Il trovatore (The Troubadour) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Leone Emanuele Bardare and Salvatore Cammarano, based on the play El Trovador by Antonio García Gutiérrez. A troubadour ( IPA:, originally) was a composer and performer of Occitan Lyric poetry during the High Middle Ages (1100&ndash1350 Opera is an art form in which Singers and Musicians perform a Dramatic work (called an opera which combines a text (called a Libretto A libretto is the text used in an extended Musical work such as an Opera, Operetta, Masque, sacred or secular Oratorio and Salvatore Cammarano (born Naples, 19 March 1801 - died Naples 17 July 1852) was a prolific Italian Librettist A play, or stageplay, is a form of Literature written by a Playwright, almost always consisting of Dialogue between Fictional characters Antonio García Gutiérrez ( July 5 1812, Chiclana de la Frontera, Cádiz &mdash August 6 1884, Madrid) was a
It was first performed at the Teatro Apollo, Rome on 19 January 1853. The Tor di Nona &mdash now a small area in Rome 's Rione V called " Ponte " which lies in the heart of the city's historic center between Rome ( Roma ˈroma Roma is the capital city of Italy and Lazio, and is Italy's largest and most populous city with more than 2 Events 1419 - Hundred Years' War: Rouen surrenders to Henry V of England completing his reconquest of Normandy. In 1857 Verdi revised the opera for Paris as Le trouvère and added a ballet. Click here for Indian Rebellion of 1857 Year 1857 ( MDCCCLVII) was a Common year starting on Thursday (link will display the Ballet is a formalized form of Dance with its origins in the French court further developed in France and Russia as a Concert dance
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On many different occasions, this opera and its music has been featured in various forms of popular culture and entertainment. Scenes of hilarious comic chaos play out over a performance of the opera in the Marx Brothers's film, A Night at the Opera, while, on a more serious note, the opening sequence of Luchino Visconti's 1954 film Senso features a performance at La Fenice. The Marx Brothers were a popular team of sibling Comedians who appeared in Vaudeville, stage plays film and television A Night at the Opera is a 1935 Comedy film starring Groucho Marx, Chico Marx, Harpo Marx, Kitty Carlisle, Luchino Visconti di Modrone, Count of Lonate Pozzolo ( November 2, 1906 - March 17, 1976) was an Italian Senso is a 1954 Film adaptation of Camillo Boito 's Italian Novella, Senso, by the Italian Teatro La Fenice ("The Phoenix " is an Opera house in Venice, Italy. Noting that the opera is very easy to produce, Enrico Caruso once said that "All you need is the four best singers in the world. Enrico Caruso (born Errico Caruso; February 25 1873 &ndash August 2 1921) was an Italian Opera singer "
As a staple of the standard operatic repertoire, it appears on Opera America's list of the 20 most-performed operas in North America[1], at number 17. Opera America, officially OPERA America, is a service organization in North America promoting the creation presentation and enjoyment of Opera.
| Role | Voice type | Premiere Cast, January 19, 1853[2] (Conductor: - ) |
|---|---|---|
| Count di Luna, a nobleman in the service of the Prince of Aragon |
baritone | Giovanni Guicciardi |
| Manrico, a troubadour and officer in the army of the Prince of Urgel |
tenor | Carlo Baucarde |
| Azucena, a gypsy, supposedly Manrico's mother | mezzo-soprano or contralto | Emilia Goggi |
| Leonora, noble lady, in love with Manrico and courted by Di Luna |
soprano | Rosina Penco |
| Ferrando, Luna's officer | bass | Arcangelo Balderi |
| Ines, Leonora's confidante | soprano | Francesca Quadri |
| Ruiz, Manrico's henchman | tenor | Giuseppe Bazzoli |
| An old gypsy | bass | Raffaele Marconi |
| A messenger | tenor | Luigi Fani |
| Leonora's friends, nuns, the Count's lackeys, warriors, Gypsies | ||
Scene 1: The guard room in the castle of Luna (The Palace of Aljaferia, Zaragoza, Spain)
Ferrando, the captain of the guards, orders his men to keep watch while Count di Luna wanders restlessly beneath the windows of Leonora, lady-in-waiting to the Princess. The Aljafería Palace ( Arabic: قصر الجعفرية Qasr Aljafariya Spanish: Palacio de la Aljafería) is a fortified palace built during the Zaragoza, also called Saragossa in English, is the capital city of the Zaragoza province and of the autonomous community and former Spain () or the Kingdom of Spain (Reino de España is a country located mostly in southwestern Europe on the Iberian Peninsula. Di Luna loves Leonora, and is jealous of his successful rival, the troubadour Manrico. A troubadour ( IPA:, originally) was a composer and performer of Occitan Lyric poetry during the High Middle Ages (1100&ndash1350 In order to keep the guards awake, Ferrando narrates the history of the count to the guard. (Aria: "Di due figli vivea padre beato") It appears that a gypsy had once bewitched the little brother of the count, making the child weak and ill, and for this had been burnt alive as a witch. The Romani people (singular Rom, plural Roma as a Noun; also known as Romanies or Roma people) are an ethnic group with origins Dying, she had commanded her daughter Azucena to avenge her, which she did by carrying off the younger brother. Although the burnt bones of a child were found in the ashes of the pyre, the father refused to believe in his son's death; dying, he commanded Count di Luna to seek the gypsy.
