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Voice Type (ranges)
Female voices
Soprano
Mezzo-soprano
Contralto

Male voices

Countertenor
Tenor
Baritone
Bass

Related concepts

Coloratura
Chest voice
Head voice
Sprechgesang
Vocal registration
Vocal resonation

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This article is related to a series of articles under the main article Voice type. A voice type is a particular kind of human Singing voice perceived as having certain identifying qualities or characteristics Human voices may be classified according to their vocal range &mdash the highest and lowest pitches that they can produce This article is related to a series of articles under the main article Voice type. This article is related to a series of articles under the main article Voice type. This article is related to a series of articles under the main article Voice type. The tenor is the highest male voice within the Modal register, just above the Baritone voice This article is related to a series of articles under the main article Voice type. Coloratura has several meanings The word derives from the Italian colorare (to Colour; to heighten to enliven or colorazione (colouring coloration Chest voice is a term used within vocal music The use of this term varies widely within vocal pedagogical circles and there is currently no one consistent opinion among vocal music professionals Head voice is a term used within vocal music The use of this term varies widely within vocal pedagogical circles and there is currently no one consistent opinion among vocal music professionals Sprechgesang and Sprechstimme ( German for spoken-song and spoken-voice) are musical terms used to refer to an expressionist vocal A vocal register in the human voice is a particular series of tones produced in the same vibratory pattern of the Vocal folds and possessing the same quality Vocal resonation is the process by which the basic product of Phonation is enhanced in timbre and/or intensity by the air-filled cavities through which it passes on its way to A voice type is a particular kind of human Singing voice perceived as having certain identifying qualities or characteristics

A mezzo-soprano (meaning "medium" or "middle" "soprano" in Italian) is a classical female singer whose range lies between the soprano and the contralto, usually extending from the A below middle C to the A two octaves above (i. Italian ( or lingua italiana) is a Romance language spoken by about 63 million people as a First language, primarily in Italy. This article is related to a series of articles under the main article Voice type. This article is related to a series of articles under the main article Voice type. C or Do is the first Note of the fixed-Do Solfege. In Western Music, the expression " Middle C " refers to the note e. A3-A5 in scientific pitch notation, where middle C = C4). Scientific pitch notation is one of several methods that name the Notes of the standard Western Chromatic scale by combining a letter-name accidentals In the lower and upper extremes, some mezzo-sopranos may extend down to the G below middle C (G3) and as high as "high C" (C6). [1] While mezzo-sopranos generally have a heavier, darker tone than sopranos, the mezzo-soprano voice resonates in a higher range than that of a contralto. The terms Dugazon and Galli-Marié are sometimes used to refer to light mezzo-sopranos, after the names of famous singers. Louise-Rosalie Lefebvre, also known as Madame Dugazon ( June 18 1755 - September 22 1821) was a French Operatic Célestine Marié (November 1840 &ndash September 22 1905) was a French Mezzo-soprano, most famous for being the original Carmen A castrato with a mezzo-soprano range was also called a mezzo-soprano castrato or mezzista. A castrato is a man with a singing voice equivalent to that of a Soprano, Mezzo-soprano, or Contralto voice produced either by Castration Today, however, only women should be referred to as mezzo-sopranos, and men singing within the female range should be called countertenors. This article is related to a series of articles under the main article Voice type. [2] For information regarding non-classical mezzo-sopranos see Voice classification in non-classical music. There is currently no authoritative voice classification system within non-classical music

Mezzo-sopranos typically sing secondary roles in operas, with the protagonist in Bizet's Carmen and Rosina in Rossini's Barber of Seville as the most notable exceptions. Georges Bizet (25 October 1838 – 3 June 1875 was a French Composer and Pianist of the Romantic era Carmen is a French Opéra comique by Georges Bizet. The Libretto is by Henri Meilhac and Ludovic Halévy, based The Barber of Seville or The Useless Precaution ( Il barbiere di Siviglia ossia L'inutile precauzione) is an Opera buffa in two acts by Typical roles for mezzo-sopranos include witches, nurses, and wise women such as Azucena in Verdi's Il trovatore; trouser role (male characters played by female singers) such as Cherubino in Mozart's Le nozze di Figaro; and villains and seductresses such as Amneris in Verdi's Aida. Il trovatore ( The Troubadour) is an Opera in four acts by Giuseppe Verdi to an Italian Libretto by Leone Emanuele Bardare A breeches role (also pants role or trouser role) is a role in which an actress appears in male clothing ( Breeches being tight-fitting knee-length pants Le nozze di Figaro ossia la folle giornata (Trans The Marriage of Figaro or the Day of Madness) K This article is about the marketing term AIDA For other uses of the term see Aida (disambiguation. Mezzo-sopranos are also well represented in baroque music, early music and baroque opera. Baroque music describes an era and a set of styles of European classical music which were in widespread use between approximately 1600 and 1750. Early music is commonly defined as European classical music from the Middle Ages, the Renaissance and the Baroque. Opera is an art form in which Singers and Musicians perform a Dramatic work (called an opera which combines a text (called a Libretto [1]

