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Lucretius
Lucretius

Titus Lucretius Carus (ca. 99 BC- ca. Year 99 BC was a year of the pre-Julian calendar. Events By place Rome Consuls Aulus Postumius Albinus and 55 BC) was a Roman poet and philosopher. Year 55 BC was a year of the pre-Julian calendar. Events By place Rome Consuls Marcus Licinius Crassus and The Roman Republic was the phase of the ancient Roman civilization characterized by a Republican form of government a period which began with the overthrow of the A poet is a person who writes Poetry. Etymology From the Ancient greek: ποιέω, poieō: "I make or compose" Philosophy is the study of general problems concerning matters such as existence knowledge truth beauty justice validity mind and language His only known work is the epic philosophical poem on Epicureanism De Rerum Natura, On the Nature of Things. On the Nature of Things (Latin De rerum natura) is a first century BC Poem by the Roman Poet and Philosopher

Contents

Life of Lucretius

Very little is known about Lucretius' life. One source of information is St. Jerome, who mentions Lucretius in the Chronica Eusebii. Jerome (c 347 – September 30, 420) ( Latin: Eusebius Sophronius Hieronymus; Εὐσέβιος Σωφρόνιος Ἱερώνυμος The Chronicle (or Chronicon or Temporum liber) was a Universal chronicle, one of Jerome 's earliest attempts in the department of history Here we find the following notice: "Titus Lucretius the poet is born. Later he was driven mad by a love potion, and when, during the intervals of his insanity, he had written a number of books, which were later emended by Cicero, he killed himself by his own hand in the 44th year of his life. " In most manuscripts this notice is entered under the year 94 BC, but in others under 93 or 96. This gives us the following alternative dates for Lucretius' life and death: 96-53/52, 94-51/50, and 93-50/49.

In the Oxford World's Classics edition of "On the Nature of the Universe," the editors, Don and Peta Fowler, note that the story told by St. Jerome is unlikely. The Fowlers state that Lucretius was most likely an aristocrat and his poem "shows familiarity with the luxurious life-style of great houses in Rome. "

Another biographical notice is found in Donatus' Life of Virgil. Aelius Donatus (fl late 4th century AD was a Roman Grammarian and teacher of Rhetoric. Publius Vergilius Maro ( October 15, 70 BCE &ndash September 21, 19 BCE later called Virgilius, and known in English as Virgil or The statement runs as follows: "The first years of his life Virgil spent in Cremona, right until the assumption of his toga virilis, which he accepted on his 17th birthday, when the same two men held the consulate, as when he was born, and it so happened that on the very same day Lucretius the poet passed away. This article is about the aviation term for the Roman garment see Toga. Consul (abbrev cos; Latin plural consules) was the highest elected Political office of the Roman Republic and the Empire. " The information in this testimony is internally inconsistent. Virgil was born in 70 BC, and his 17th birthday therefore took place in 53 BC. Year 70 BC was a year of the pre-Julian calendar. Events By place Rome August — In Rome, Cicero prosecutes Year 53 BC was a year of the pre-Julian calendar. Events By place Rome Consuls Marcus Valerius Messalla and However, the two consuls of 70 BC, Pompey and Crassus, stood together as consuls again in 55, not 53. Gnaeus Pompeius Magnus, commonly known as Pompey /'pɑmpi/ Pompey the Great or Pompey the Triumvir ( Classical Latin abbreviation Marcus Licinius Crassus ( Latin: M·LICINIVS·P·F·P·N·CRASSVS (ca Year 55 BC was a year of the pre-Julian calendar. Events By place Rome Consuls Marcus Licinius Crassus and So which year should we take as the year of Lucretius' death?

A third piece of information is found in a letter Cicero wrote to his brother Quintus in February 54 BC. Marcus Tullius Cicero ( Classical Latin ˈkikeroː usually ˈsɪsərəʊ in English January 3, 106 BC &ndash December 7, 43 BC was a Roman Quintus Tullius Cicero (102 BC &ndash 43 BC was the younger brother of the celebrated Orator, Philosopher and Statesman Marcus Tullius Cicero writes: "The poems of Lucretius are as you write: they exhibit many flashes of genius, and yet show great mastership. " Apparently, by February 54 BC both Cicero and his brother had read De Rerum Natura. However, internal evidence from the poem suggests that it was published without a final revision, possibly due to its author's untimely death. If this is true, Lucretius must have been dead by February 54 BC. Therefore, if we have to pick one of the dates mentioned above, 55 BC would be Lucretius' most likely year of death, and if Jerome is accurate about Lucretius' age (43) when he died, we can then conclude he was born in 99 or 98 BC. Year 99 BC was a year of the pre-Julian calendar. Events By place Rome Consuls Aulus Postumius Albinus and Year 98 BC was a year of the pre-Julian calendar. Events By place Rome Consuls Quintus Caecilius Metellus Nepos [1] These are a lot of ifs, and it may be wisest to simply say that Lucretius was born in the 90s and died in the 50s BC. [2] This ties in well with the poem's many allusions to the tumultuous state of political affairs in Rome and its civil strife. Rome ( Roma ˈroma Roma is the capital city of Italy and Lazio, and is Italy's largest and most populous city with more than 2 List of Civil wars involving Rome. There were several Roman civil wars, especially during the time of the late Republic.

