about the sacred and religious music of Judaism from Biblical to Modern times This article is about the sacred and religious music of Judaism from Biblical to Modern times This article is about contemporary Jewish religious music For the main article on religious Jewish music see Religious Jewish music. See also Religious Jewish music A piyyut (plural piyyutim, Hebrew פיוט pijút and) is a Jewish liturgical poem usually designated Zemirot (זמירות (singular zemer) are Jewish hymns usually sung in the Hebrew or Aramaic languages but sometimes also in Yiddish This article is about a type of Jewish religious music Nigun For the main article on religious Jewish music see Religious Jewish music. See also Religious Jewish music Pizmonim ( Hebrew פזמונים singular pizmon) are traditional Jewish songs and melodies This article is about a type of Jewish religious music Baqashot See Secular Jewish culture for the main article on secular Jewish culture The music of Israel is a unique combination of Jewish and non-Jewish music traditions that have come together over the course of a century to create a distinctive musical The music of Israel is a unique combination of Jewish and non-Jewish music traditions that have come together over the course of a century to create a distinctive musical See also Secular Jewish music Klezmer (from Yiddish כּלי־זמיר kley - instrument and zemer - song etymologically from This article is about the music of the Sephardic Jews For the main article on secular Jewish music see Secular Jewish music. See Secular Jewish culture for the main article on secular Jewish culture See Secular Jewish culture for the main article on secular Jewish culture See Secular Jewish culture for the main article on secular Jewish culture See Secular Jewish culture for the main article on secular Jewish culture This article is about Israeli folk dancing For the main article on Jewish dance see Jewish dance. See Secular Jewish culture for the main article on secular Jewish culture Hora is a type of Circle dance originating in the Balkans but now found in a number of countries most of which use slightly different spellings "Hava Nagila" ( הבה נגילה in Hebrew) is a Hebrew Folk song, the title meaning "Let us rejoice" In Yemen, where Jews were banned from dancing publicly forms of dance evolved that are based on stationary hopping and posturing such as can be done in a confined space The music of Israel is a unique combination of Jewish and non-Jewish music traditions that have come together over the course of a century to create a distinctive musical For the political party see Hatikva (political party. For the Tel Aviv neighbourhood see Hatikva Quarter. " Jerusalem of Gold " (ירושלים של זהב Yerushalayim Shel Zahav) is a popular Israeli Song written by Naomi Shemer in 1967 See also Religious Jewish music A piyyut (plural piyyutim, Hebrew פיוט pijút and) is a Jewish liturgical poem usually designated Adon Olam ( אֲדוֹן עוֹלָם; "Lord of the World" is one of the few strictly metrical hymns in the Jewish liturgy, the nobility of the diction of Geshem (גשם is one of the Hebrew words for " Rain," applied mostly to the heavy rains which occur in Israel in the fall and winter Lekhah Dodi ( Hebrew: לכה דודי also transliterated as Lecha Dodi, L'chah Dodi, Lekah Dodi, "Ma'oz Tzur" (מעוז צור is a Jewish liturgical poem or Piyyut. Yedid Nefesh ( Hebrew: יְדִיד נֶפֶשׂ y’did nefesh) is the title of a Piyyut. Yigdal ( יִגְדָּל; yighdāl, or יִגְדַּל; yighdal; means " Magnify Living God" is a Jewish Hanukkah music (or Chanukah music) (שירי חנוכה contains several songs associated with the festival of Chanukah. Passover songs are songs traditionally associated with the end of the seder, the festive meal associated with the Jewish festival of Passover. Zemirot (זמירות (singular zemer) are Jewish hymns usually sung in the Hebrew or Aramaic languages but sometimes also in Yiddish Passover songs are songs traditionally associated with the end of the seder, the festive meal associated with the Jewish festival of Passover. Ma Nishtana (מה נשתנה are the four questions sung during the Passover seder See also Passover songs Dayenu ( Hebrew: is a song that is part of the Jewish holiday of Passover. See also Passover songs Adir Hu (English Mighty is He Hebrew אדיר הוּא is a hymn sung by Jews worldwide at the Passover Seder. See also Passover songs Chad Gadya ( Aramaic: חַד גַדְיָה chad gadya, "one little goat or "one kid" Hebrew: See also Passover songs Echad Mi Yodea ( Yiddish: Man'dabar uma n'sapar) ( Hebrew: אחד מי יודע echad mi yodea) (Who Hanukkah music (or Chanukah music) (שירי חנוכה contains several songs associated with the festival of Chanukah. Hanukkah music (or Chanukah music) (שירי חנוכה contains several songs associated with the festival of Chanukah. See also Hanukkah music Oh Chanukah (also Chanukah Oh Chanukah) is an English version of the Yiddish Oy Chanukah (חנוכּה אױ חנוכּה See also Hanukkah music I Have a Little Dreidel (also known as the Dreidel song) and Samuel Goldfarb (also S Hanukkah music (or Chanukah music) (שירי חנוכה contains several songs associated with the festival of Chanukah. Hanukkah music (or Chanukah music) (שירי חנוכה contains several songs associated with the festival of Chanukah. Hanukkah music (or Chanukah music) (שירי חנוכה contains several songs associated with the festival of Chanukah. For the main article on secular Jewish music, see Secular Jewish music. See Secular Jewish culture for the main article on secular Jewish culture