Some roles designated for lighter soubrette sopranos are sung by mezzo sopranos, who often provide a fuller, more dramatic quality. Soubrette is a term referring to a type of female role&mdashspecifically a Stock character &mdashin Opera and Theatre. Such roles include Despina in Mozart's Così fan tutte and Zerlina in Mozart's Don Giovanni. Così fan tutte ossia La scuola degli amanti ( Thus Do They All or The School For Lovers) K Don Giovanni ( K527; complete title Il dissoluto punito ossia il Don Giovanni, literally "The Rake Punish'd or Don Giovanni [3] Mezzos also sometimes play dramatic soprano roles such as Santuzza in Mascagni's Cavalleria rusticana, Lady Macbeth in Verdi's Macbeth, and Kundry in Wagner's Parsifal. Cavalleria rusticana ( Rustic Chivalry) is an Opera in one act by Pietro Mascagni to an Italian Libretto by Giovanni Targioni-Tozzetti Macbeth is an opera in four acts by Giuseppe Verdi, with an Italian Libretto by Francesco Maria Piave and additions by Andrea Maffei Parsifal is an Opera, or Music drama, in three acts by Richard Wagner. [4]

In general mezzos are broken down into three categories: Coloratura mezzo-sopranos, Lyric mezzo-soprano, and Dramatic mezzo-sopranos.

Contents

Coloratura mezzo-soprano

A coloratura mezzo-soprano has a warm lower register and an agile high register. The roles they sing often demand not only the use of the lower register but also leaps into the upper tessitura with highly ornamented, rapid passages. They have a range from approximately the G (G3) below middle C to the B two octaves above middle C (B5). Some coloratura mezzo-sopranos can sing up to high C (C6) or high D (D6), but this is very rare. [1] What distinguishes these voice from being called sopranos is their extension into the lower register and warmer vocal quality. Although coloratura mezzo-sopranos have impressive and at times thrilling high notes, they are most comfortable singing in the middle of their range, rather than the top. [4]

Many of the hero roles in the operas of Handel and Monteverdi, originally sung by male castrati, can be successfully sung today by coloratura mezzo-sopranos. Rossini demanded similar qualities for his comic heroines, and Vivaldi wrote roles frequently for this voice as well. Coloratura mezzo-sopranos also often sing lyric-mezzo soprano roles or soubrette roles. Soubrette is a term referring to a type of female role&mdashspecifically a Stock character &mdashin Opera and Theatre. [3]

Coloratura mezzo-soprano roles in opera and operettas[4]

