| La Celestina | |
 Title page |
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| Author | Fernando de Rojas |
|---|---|
| Original title | Tragicomedia de Calisto y Melibea or Libro de Calisto y Melibea y de la puta vieja Celestina |
| Country | Spain |
| Language | Spanish |
| Genre(s) | Medieval novel |
| Publisher | Burgos |
| Publication date | 1499 |
| Media type | Print (Hardback & Paperback) |
| ISBN | NA |
The Celestina (used as title, synecdoche, one of the characters of the book actually called Tragicomedia de Calisto y Melibea or Libro de Calisto y Melibea y de la puta vieja Celestina) is a novel published anonymously by Fernando de Rojas (about whom we know little) in 1499. Fernando de Rojas (c 1465 La Puebla de Montalbán, New Castile (now Toledo) &ndash April 1541 Talavera de la Reina, Spain) was Spain () or the Kingdom of Spain (Reino de España is a country located mostly in southwestern Europe on the Iberian Peninsula. A novel (from Italian novella, Spanish novela, French nouvelle for "new" "news" or "short story Publishing is the process of production and dissemination of Literature or Information &ndash the activity of making information available for public view A hardcover (or hardback or hardbound) is a Book bound with rigid protective covers (typically of cardboard covered with Cloth Paperback, softback, or softcover describe and refer to a Book by the nature of its binding. Synecdoche is taken from Greek sinekdohi (συνεκδοχή meaning "simultaneous understanding" (si-nek-duh-kee (pronounced /sɪˈnɛkdoˌki/ Fernando de Rojas (c 1465 La Puebla de Montalbán, New Castile (now Toledo) &ndash April 1541 Talavera de la Reina, Spain) was This book is considered to be one of the greatest in Spanish literature, and traditionally marks the end of medieval literature and the beginning of the literary renaissance in Spain. The term Spanish literature refers to Literature written in the Spanish language, including literature composed in Spanish by writers not necessarily from Spain () or the Kingdom of Spain (Reino de España is a country located mostly in southwestern Europe on the Iberian Peninsula. The book is written against the servants of the low nobility and advises us to beware of their tricks and lies. Nobility is a government-privileged title which may be either hereditary (see Hereditary titles) or for a lifetime The story tells of Calisto, a bourgeois who falls in love with Melibea, the daughter of a nobleman; but following the machinations of Celestina their love has a tragic end after an accident in which Calisto falls off a ladder. On seeing this, Melibea subsequently decides to jump from a tower to her death. The name Celestina has become synonymous with procuress — especially an old woman - dedicated to promoting the illegal engagement of a couple — and the literary archetype of this character (her masculine counterpart is Pandarus). An archetype ( pronounced: /ˈɑːkɪtaɪp/ (Brit or /ˈɑrkɪtaɪp/ (Amer In Homer 's Iliad, Pandarus or Pandaros is a famous archer and the son of Lycaon.
Contents |
Plot summary
Upon meeting Melibea, Calisto falls madly in love with her. Melibea rejects Calisto immediately at his open pledge of his love for her. Calisto becomes depressed and lovesick so Sempronio tells Calisto about Celestina, a procuress who owns a brothel with prostitutes, two of them are Elicia and Areusa. For the 2008 film of this name see The Brothel. For the television series of this name see Cathouse The Series. Prostitution is the act of performing Sexual activity in exchange for Money. Calisto accepts and asks Celestina for help, and Celestina and Sempronio plot to get as much money out of Calisto as possible. However, another servant, Pármeno attempts to warn Calisto of Celestina's dishonorable reputation, but Calisto rejects him. Celestina convinces Pármeno not to warn him any longer,using Areusa, and instead join with her and Sempronio to take advantage of Calisto. Celestina meets with Melibea and gives her a magic thread while telling her of the suffering of a man she knows whose only cure is the word and girdle of Melibea. They talk but when Celestina names Calisto, Melibea gets angry and tells Celestina to leave. Celestina is crafty though, and she finally manages to get Melibea to give her up her girdle for Calisto. Melibea changes her mind and asks Celestina to come back and meet her secretly. Melibea suddenly finds herself maddly in love with Calisto, and begs Celestina to arrange a meeting between her and her lover. Once this is done, Celestina informs and Calisto gives Celestina a gold chain. Celestina doesn't say anything to Sempronio and Pármeno, her partners in crime. When they go to Celestina's brothel and find out that Celestina has no intentions of sharing her payment, they kill her. Afraid of being caught, they jump out the window, but one of the prostitutes, Sempronio's lover Elicia, sees them killing Celestina, and their broken bodies are executed.
Calisto gets to the date in Melibea's house with his other two servants Sosia and Tristan. Elicia and Areusa, who were lovers of Sempronio and Pármeno, send two thugs; while Calisto is getting to Melibea's balcony with a ladder he hears Sosia and Tristan shouting. He runs to help them, but falls off the ladder and dies. Melibea sees Calisto dead, runs to the highest tower of her house and throws herself off after confessing her affair to her father.
