| High Plains Drifter | |
|---|---|
High Plains Drifter movie poster |
|
| Directed by | Clint Eastwood |
| Produced by | Robert Daley Jennings Lang |
| Written by | Ernest Tidyman Uncredited: Dean Riesner |
| Starring | Clint Eastwood Verna Bloom Marianna Hill Billy Curtis |
| Music by | Dee Barton |
| Cinematography | Bruce Surtees |
| Editing by | Ferris Webster |
| Distributed by | Universal Pictures |
| Release date(s) | |
| Running time | 105 min |
| Country | |
| Language | English |
| IMDb profile | |
High Plains Drifter is a 1973 Revisionist Western film directed by and starring Clint Eastwood, wherein he plays a character clearly influenced by the Man with No Name from Sergio Leone's A Fistful of Dollars and its sequels. The year 1973 in film involved some significant events Events The Marx Brothers ' Zeppo Marx divorces his second The Revisionist Western, Modern Western or Anti Western traces to the late 1960s and early 1970s as a sub- Genre of the Clinton "Clint" Eastwood Jr (born May 31 1930 is a four-time Academy Award winning American Actor and Filmmaker. The Man with No Name is a Stock character in western films but the term usually applies specifically to the character (or possibly characters played by Sergio Leone ( January 3, 1929 &ndash April 30, 1989) was an Italian Film director. A Fistful of Dollars ( Per un Pugno di Dollari in Italy and officially on-screen in the U Eastwood's direction, too, was inspired by Leone, as the film uses often beautiful widescreen compositions (by cinematographer Bruce Surtees) very similar to those seen in the "Dollars" films. A widescreen image is a film computer or television image with a wider and shorter aspect ratio than the standard Academy frame developed during the Classical Bruce Surtees ( 27 July 1937, Los Angeles, California USA is an Academy Award and Emmy Award nominated American The Dollars Trilogy, also known as The Man with No Name Trilogy, refers to the three Spaghetti Westerns starring Clint Eastwood High Plains Drifter has a much quicker pace, however, which also indicates the stylistic influence of Eastwood's other mentor, Don Siegel (in fact, Eastwood has noted that the graveyard set featured in the film's finale had tombstones reading "Sergio Leone" and "Don Siegel," intended as a comical "dedication" to both then-living directors). Donald Siegel ( October 26, 1912 - April 20, 1991) was an influential American Film director and producer [1]
Filmed on location on the shores of Mono Lake, California, High Plains Drifter is morally complex in the manner of the spaghetti westerns. Mono Lake is an Alkaline and hypersaline lake in California, United States that is a critical nesting habitat for several bird species and is California ( is a US state on the West Coast of the United States, along the Pacific Ocean. Spaghetti Western, also known in some countries in mainland Europe as the Italo-Western, is a nickname for a broad sub-genre of Western The screenplay was written by Ernest Tidyman and an uncredited Dean Riesner, with Tidyman authoring the novelization. Ernest Tidyman ( January 1 1928 - July 14 1984) was a Cleveland -born American author and screenwriter best known for his Dean Riesner ( November 3, 1918 - August 18, 2002) was a prolific American film and television writer Dee Barton provided the film's eerie musical score. Sheet music is a hand-written or printed form of Musical notation; like its analogs -- books pamphlets etc
Contents |
As the film opens, a tall lone stranger gradually emerges from a shimmering desert horizon and rides into the town of Lago, Arizona. The townspeople eye him warily as he rides down the main street, but the crack of a teamster's whip pierces the silence.
The Stranger (Eastwood) enters a bar for a beer and a bottle of whiskey. He is challenged by three gunslingers, only to turn his back and walk away from them. Insulted, they follow him to the barbershop across the street, where they surround him and attempt to lay hands on him. He surprises them by having his gun(s) already drawn and ready, hidden under the apron the barber had tied around his neck, shooting all three dead in seconds. Upon leaving the barbershop, a local woman named Callie Travers seems to desire his attention but, having no dignified way to show this, she accosts and insults him. He still won't give her the attention she's desperate for and he tries to walk away. She badgers him until he drags her into the livery stable and rapes her. A livery stable has come to mean a place where horse owners keep their Horses in return for a fee She resists at first, but then clearly begins to enjoy the experience. Afterward, he leaves her without a word, checks into the local hotel, and spends the night. The next day, while he's bathing at the barber shop, the town sheriff stops by to speak with him. While they're in conversation, Callie comes in with a pistol and tries to kill The Stranger. Although she fires four shots at the bathtub from close range, he escapes unscathed by ducking under the water. Afterward, the Stranger asks cynically "Wonder what took her so long to get mad?" "Because maybe you didn't go back for more" replies Mordecai (Mordecai, a dwarf, is the town outcast; he quickly befriends the Stranger, however).
The Stranger moves into the town hotel. When he sleeps, he is troubled by visions of three men with bullwhips flogging a fourth man to death in a street while faceless people watch from the shadows, doing nothing. As the movie progresses, the vision recurs, growing ever more detailed, until the shadowy faces are revealed as those of the townspeople. Only two people seem to protest the murder in the visions, only one of whom - Sarah Belding, wife of hotel owner Lewis Belding - tries to go to the victim's assistance. The other, Mordecai, shudders silently while hiding under the steps of the saloon.