@-denotes a lead role

Coloratura mezzo-soprano singers

Lyric mezzo-soprano

The Lyric mezzo-soprano has a range from approximately the G below middle C to the B two octaves above middle C. Cecilia Bartoli (born 4 June 1966, Rome) is an Italian Mezzo-soprano Opera singer and recitalist La Cenerentola ossia La bontà in trionfo ( Cinderella or Goodness Triumphant) is an Operatic Dramma giocoso in two acts by Gioacchino For the opera by Étienne Méhul, see Ariodant. Ariodante ( HWV 33 is an Opera seria in three acts by Handel A breeches role (also pants role or trouser role) is a role in which an actress appears in male clothing ( Breeches being tight-fitting knee-length pants L'italiana in Algeri (The Italian Girl in Algiers is an Operatic Dramma giocoso in two acts by Gioachino Rossini This article is about the historical person For the biographical opera see Lucrezia Borgia (opera. Domenico Gaetano Maria Donizetti (29 November 1797 &ndash 8 April 1848 was an Italian composer from Bergamo, Lombardy. I Capuleti e i Montecchi ( The Capulets and the Montagues) is an Italian Opera by Vincenzo Bellini. Vincenzo Salvatore Carmelo Francesco Bellini ( November 3, 1801 &ndash September 23, 1835) was a Sicilian Opera Composer A breeches role (also pants role or trouser role) is a role in which an actress appears in male clothing ( Breeches being tight-fitting knee-length pants The Barber of Seville or The Useless Precaution ( Il barbiere di Siviglia ossia L'inutile precauzione) is an Opera buffa in two acts by Giulio Cesare in Egitto ( Julius Caesar in Egypt) (HWV 17 is an Italian Opera in three acts by George Frideric Handel. A breeches role (also pants role or trouser role) is a role in which an actress appears in male clothing ( Breeches being tight-fitting knee-length pants Cecilia Bartoli (born 4 June 1966, Rome) is an Italian Mezzo-soprano Opera singer and recitalist WikipediaWikiProject_Opera#Infoboxes -->The Spanish Opera singer Teresa Berganza (born Vivica Genaux (born in Fairbanks Alaska) is an American Mezzo-soprano. Ofra Haza (עפרה חזה ʕofrɑːh ħazzɑːh (عفراء هزّاع ( November 19 1957 &ndash February 23 2000) was a popular The American Opera singer Marilyn Horne (b January 16 1934 Bradford Pennsylvania) is a Mezzo-soprano who is particularly associated with Vesselina Kasarova is a Bulgarian Mezzo-soprano opera singer Early life and education Vesselina Kasarova (pronounced ka- TSA -ro-va Conchita Supervía ( December 9, 1895 &ndash March 30, 1936) was a notable and successful Spanish Mezzo-soprano singer [1] This voice has a very smooth, sensitive and at times lachrymose quality. Lyric mezzo-sopranos do not have the vocal agility of the coloratura mezzo-soprano or the size of the dramatic mezzo-soprano. The lyric mezzo-soprano is ideal for most trouser roles. [4]

Lyric mezzo-soprano roles in opera and operettas[4]

  • Annius, La clemenza di Tito (Mozart)-- trouser role
  • Arianna Arianna (Claudio Monteverdi)@
  • Carmen Carmen (Georges Bizet)@ (Also Dramatic Mezzo-Soprano)
  • Charlotte, Werther (Massenet)@
  • Cherubino, The Marriage of Figaro (Mozart)-- trouser role
  • The Composer Ariadne auf Naxos (Richard Strauss)-- trouser role
  • Sorceress, Dido and Aeneas (Henry Purcell)
  • Dorabella, Cosi fan tutte (Mozart)@
  • Hänsel, Hänsel und Gretel (Humperdinck) -- trouser role @