Editions
There are two versions of the play. One is called a Comedy and has 16 acts; the other is considered a Tragic Comedy and has 21 acts.
Although it is suspected that there may have been an earlier edition, the first edition is considered to be the Comedy published in Burgos by printer Fadrique Aleman in 1499 with the title Comedia de Calisto y Melibea (Comedy of Calisto and Melibea). History Early man of Neanderthal occupied sites around Burgos as early as 800000 years ago It is conserved in the Hispanic Society of New York. The Hispanic Society of America is a museum of Spanish, Portuguese, and Latin American art and artifacts as well as a rare books and manuscripts research New York ( is a state in the Mid-Atlantic and Northeastern regions of the United States and is the nation's third most populous Some scholars have expressed doubt about this date, considering the version published in 1500 in Toledo to be the first edition. Toledo Spain locationpng|thumb|right|200px|Location of Toledo in Spain
The comedy contains 16 acts, and also some stanzas with acrostic verses such as “el bachiller Fernando de Rojas acabó la Comedia de Calisto y Melibea e fue nascido en la Puebla de Montalbán,” which means “the graduate Fernando de Rojas finished the Comedy of Calisto and Melibea and was born in the city of Montalbán. ” (This is the reason it is believed that Rojas was the original author of the play. Fernando de Rojas (c 1465 La Puebla de Montalbán, New Castile (now Toledo) &ndash April 1541 Talavera de la Reina, Spain) was )
A new edition entitled Tragicomedia de Calisto y Melibea (Tragic Comedy of Calisto and Melibea) (Sevilla: Jacobo Cromberger) appeared in 1502. This version contained 5 additional acts, bringing the total to 21.
In 1526 a version was published in Toledo that included an extra act called the Acto de Traso, named after one of the characters who appears in that act. It became Act XIX of the work, bring the total number of acts to 22. According to the 1965 edition of the play edited by M. Criado de Val and G. D. Trotter, "Its literary value does not have the intensity necessary to grant it a permanent place in the structure of the book, although various ancient editions of the play include it. " [1]
Characters
Rojas makes a powerful stroke with his characters, who appear before the reader full of life and with deep psychology; they are human beings with an exceptional internal characterization, which moves away from the usual archetypes of medieval literature. Fernando de Rojas (c 1465 La Puebla de Montalbán, New Castile (now Toledo) &ndash April 1541 Talavera de la Reina, Spain) was UserScottandrewhutchins: http//enwikipediaorg/w/indexphp?title=Characterization&diff=next&oldid=157919139 --> Characterization is a process of conveying An archetype ( pronounced: /ˈɑːkɪtaɪp/ (Brit or /ˈɑrkɪtaɪp/ (Amer Medieval literature is a broad subject encompassing essentially all written works available in Europe beyond and during the Middle Ages (encompassing the one thousand
Some critics see them as allegories. An allegory (from αλλος allos "other" and el αγορευειν agoreuein "to speak in public" is a figurative mode of representation The literary critic Stephen Gilman[2] has come to deny the possibility of analyzing them as characters, based on the belief that Rojas limited dialogue in which interlocutors respond to a given situation, so that the sociological depth can thus be argued only on extratextual elements.
Lida de Malkiel, another critic, speaks of objectivity, whereby different characters are judged in different manners. Thus, the contradictory behavior of characters would be a result of Rojas humanizing his characters. [3]
One common feature of all of the characters (in the world of nobles as well as servants) is their individualism, their egoism, and their lack of altruism. Altruism is selfless concern for the welfare of others It is a traditional Virtue in many cultures and central to many religious traditions The theme of greed is explained by Francisco José Herrera in an article about envy in La Celestina and related literature (meaning imitations, continuations, etc. Greed is the Selfish desire for or pursuit of Money, Wealth, power, Food, or other Possessions, especially when this denies Envy (also called invidiousness) may be defined as an Emotion that "occurs when a person lacks another’s superior quality achievement or possession and ), where he explained the motive of the gossipers and servants to be “greed and robbery,” respectively, in the face of the motives of the nobles, which are raging lust and the defense of social and family honor. Honor or Honour (see spelling differences) (the latter directly from the Latin word honos honoris) is the evaluation of a person's The private benefit of the lower-class characters forms a substitute for the love/lust present for the upper class.
Fernando de Rojas liked to create characters in pairs, to help build character development through relationships between complimentary or opposing characters. In the play in general there are two opposite groups of characters, the servants and the nobles, and within each group are characters divided into pairs: Pármeno and Sempronio, Tristán and Sosia, Elicia and Areusa, in the group of servants, and Calisto and Melibea, Pleberio and Alisa, in the group of nobles. Only Celestina and Lucrecia do not have a corresponding character, but this is because they perform opposite roles in the plot: Celestina is the element that catalizes the tragedy, and represents a life lived with wild abandon, while Lucrecia, Melibea’s personal servant, represents the other extreme, total oppression. In this sense, the character of the rascal Centurino added in the second version is an addition with little function, although he has something to do with the disorder that calls the attention of Calisto and causes his death.