Scene 2: Garden in the palace of the princess
Leonora confesses her love for Manrico to her confidante, Ines. ("Tacea la notte placida". . . "Di tale amor"). When they have gone, Count di Luna hears the voice of his rival (Manrico, behind the scenes: "Deserto sulla terra"). While Leonora in the darkness mistakes the count for her lover, Manrico himself enters the garden, and she rushes to his arms. The count recognises Manrico as his enemy, who has been condemned to death, and compels him to fight. Leonora tries to intervene, but cannot stop them from fighting (Trio: "Di geloso amor sprezzato").
Scene 1: The gypsies' camp
While Manrico sits at the bedside of his mother, Azucena, the gypsies sing the famous Anvil Chorus (Chorus: "Vedi le fosche notturne"). The Anvil Chorus is the English term for the Coro di zingari ( Italian gypsy chorus) a piece of Music from Act 2 Scene She is the daughter of the Gypsy burnt by the count and, although old, still nurses her vengeance. (Aria: "Stride la vampa") The Gypsies break camp while Azucena confesses to Manrico that after stealing him she had intended to burn the count's little son, but had thrown her own child into the flames instead (Aria: "Condotta ell'era in ceppi"). Manrico realises that he is not the son of Azucena, but loves her as if she were indeed his mother, as she has always been faithful and loving to him. Manrico tells Azucena that he defeated Di Luna in their duel, but was held back from killing him by a mysterious power (Duet: "Mal reggendo") A messenger arrives and reports that Leonora, who believes Manrico dead, is about to enter a convent and take the veil that night. Manrico rushes away to prevent her from carrying out this purpose.
Scene 2: In front of the convent
Di Luna and his attendants intend to abduct Leonora and the Count sings of his love for her (Aria: "Il balen del suo sorriso" . . . "Per me ora fatale"). Leonora and the nuns appear in procession, but Manrico prevents Di Luna from carrying out his plans and instead, takes Leonora away with him.
Scene 1: Di Luna's camp
(Chorus: "Or co' dadi ma fra poco") Ferrando brings in the captured Azucena. She is recognised by Di Luna and sentenced to be burnt.
Scene 2: A chamber in the castle
Leonora and Manrico live only for each other. (Aria, Manrico: "Ah si, ben mio coll'essere") Ruiz, Manrico's comrade, reports that Azucena is to be burned at the stake. Manrico rushes to her aid (Stretta: "Di quella pira l'orrendo foco"). Leonora faints.
Scene 1: Before the dungeon keep
Leonora attempts to free Manrico, who has been captured by Di Luna (Aria: "D'amor sull'ali rosee", Chorus & Duet: "Miserere"). Leonora begs Di Luna for mercy and offers herself in place of her lover. She promises to give herself to the count, but secretly intends die first by taking poison (Duet: "Mira, d'acerbe lagrime").
Scene 2: In the dungeon
Manrico and Azucena are awaiting their execution. Manrico attempts to soothe Azucena, whose mind wanders (Duet: "Ai nostri monti ritorneremo") At last the gypsy slumbers. Leonora comes to Manrico and tells him that he is saved, begging him to escape. When he discovers she cannot accompany him, he refuses to leave his prison. He believes Leonora has betrayed him until he realizes that she has taken poison to remain true to him. As she dies in agony in Manrico's arms she confesses (Aria: "Tu vedrai che amore in terra") that she prefers to die with him than to marry another. (Quartet: "Prima che d'altri vivere") The count enters to find Leonora dead in his rival's arms and orders Manrico to be led to execution. Azucena arises from her couch and when Di Luna, dragging her to a window, shows her the dying Manrico, she cries in triumph: "He was your brother. You are avenged,oh mother!" The opera ends with the count screaming in despair, at the same time as Azucena, "E vivo ancor!" ("And yet I am still alive!")
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