  • Mignon, Mignon (Ambroise Thomas)@
  • Mother, Amahl and the Night Visitors (Menotti)
  • Nicklausse, Les contes d'Hoffmann (Offenbach) -- trouser role though he is the (female) Muse in disguise. Susan Graham (born July 23, 1960, Roswell, New Mexico) is an American Mezzo-soprano. Così fan tutte ossia La scuola degli amanti ( Thus Do They All or The School For Lovers) K La clemenza di Tito (The Clemency of Titus K 621 is an Opera seria composed by Wolfgang Amadeus Mozart, with text after Metastasio A breeches role (also pants role or trouser role) is a role in which an actress appears in male clothing ( Breeches being tight-fitting knee-length pants Carmen is a French Opéra comique by Georges Bizet. The Libretto is by Henri Meilhac and Ludovic Halévy, based Georges Bizet (25 October 1838 – 3 June 1875 was a French Composer and Pianist of the Romantic era Werther is an Opera in four acts by Jules Massenet to a French Libretto by Édouard Blau, Jules (Émile Frédéric Massenet ( May 12, 1842 – August 13, 1912) was a French composer best known for his Operas Le nozze di Figaro ossia la folle giornata (Trans The Marriage of Figaro or the Day of Madness) K A breeches role (also pants role or trouser role) is a role in which an actress appears in male clothing ( Breeches being tight-fitting knee-length pants Ariadne auf Naxos ( Ariadne on Naxos) is an Opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. Richard Georg Strauss (11 June 1864 &ndash 8 September 1949 was a German Composer of the late Romantic era and early modern era particularly noted A breeches role (also pants role or trouser role) is a role in which an actress appears in male clothing ( Breeches being tight-fitting knee-length pants Dido and Æneas is an Opera by the English Baroque composer Henry Purcell, from a libretto by Nahum Tate. Henry Purcell (ˈpɜrsəl 10 September 1659 (? – 21 November 1695 was an English Baroque Composer. Così fan tutte ossia La scuola degli amanti ( Thus Do They All or The School For Lovers) K Hänsel und Gretel is an Opera by Engelbert Humperdinck (Humperdinck himself described it as a Fairy opera. Engelbert Humperdinck ( September 1, 1854 &ndash September 27, 1921) was a German Composer, best known for his Opera A breeches role (also pants role or trouser role) is a role in which an actress appears in male clothing ( Breeches being tight-fitting knee-length pants Mignon is an Opera in three acts by Ambroise Thomas to a French Libretto by Jules Barbier and Michel Carré, based on (Charles Louis Ambroise Thomas ( Metz August 5, 1811 - Paris, February 12, 1896) was a French Opera Amahl and the Night Visitors is an Opera in one act by Gian Carlo Menotti with an original English Libretto by the Composer. Jacques Offenbach (born Jacob Offenbach 20 June 1819 in Cologne &ndash 5 October 1880 in Paris) was a German A breeches role (also pants role or trouser role) is a role in which an actress appears in male clothing ( Breeches being tight-fitting knee-length pants
  • Octavian, Der Rosenkavalier (Richard Strauss) -- trouser role
  • Orlofsky (Die Fledermaus) (Johann Strauss) -- trouser role
  • Sextus, La clemenza di Tito (Mozart) -- trouser role
  • Siebel, Faust (Charles Gounod) -- trouser role
  • Stephano, Romeo et Juliette (Charles Gounod) -- trouser role
  • Suzuki, Madama Butterfly