Celestina
Celestina is the most suggestive character in the work, to the point that she gives it its title. She is a colorful and vivid character, hedonistic, miserly, and yet full of life. Hedonism is the Philosophy that Pleasure is of ultimate importance, the most important pursuit She has such a deep understanding of the psychology of the other characters that she can convince even those who do not agree with her plans to accede to them. Psychology (from Greek grc ψῡχή psȳkhē, "breath life soul" and grc -λογία -logia) is an Academic and She uses people’s greed, sexual appetite (which she helps create, then provides means to satisfy), and love to control them. Greed is the Selfish desire for or pursuit of Money, Wealth, power, Food, or other Possessions, especially when this denies Love is any of a number of Emotions and experiences related to a sense of strong Affection. She also represents a subversive element in the society, by spreading and facilitating sexual pleasure. A society is a Population of Humans characterized by patterns of relationships between individuals that share a distinctive Culture and Institutions She stands apart for her use of magic. Magic, sometimes known as sorcery, is a Conceptual system that asserts human ability to control the natural world (including events objects people and Her character is inspired by the meddling characters of the comedies of Plautus and in works of the Middle Ages such as the Libro de Buen Amor (The Book of Good Love) by Juan Ruiz and Italian works like The Tale of the Two Lovers by Enea Silvio Piccolomini and Elegía de madonna Fiammeta by Giovanni Boccaccio. Titus Maccius Plautus (c 254–184 BCE commonly known as Plautus, was a Roman Playwright. The Book of Good Love ( El Libro de Buen Amor) considered to be one of the masterpieces of Spanish poetry is a semi-biographical account of romantic adventures Juan Ruiz (ca 1283 - ca 1350 known as the Archpriest of Hita ( Arcipreste de Hita) was a medieval Spanish poet The Tale of Two Lovers (Historia de duobus amantibus written in 1444 was one of the bestselling books of the fifteenth century even before its author Aeneas Pope Pius II, born Enea Silvio Piccolomini ( Latin Aeneas Sylvius; October 18, 1405 &ndash August 14, 1464) She was once a prostitute, and now she dedicates her time to arranging discreet meetings between illicit lovers, and at the same time uses her house as a brothel for the prostitutes Elicia and Areusa. Prostitution is the act of performing Sexual activity in exchange for Money.
Calisto
Calisto is a young man whose only interest is to seek out pleasure, and he is not concerned about who he may hurt along the way. Pleasure is commonly conceptualized as a positive experience Happiness, Entertainment, Enjoyment, ecstasy, and euphoria, but is hard His cynicism causes him to doubt the sincerity of his servant Pármeno when he warns him of risk. Cynicism (Kυνισμός originally comprised the various philosophies of a group of ancient Greeks called the Cynics, founded by Doubt, a status between Belief and disbelief, involves Uncertainty or Distrust or lack of sureness of an alleged Fact, an action Sincerity is the Virtue of one who speaks truly about his or her own feelings thoughts desires Risk is a Concept that denotes the precise probability of specific eventualities Calisto is a very egotistical character.
Melibea
Melibea is a vehement girl, in whom repression appears as forced and unnatural; she feels like a slave to the hypocrisy that has existed in her house since her childhood. Hypocrisy (or the state of being a hypocrite) is the act of preaching a certain belief religion or way of life but not in fact holding these same virtues oneself In the play she appears to be the victim of a strong passion induced by Celestina’s spell. She is really bound by her social conscience. She worries about her honor, not modesty, not her concept of what is moral. Honor or Honour (see spelling differences) (the latter directly from the Latin word honos honoris) is the evaluation of a person's Standards of modesty (also called demureness or reticence) are aspects of the Culture of a Country or people at a given point in time Her love is more real and less “literary” than that of Calisto; it is her love that motivates her actions, and Celestina’s “spell” allows her to retain her honor.
References
- ^ M. Criado de Val y G. D. Trotter, Tragicomedia de Calixto y Melibea, Libro también llamado La Celestina, Madrid: Consejo Superior de Investigaciones Científicas, 1965 (translation of text on page viii).
- ^ In Memoriam: Stephen Gilman (1917-1986), by Constance Rose
- ^ http://www.jstor.org/view/00182133/ap020226/02a00280/4?frame=noframe&userID=d0515d99@simons-rock.edu/01c0a8347400507e586&dpi=3&config=jstor
External links
- La Celestina, available at Project Gutenberg. Project Gutenberg, abbreviated as PG, is a volunteer effort to Digitize, archive and distribute Cultural works
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