Mizrahi music (Hebrew: מוזיקה מזרחית, Muzika Mizrahit) refers to the genre of Middle Eastern style of Israeli Music. The music of Israel is a unique combination of Jewish and non-Jewish music traditions that have come together over the course of a century to create a distinctive musical It combines elements and flavours of Arabic, Turkish and Greek music brought to Israel by Sephardic and Mizrahi Jews. Arabic music or Arab music ( Arabic: موسيقى عربية;) includes several genres and styles of Music ranging from Arabic classical The music of Turkey includes diverse elements ranging from Central Asian folk music and music from Ottoman Empire dominions such as Persian music, The musical legacy of Greece is as diverse as its history. Cypriot music has certain similarities to traditional Greek Music, and their Sephardi Jews ( Hebrew: ספרדי, Standard Səfardi Tiberian Səp̄arədî; plural Mizrahi Jews or Mizrahim, ( also referred to as Edot HaMizrach (Communities of the East are Jews descended It is usually sung in Hebrew, but may often be combined with lyrics in Arabic or other languages from lands where Jewish Israeli artists may trace their most recent ancestral roots. Arabic (ar الْعَرَبيّة (informally ar عَرَبيْ) in terms of the number of speakers is the largest living member of the Semitic language The literal definition of Mizrahi in Hebrew is "Eastern" or "from the East. "

Typical Mizrahi songs will have a dominant violin or string sound as well as Middle Eastern percussion elements. The violin is a bowed String instrument with four strings usually tuned in Perfect fifths It is the smallest and highest-pitched member A string instrument (or stringed instrument) is a Musical instrument that produces Sound by means of Vibrating strings In the Hornbostel-Sachs Mizrahi music is usually high pitched. The themes of Mizrahi pop songs are usually more simple than those of Israeli rock. Pop music as a genre features a noticeable rhythmic element catchy melodies and hooks, a mainstream style and conventional structure

Contents

Emergence of Mizrahi music

Background

In today's Israeli music scene, Mizrahi music is very popular. However, its popularity is a somewhat recent phenomenon. Until the 1970s, the Israeli music industry was dominated by westernized European derived popular Israeli music. This article is about the Decade 1970-1979 For the Year 1970 see 1970.

The owners of record labels quite simply weren't interested in Mizrahi music. Instead they signed music to their personal taste: American and European-style rock and pop music. Examples of this include Kaveret and Shlomo Artzi in the 1960s and 70s, and earlier on "pioneer", more idealistic folk-musicians such as Naomi Shemer and Yehoram Gaon. Kaveret ( Hebrew: כוורת, meaning "beehive" also known as Poogy (the name chosen for their performances abroad was an Israeli Shlomo Artzi ( שלמה ארצי) is an Israeli Folk rock Singer-songwriter and Composer. The 1960s decade refers to the years from the beginning of 1960 to the end of 1969 Folk music can have a number of different meanings including Traditional music: The original meaning of the term "folk music" was synonymous Yehoram Gaon, informally spelled Yoram Gaon (born December 28, 1939) is an Israeli singer and actor

Israeli immigrant communities from the countries of the Middle East and North Africa have over the last 50 years created a synthetic musical style the combines elements of Arabic, Turkish, Greek, and the until then Ashkenazi (European Jewish) dominated Israeli music. As opposed to the New Hebrew Style, which was the conscious creation of Eastern European immigrants trying to define their new Israeli identity, the Muzika Mizrahit style is truly spontaneous and indigenous[1]. Initially met with hostility by the mainstream cultural institutions of Israel, it has now become a major force in Israeli culture.

The Muzika Mizrahit movement started in the 1950s with homegrown performers in the ethnic neighborhoods of Israel - the predominantly Yemenite "Kerem HaTemanim" neighborhood of Tel Aviv, Moroccan neighborhoods and neighborhoods of Iranian and Iraqi immigrants - who played at weddings and other events. They performed songs in Hebrew, but in a predominantly Arabic style, on traditional instruments - the Oud, the Kanun, and the darbuka. In the 1960s, they added acoustic guitar and electric guitar, and their sound became more eclectic. Vocalists typically decorated their singing with trills and other oriental-style ornaments, and delivery was often nasal or guttural in character. Intonation was typically Western, however; singers did not use the quartertone scales typical of Arabic music.