@-Denotes a lead role

Lyric mezzo-soprano Singers

Dramatic mezzo-soprano

A dramatic mezzo-soprano has a strong medium register, a warm high register and a voice that is broader and more powerful than the lyric and coloratura mezzo-sopranos. Der Rosenkavalier ( op 59 ( The Knight of the Rose) is a comic Opera in three acts by Richard Strauss to an original Richard Georg Strauss (11 June 1864 &ndash 8 September 1949 was a German Composer of the late Romantic era and early modern era particularly noted A breeches role (also pants role or trouser role) is a role in which an actress appears in male clothing ( Breeches being tight-fitting knee-length pants Die Fledermaus ( The Bat; in French La chauve-souris) is an Operetta composed by Johann Strauss II to a German Libretto Johann Strauss is the name of three famous Austrian composers Johann Strauss I (1804-1849 or Johann Strauss Sr A breeches role (also pants role or trouser role) is a role in which an actress appears in male clothing ( Breeches being tight-fitting knee-length pants La clemenza di Tito (The Clemency of Titus K 621 is an Opera seria composed by Wolfgang Amadeus Mozart, with text after Metastasio A breeches role (also pants role or trouser role) is a role in which an actress appears in male clothing ( Breeches being tight-fitting knee-length pants Faust or Faustus ( Latin for "auspicious" or "lucky" is the protagonist of a classic German Legend in which he makes Biography Gounod was born in Paris, the son of a pianist mother and a draftsman father A breeches role (also pants role or trouser role) is a role in which an actress appears in male clothing ( Breeches being tight-fitting knee-length pants Roméo et Juliette ( Romeo and Juliet) is an Opera in five acts by Charles Gounod to a French libretto by Jules Biography Gounod was born in Paris, the son of a pianist mother and a draftsman father A breeches role (also pants role or trouser role) is a role in which an actress appears in male clothing ( Breeches being tight-fitting knee-length pants WikipediaWikiProject Opera#Infoboxes and WikipediaWikiProject Musicians/Infobox --> Malena Ernman (born November 4, 1970) is a Swedish Opera Singer ( Mezzo-soprano) Susan Graham (born July 23, 1960, Roswell, New Mexico) is an American Mezzo-soprano. Magdalena Kožená (born 1973 in Brno) is a Czech Mezzo-soprano, the daughter of a mathematician father and a biologist mother Lorraine Hunt Lieberson ( March 1 1954 &ndash July 3 2006) was a renowned American Soprano Christa Ludwig (born March 16, 1928) is a German retired Mezzo-soprano, distinguished for her performances of Opera and Lieder Nan Merriman (April 28 1920-) is an American operatic Mezzo-soprano, born in Pittsburgh Pennsylvania. Frederica von Stade ( June 1, 1945) is an American Mezzo-soprano. Risë Stevens (pronounced "REE-sah" (born June 11, 1913, New York City) is a retired American Mezzo-soprano who captured a wide popular Tatiana Troyanos ( September 12, 1938 – August 21, 1993) was an American Mezzo-soprano. Anne Sofie von Otter (born 9 May 1955) is a Swedish mezzo-soprano This voice has less vocal facility than the coloratura mezzo-soprano. The range of the dramatic mezzo-soprano is from approximately the G below middle C to the B two octaves above middle C. [1] The dramatic mezzo-soprano can sing over an orchestra and chorus with ease and was often used in the 19th century opera, to portray older women, mothers, witches and evil characters. Verdi wrote many roles for this voice in the Italian repertoire and there are also a few good roles in the French Literature. The majority of these roles however are within the German Romantic repertoire of composers like Wagner and Strauss. Like Coloratura mezzos, dramatic mezzos are also often cast in lyric mezzo-soprano roles. [4]