Jerome's claim that Cicero "emended" Lucretius' work must be met with equal scepticism. The casual remark in Cicero's letter to his brother (see above) sounds like the remark of a first-time reader, not an editor. It might of course be argued that Cicero and his brother had been given access to Lucretius' unpublished manuscript, and that later, after writing the letter, Cicero took it upon himself to correct and edit the work. However, this seems to be quite out of character for Cicero. Firstly, there is no indication that he ever involved himself with the publication of any literary works but his own, and, secondly, there is no indication of any personal acquaintance with Lucretius, which might have prompted such an involvement.

As for the rest of Jerome's account, his claims about Lucretius' life are not generally now believed, because:

However, the only certain fact of Lucretius' life is that he was either a friend or a client of Gaius Memmius, to whom he dedicated De Rerum Natura. In Ancient Roman society a client ( Latin, Cliens) was a Plebeian who was sponsored by a Patron benefactor ( Patronus Gaius Memmius (incorrectly called Gemellus, "The Twin" Roman Orator and Poet, Tribune of the people (66 BC friend of

Purpose of the poem

According to Lucretius' frequent statements in his poem, the main purpose of the work was to free Gaius Memmius' (and presumably all of mankind's) mind of superstition and the fear of death. Superstition ( Latin superstitio, literally "standing over" derived perhaps from standing in awe used in Latin as a unreasonable or excessive belief Fear is an Emotional response to Threats and Danger. It is a basic survival mechanism occurring in response to a specific Stimulus, such as Death is the termination of the biological functions that define living Organisms It refers both to a specific He attempts this by expounding the philosophical system of Epicurus, whom Lucretius apotheosizes as the hero of his epic poem.

Lucretius identifies superstition (religio in the Latin) with the notion that the gods/supernatural powers created our world or interfere with its operations in any way. He argues against fear of such gods by demonstrating through observations and logical argument that the operations of the world can be accounted for entirely in terms of natural phenomena -- the regular but purposeless motions and interactions of tiny atoms in empty space -- instead of in terms of the will of the gods.

He argues against the fear of death by arguing that death is the dissipation of a being's material mind, and so, as a simple ceasing-to-be, death can be neither good nor bad for this being. Being completely devoid of sensation and thought, a dead person cannot miss being alive. According to Lucretius, fear of death is a projection of terrors experienced in life, of pain that only a living (intact) mind can feel. Lucretius also puts forward the 'symmetry argument' against the fear of death. In it, he says that people who fear the prospect of eternal non-existence after death should think back to the eternity of non-existence before their birth, which they probably do not fear.

Structure of the poem

The structure of the poem over the six books falls into two main parts. The first three books provide a fundamental account of being and nothingness, matter and space, the atoms and their movement, the infinity of the universe both as regards time and space, the regularity of reproduction (no prodigies, everything in its proper habitat), the nature of mind (animus, directing thought) and spirit (anima, sentience) as material bodily entities, and their mortality, since they and their functions (consciousness, pain) end with the bodies that contain them and with which they are interwoven. The last three books give an atomic and materialist explanation of phenomena preoccupying human reflection, such as vision and the senses, sex and reproduction, natural forces and agriculture, the heavens, and disease.

Style of the poem

His poem De Rerum Natura (usually translated as"On the Nature of Things" or "On the Nature of the Universe") transmits the ideas of Epicurean physics, which includes Atomism, and psychology. Physics (Greek Physis - φύσις in everyday terms is the Science of Matter and its motion. In Natural philosophy, atomism is the theory that all the objects in the universe are composed of very small indestructible building blocks - Atoms Or stated in Psychology (from Greek grc ψῡχή psȳkhē, "breath life soul" and grc -λογία -logia) is an Academic and Lucretius was one of the first Epicureans to write in Latin. Latin ( lingua Latīna, laˈtiːna is an Italic language, historically spoken in Latium and Ancient Rome.

Lucretius compares his work in this poem to that of a doctor healing a child: just as the doctor may put honey on the rim of a cup containing bitter wormwood (most likely Absinth Wormwood) believed to have healing properties, the patient is "tricked" into accepting something beneficial but difficult to swallow, "but not deceived" by the doctor (Book IV lines 12-19). Artemisia absinthium ( absinthium, absinthe wormwood, wormwood or grand wormwood) is a species of wormwood, native The meaning of this refrain found throughout the poem is debatable.