Lyrics were originally texts taken from classic Hebrew literature, including liturgical texts and poems by medieval Hebrew poets. Later they added texts by Israeli poets, and began writing original lyrics as well. An example is the song "Hanale Hitbalbela" (Hannale was confused), sung by Yizhar Cohen. The lyrics are by the modern Israeli poet and lyricist Natan Alterman, to a traditional tune.

The 1970s and onward

One of the first widely popular Mizrahi musicians was Zohar Argov, who was from Rishon LeZion and who had grown up singing in his synagogue, released his defining Mizrahi hit, Perach BeGani (פרח בגני) ("Flower in my Garden"). Zohar Argov (זוהר ארגוב born Zohar Orkabi on July 16. Rishon LeZion (רִאשׁוֹן לְצִיּוֹן lit First to Zion is the fourth-largest city in Israel, located along the central Israeli A synagogue (from Greek: grc συναγωγή transliterated synagogē, "assembly" he בית כנסת beit knesset, "house of Women have also begun to play a significant part in popular Mizrahi music, with famous artists such as Sarit Hadad becoming more popular. Sarit Hadad (שרית חדד (born September 20 1978 is a popular Israeli singer

In the 1970s and early 1980s, a few of these performers began distributing their songs on cassette tapes. The tapes were an instant hit. They were sold in kiosks in the rundown shopping area around the Tel Aviv bus station, and the music became known derogatorily as "Muzika Kassetot", cassette music, or "Bus station music". Performers during this period included Shimi Tavori and Zohar Argov, whose song "HaPerah Begani" (the Flower in my Garden) became a major hit. Zohar Argov (זוהר ארגוב born Zohar Orkabi on July 16. Argov, a colorful character who died in 1987 as a result of suicide, became known as the "King of Muzika Mizrahit"; he became a folk hero, and a movie was made of his life.

Despite the obvious popularity of this music, the state radio eschewed Muzika Mizrahit almost entirely. "The educational and cultural establishment made every effort to separate the second generation of eastern immigrants from this music, by intense socialization in schools and in the media," wrote the social researcher Sami Shalom Chetrit. [2]

The penetration of Muzika Mizrahit into the Israeli establishment was the result of pressure by Sephardic composers and producers such as Avihu Medina, the overwhelming, undeniable popularity of the style, and the gradual adoption of elements of Muzika Mizrahit by mainstream artists. Yardena Arazi, one of Israel's most popular stars, made a recording in 1989 called "Dimion Mizrahi" (Eastern Imagination), and included original materials and some canonic Israeli songs. Also, some performers started developing a fusion style of Muzika Mizrahit, Israeli, Greek, rock, and other styles. These included Yehuda Poliker, and Shlomo Bar, whose group "HaBreira HaTivit" (The Natural Choice) incorporated Sitars, tabla, and other Indian instruments to create a new, "World" style. The sitar ( Hindi: सितार Urdu: ستار Persian: سی تار) is a Plucked stringed instrument.

The acceptance of Muzika Mizrahit, over the 1990s, parallels the social struggle of Israelis of Sephardic origin to achieve social and cultural acceptance. "Today, the popular Muzika Mizrahit has begun to erase the differences from rock music, and we can see not a few artists turning into mainstream . . . . This move to the mainstream culture includes cultural assimilation," writes literary researcher and critic Mati Shmuelof. [3]

Well-known Mizrahi singers

References

  1. ^ Regev and Seroussi (2004), pp 191-235
  2. ^ Chetrit (2004). Zohar Argov (זוהר ארגוב born Zohar Orkabi on July 16. Eyal Golan, (אייל גולן born 12 April, 1971) is an Israeli singer who sings in the Mizrahi style Lior Narkis (ליאור נרקיס ( November 8, 1976 in Holon, Israel) is an Israeli Singer. Shlomi Shabat (שלומי שבת born August 30 1954 Yehud, Israel) is a popular Israeli singer musician and artist who sings in the oriental Zion Golan ( ציון גולן; b 1955 is an Israeli singer of Yemeni origin Ofra Haza (עפרה חזה ʕofrɑːh ħazzɑːh (عفراء هزّاع ( November 19 1957 &ndash February 23 2000) was a popular Sarit Hadad (שרית חדד (born September 20 1978 is a popular Israeli singer Zehava Ben ( זהבה בן, born November 8, 1968) is one of the most popular Israeli female vocalists in the Mizrahi music genre the Zion Golan ( ציון גולן; b 1955 is an Israeli singer of Yemeni origin Stalos and Oren Chen (סטלוס ואורן חן) are an Israeli musical duo Moshik Afia (מושיק עפיה b 3 October 1974 is a popular Israeli singer who sings in the Mizrahi style Sharīf ( Arabic: شريف is a traditional Arab tribal Title given to those who serve as the protector of the tribe and all tribal
  3. ^ Shmuelof (2006).

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