Meanwhile, three felons, due to be released from the jail in Yuma in a few days, are expected to return to the town of Lago and wreak havoc. Yuma is a city in and the County seat of Yuma County, Arizona, United States. The men that the Stranger gunned down had been hired by the town to kill the felons, and now, in desperation, the town hires the Stranger to protect them. They offer him "anything he might want" in return. The townspeople and the three felons are linked by an illegal mine; they had hired the felons to assassinate the previous town marshal when he discovered the mine was on United States government land. Mining is the extraction of valuable Minerals or other geological materials from the earth usually (but not always from an Ore body The felons publicly whipped the marshal to death; afterwards, the townspeople framed the murderers for theft from the mine to keep them quiet. We later learn that Marshal Duncan was buried in an unmarked grave.
The Stranger takes full advantage of his carte blanche in the town, and his demands are both heavy and bizarre. A blank cheque ( blank check, carte blanche) in the literal sense is a Cheque that has no numerical value written in but is already signed Eastwood's character exacts a steep price for his help with the three returning felons and although he trains the townspeople and gives them a strategy, he is particularly ruthless and even asks the hotelier to empty the hotel of all its occupants so he can settle in by himself. Resentment of his behavior grows among many of the townspeople. The managers of the mine argue over whether the Stranger is worth all the trouble he's causing, and one of the managers attempts (with disastrously unsuccessful results) to kill the Stranger in his bed. The ensuing melee ends with the hotel in ruins, and the Stranger exerts his strange charm over the innkeepers defensive wife whose initial objections and apparent dislike for the Stranger soon give way to attraction, and she spends the night with the Stranger in her marital bed - much to her husband's chagrin. Shortly before encountering the returning felons, the Stranger literally has the locals paint the entire town red (to match its new name, Hell) and he also makes them set up a picnic table awaiting their return. Hell, according to many Religious beliefs, is a location in the Afterlife, which may be described as a place of suffering By the film's end, the Stranger's vengeance is complete: after a final brutal whipping scene echoing that of the past, the town is in ruins and many of the prominent citizens are dead or missing, although the men the town has feared are dead.
The question that has tormented the townspeople through the movie – who is the Stranger? – is addressed cryptically at the end. Leaving town, the Stranger encounters Mordecai finishing a grave marker, apparently at the Stranger's request. Mordecai says to him, "I never did know your name. " The Stranger replies, "Yes, you do. " Mordecai blanches at the answer, and as the Stranger returns to the shimmering haze of the horizon, the camera pans over the grave marker to reveal the name of the murdered Marshal, Jim Duncan. What the connection is between the Stranger and the murdered man -- the Marshal's brother? the ghost of the dead man? the devil? an avenging angel? or just a drifter who exploited the situation -- is not explained.
|
|
The Stranger's various actions during the course of the film lend to different interpretations as to his origin. Popular theories tend to suggest that he is the brother or ghost of Marshall Duncan, or more abstractly the Devil or an avenging angel punishing the townspeople for their sins.
Many scenes seem to tie his arrival to Lago with the tragic fate of Marshall Duncan:
Some sequences seem to indicate a supernatural origin:
It is also worth note that the portrayal of a mysterious ominous figure arriving on the back of a pale horse, was repeated by Eastwood in his film, Pale Rider, an allusion to the Fourth Horseman in the Book of Revelation 6:8 "And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. Pale Rider is a 1985 Western film, directed by and starring Clint Eastwood. The Four Horsemen of the Apocalypse are the forces of man's destruction described in the Christian Bible in chapter six of the Book of Revelation. The Book of Revelation, also called Revelation to John, Apocalypse of John ( pronounced, from the Ἀποκάλυψις Ἰωάννου "
During an interview on Inside the Actors Studio, Eastwood commented that earlier versions of the script made the Stranger the dead marshal's brother. Inside the Actors Studio is the Emmy-nominated longest-running original series on the Bravo Cable television channel hosted by James Lipton He favored a less explicit and more supernatural interpretation, however, and excised the reference, although the Spanish, French and German dubbings retain it. French ( français,) is a Romance language spoken around the world by 118 million people as a native language and by about 180 to 260 million people The German language (de ''Deutsch'') is a West Germanic language and one of the world's major languages. In filmmaking, dubbing or looping is the process of recording or replacing voices for a Motion picture.
The film is well known for its horror-esque score - a highly atmospheric combination of discords and eerie wailing which plays from the outset, followed by a typical stirring western soundtrack reminiscent of the POW camp orchestra scenes at the prison camp in Sergio Leone's The Good the Bad and the Ugly, a film in which Eastwood also starred. Sergio Leone ( January 3, 1929 &ndash April 30, 1989) was an Italian Film director. The Good the Bad and the Ugly ( Il Buono il Brutto il Cattivo) is a 1966 Italian epic Spaghetti western film directed The discorded sound is particularly effective during the whipping scenes in which the Stranger towers above the wrong-doer against a background of fire, evoking traditional images of hell which are echoed in the red paint covering the town.
In Jurassic 5's Hip-Hop ballad "Verbal Gunfight," Chali 2na asserts "I'm not a grifter, more like a high plains drifter. "