Dramatic mezzo-soprano roles in opera and operettas[4]

@-denotes a lead role

Dramatic mezzo-soprano Singers

See also

External links

References

  1. ^ a b c d e Appelman, D. Olga Borodina is a leading dramatic Mezzo-soprano, known for her roles in Russian operas at her home company the Mariinsky Theatre, and for her international This article refers to the opera Don Carlos ( Don Carlo when performed in Italian translation by Giuseppe Verdi Il trovatore ( The Troubadour) is an Opera in four acts by Giuseppe Verdi to an Italian Libretto by Leone Emanuele Bardare This article is about the marketing term AIDA For other uses of the term see Aida (disambiguation. Tristan und Isolde ( Tristan and Isolde, or Tristan and Isolda) is an Opera, or Music drama, in three acts by Richard Wagner Carmen is a French Opéra comique by Georges Bizet. The Libretto is by Henri Meilhac and Ludovic Halévy, based Georges Bizet (25 October 1838 – 3 June 1875 was a French Composer and Pianist of the Romantic era Samson et Dalila ( English: Samson and Delilah) is a grand opera in three acts by Camille Saint-Saëns to a French Charles-Camille Saint-Saëns (/ʃaʁl kamij sɛ̃sɑ̃s/ (9 October 1835 &ndash 16 December 1921 was a French Composer, Organist, conductor, and Les Troyens (in English The Trojans) is a French Opera in five acts by Hector Berlioz. This article refers to the opera Don Carlos ( Don Carlo when performed in Italian translation by Giuseppe Verdi Salome is an Opera in one act by Richard Strauss to a German Libretto by the composer based on Hedwig Lachmann ’s German Richard Georg Strauss (11 June 1864 &ndash 8 September 1949 was a German Composer of the late Romantic era and early modern era particularly noted Hänsel und Gretel is an Opera by Engelbert Humperdinck (Humperdinck himself described it as a Fairy opera. Engelbert Humperdinck ( September 1, 1854 &ndash September 27, 1921) was a German Composer, best known for his Opera Duke Bluebeard's Castle (A kékszakállú herceg vára literally The Castle of the Blue-Bearded Prince) is a one-act opera by Hungarian composer Béla Viktor János Bartók (March 25 1881&ndashSeptember 26 1945 was a Hungarian Composer and Pianist, considered to be one of the greatest A dramatic soprano is an operatic Soprano with a powerful rich emotive voice that can sing over a full orchestra Parsifal is an Opera, or Music drama, in three acts by Richard Wagner. A dramatic soprano is an operatic Soprano with a powerful rich emotive voice that can sing over a full orchestra Richard Georg Strauss (11 June 1864 &ndash 8 September 1949 was a German Composer of the late Romantic era and early modern era particularly noted La Gioconda is an Opera in four acts by Amilcare Ponchielli to an Italian Libretto by Arrigo Boito, based on Angelo by Amilcare Ponchielli ( August 31, 1834 &ndash January 16, 1886) was an Italian Composer, largely of Operas Boris Godunov ( Борис Годунов, original Orthography Борисъ Годуновъ, Borís Godunóv) is an Opera by Modest Petrovich Mussorgsky (Моде́ст Петро́вич Му́соргский Modest Petrovič Musorgskij) ( March 21 March 9 1839 &ndash March Hänsel und Gretel is an Opera by Engelbert Humperdinck (Humperdinck himself described it as a Fairy opera. Engelbert Humperdinck ( September 1, 1854 &ndash September 27, 1921) was a German Composer, best known for his Opera Lohengrin is a romantic Opera (or music drama in three acts composed and written by Richard Wagner. Adriana Lecouvreur is an Opera in four acts by Francesco Cilea to an Italian Libretto by Arturo Colautti, based on the play Francesco Cilea (also Cilèa ( July 23, 1866 &ndash November 20, 1950) was an Italian Composer. Irina Konstantinovna Arkhipova (Ирина Константиновна Архипова ( b Fedora Barbieri ( 4 June 1920 - 4 March 2003) was an Italian Mezzo-soprano. Olga Borodina is a leading dramatic Mezzo-soprano, known for her roles in Russian operas at her home company the Mariinsky Theatre, and for her international Grace Bumbry (born 4 January 1937) an American Opera Singer, was considered one Fiorenza Cossotto is an Italian Mezzo soprano. She is considered by many to be one of the great mezzo-sopranos of the 20th century Maria Gay ( 13 June, 1879 - 20 July, 1943) was a Catalan Opera Singer, a Mezzo-soprano born as Rita Gorr (born February 18, 1926) is a Belgian operatic Mezzo-soprano, she possessed a large rich-toned voice and was an intense singing-actress Denyce Graves (born March 7, 1964 in Washington DC) is an American Opera singer WikipediaWikiProject Composers#Lead section --> Waltraud Meier (born January 9, 1956) is a Grammy -award Elena Vasiliyevna Obraztsova (Елена Васильевна Образцова (b Regina Resnik (born August 30, 1922) is an American Operatic singer WikipediaWikiProject Opera#Infoboxes and WikipediaWikiProject Musicians/Infobox --> Giulietta Simionato Ebe Stignani ( July 10, 1903 1904 - October 5 1974) was an Italian Opera singer who was pre-eminent in the dramatic Mezzo-soprano Shirley Verrett (born May 31 1931) is an American Operatic Mezzo-soprano and Soprano. WikipediaWikiProject Opera#Infoboxes --> Dolora Zajick (born 24 March 1952 in Salem Oregon) is an There is currently no authoritative voice classification system within non-classical music The German Fach (pl Fächer, literally "compartment" (ˈfax) system is a method of classifying Singers primarily Opera singers A voice type is a particular kind of human Singing voice perceived as having certain identifying qualities or characteristics Ralph (1986). The Science of Vocal Pedagogy: Theory and Application. Indiana University Press. ISBN 978-0253203786.  
  2. ^ Stark, James (2003). Bel Canto: A History of Vocal Pedagogy. University of Toronto Press. ISBN 978-0802086143.  
  3. ^ a b Boldrey, Richard; Robert Caldwell, Werner Singer, Joan Wall and Roger Pines (1992). Singer's Edition (Soubrette): Operatic Arias - Soubrette. Caldwell Publishing Company. ISBN 978-1877761034.  
  4. ^ a b c d e f g Boldrey, Richard (1994). Guide to Operatic Roles and Arias. Caldwell Publishing Company. ISBN 978-18-7776-164-5.  

Further reading

Peckham, Anne (2005). Vocal Workouts for the Contemporary Singer. Berklee Press Publications. ISBN 13: 978-0876390474.  

Smith, Brenda (2005). Choral Pedagogy. Plural Publishing, Inc. ISBN 13: 978-1597560436.  

Dictionary

mezzo-soprano

-noun

  1. a voice or voice part intermediate in compass between soprano and contralto
  2. a person having such a voice

-adjective

  1. of, pertaining to, characteristic of, or suitable to a mezzo-soprano
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