Stylistically, most scholars attribute the full blossoming of Latin hexameter to Virgil. Hexameter is a literary and poetic form consisting of six metrical feet per line as in the Iliad. Publius Vergilius Maro ( October 15, 70 BCE &ndash September 21, 19 BCE later called Virgilius, and known in English as Virgil or De Rerum Natura however, is of indisputable importance for the part it played in naturalizing Greek philosophical ideas and discourse in the Latin language and its influence on Virgil and other later poets. Lucretius' hexameter is very individualistic and ruggedly distinct from the smooth urbanity of Virgil or Ovid. Hexameter is a literary and poetic form consisting of six metrical feet per line as in the Iliad. Publius Vergilius Maro ( October 15, 70 BCE &ndash September 21, 19 BCE later called Virgilius, and known in English as Virgil or Publius Ovidius Naso ( March 20, 43 BC – 17 AD was a Roman poet known to the English -speaking world as Ovid who wrote on many topics including His use of heterodynes, assonance, and vigorously syncopated Latin forms create a harsh acoustic to some ears, although this is probably merely an impression created by contrast with later poets and general unfamiliarity with Latin poetry recited by skilled readers. In Poetry, a heterodyne is a word in which the syllable receiving stress and/or pitch change is other than the Syllable of longer quantity Assonance is repetition of vowel sounds to create internal rhyming within Phrases or Sentences, and together with Alliteration In Music, syncopation includes a variety of Rhythms which are in some way unexpected in that they deviate from the strict succession of regularly spaced John Donne has a similar reputation in English poetry because of his powerful and thought-laden discourse. John Donne (pronounced like done, dʌn 1572 – 31 March 1631 was a Jacobean poet preacher and a major representative of the Metaphysical poets The sustained energy of Lucretius' poetry (even when treating highly technical particularities, such as the movement of atoms through space or the films which give rise to vision when they strike the eye) is virtually unparalleled in Latin literature, with the possible exception of parts of Tacitus's Annals, or perhaps Books II and IV of the Aeneid. Publius (or Gaius) Cornelius Tacitus (ca 56 &ndash ca 117 was a senator and a Historian of the Roman Empire. The Annals, or in Latin, Annales, is a history book by Tacitus covering the reign of the four Roman Emperors succeeding For the group of nine Ancient Egyptian deities see Ennead. The Aeneid (əˈniːɪd in The six books contain many formulaic elements such as deliberately repeated lines, refrains, and regularized emotional peaks.

Among many poetic high points a few should be mentioned. The introduction to Book I (the invocation to Venus and Spring) is unsurpassed, both in its initial ecstatic address to the life-force and regeneration, and in the celebration of the courage and clear-sightedness of Epicurus and the vitriolic polemic against superstition (Latin: "religio") which provide the bridge to the main didactic body of the poem. The opening sections of the various books emphasize the novelty of the undertaking Lucretius has set himself and the gratitude mankind owes to Epicurus for delivering it from unfounded terrors and an empty, joyless and servile life. And the great conclusions to Book III (on death and why it holds no terrors) and Book VI (on disease, especially the plague) are as graphic as anything in literature, as are various accounts throughout the poem of storms, battles, fire and flood.

Appreciation of Lucretius' work

Cornelius Nepos, in his Life Of Atticus, mentions Lucretius as one of the greatest poets of his times. Cornelius Nepos (Κορνήλιος Νέπως in Ancient Greek literature (c

Ovid, in his Amores, writes: Carmina sublimis tunc sunt peritura Lucreti / exitio terras cum dabit una dies (which means the verses of the sublime Lucretius will perish only when a day will bring the end of the world). Publius Ovidius Naso ( March 20, 43 BC – 17 AD was a Roman poet known to the English -speaking world as Ovid who wrote on many topics including

Vitruvius (in the De Architectura), Quintilian (in his Institutiones Oratoriae) and Statius (in the Silvae) also show great admiration for the De Rerum Natura. Marcus Vitruvius Pollio (born c 80–70 BC died after c 15 BC was a Roman Writer, Architect and Engineer (possibly praefectus fabrum Marcus Fabius Quintilianus (ca 35 – ca 100 was a Roman Rhetorician from Hispania, widely referred to in medieval schools of rhetoric and Publius Papinius Statius (ca 45-96 was a Roman Poet of the Silver Age of Latin literature, born in Naples, Italy.

Transmission of the text

The textual survival of the poem is remarkable considering the hostility of the Church (the main transmission channel for Latin writings) towards Lucretius and Epicurean ideas. The surviving manuscript tradition (accounts will be found in the references given below) is often mangled, and a great debt is owed by modern readers to the ingenious work of generations of scholars to produce a faithful, coherent, and readable text. Textual criticism (or lower criticism) is a branch of Literary criticism that is concerned with the identification and removal of Transcription errors in

Notes

  1. ^ Cyril Bailey in the "Prolegomena" of his 3-volume commentary on Lucretius' De Rerum Natura (1947), pp. 1-3; and Martin Smith in the introduction to the Loeb edition of the poem (1992), pp. x-xi
  2. ^ E. J. Kenney in the introduction to his commentary on De Rerum Natura III (1971), p. 6; and C. D. N. Costa in the introduction to his commentary on De Rerum Natura V (1984), p. ix

References

External links

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