Gwalarn ("Northwesterly") was a Breton language literary journal. The Breton language ( Brezhoneg) formerly often called Armoric or Armorican, is a Celtic language spoken by some of the inhabitants of Brittany By extension, the term refers to the style of literature that it encouraged. 166 issues (numbered from 0 to 165) appeared between 1925 and May 1944.
The journal was founded by Roparz Hemon and Olier Mordrel. Roparz Hemon ( 18 November 1900 in Brest – 29 June 1978 in Dublin) was a Breton author and scholar of Olier Mordrel ( Breton language version of Olivier Mordrelle; 1901&mdash1985 was born and died in Paris, France) was a Breton
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Manifesto
The journal published a manifesto in February 1925. The manifesto stated the aim of Gwalarn was to prove that the Breton language could be a vehicle of high culture. This was written in response to some French authors who argued that Breton was nothing more than the crude speech of peasants, a view articulated by Victor Hugo, among others. Victor-Marie Hugo ( ( February 26, 1802 – May 22, 1885) was a French Poet, Playwright, Novelist
Gwalarn is above all something new and unique: a literary magazine aimed at the Breton elite, and whose ambition is nothing less than setting Breton literature on the road that follows the longstanding literature of many small nations: Bohemia, Flanders, Catalonia, among others. . . For the first time, a Breton revue will publish a pure literature, closing the door on patois. . . [it] will adopt a language of classical formality with a rigorous othography. Gwalarn is an experiment: to determine whether there is an audience in Brittany educated enough to understand literary language (as far from the language of the Breton peasant as that of Mr. France is of the French peasant), a public informed enough to engage with a Breton literature that, while seeking to tap the sap in the genius of the race, wants to be European in spirit, drawing on modern European literary techniques, both in expression and in thought. Anatole France (16 April 1844—12 October 1924 born François-Anatole Thibault, Anatole France studied at the Collège Stanislas and after graduation [1]
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The main contributors were mostly very young. In addition to Hemon, the most important writers were Abeozen, Youenn Drezen, Jakez Riou, Gwilherm Berthou, Yannn-Eozen Jarl, Kenan Kongar, Fant Rozec, Xavier de Langlais, Maodez Glanndour. Youenn Drezen (1899–1972 is the Breton language name of Yves Le Drézen, a Breton nationalist writer and activist Gwilherm Berthou ( 10 May 1908 - 14 March 1951 was a Breton nationalist terrorist and neo-Druidic bardic poet Xavier de Langlais (April 26 1906 - June 15 1975 was a Breton painter printmaker and writer These writers produced the "classic" literary Breton of the twentieth century.
The content was varied. There were many Breton translations of famous authors such as Shakespeare, Hawthorne, Boccaccio, Synge, Pushkin, and so on. There was also great emphasis on Celtic traditions and legends such as the Mabinogion. Essays on philosophy and Indo-European cultures were also common, including discussions of Hinduism and Buddhism. Hinduism is a religious tradition that originated in the Indian subcontinent. Buddhism is a family of beliefs and practices It also published essays on current issues, poems and plays.
History
Olier Mordrel no longer participated in the journal after 1928, but Roparz Hemon stayed on as an editor until the last issue. Gradually, Gwalarn expanded, producing a popular supplement "kannadig Gwalarn" in 1932 and books for children. The latter were distributed free in schools to children who had participated in essay competitions in the Breton language.
Associated with collaborationist politics during World War II, the magazine was forced to close after the Liberation of France. World War II, or the Second World War, (often abbreviated WWII) was a global military conflict which involved a majority of the world's nations, including The military history of France during World War II covers the period from 1939 until 1940 which witnessed French military participation under the Third Republic, and the period After the war, a new magazine with the same function was created under the title Al Liamm, which continued the project of creating a Breton literary culture.
References
- ^ Alain Deniel, Le mouvement breton, Maspéro, 1976, ISBN 270716826X, p. 69
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