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Portrait of Romanino.
Portrait of Romanino.

Girolamo Romani (Romanino) (c. 1485 – c. 1566) was an Italian High Renaissance painter of Venice and the region of Lombardy, near Brescia. The Italian Renaissance began the opening phase of the Renaissance, a period of great cultural change and achievement in Europe that spanned the period from the end of the 14th Venice ( Italian: Venezia, Venetian: Venesia or Venexia) is a city in Northern Italy, the capital of the Brescia ( Lombard: Brèsa) is a city in the region of Lombardy in northern Italy. His long career brought forth different styles.

Biography

Romani's early training and life is not well-documented. A Quattrocento-esque Pieta, painted for the church of San Lorenzo of Brescia, dated from 1510 is present in the Accademia. The cultural and artistic events of 15th century Italy are collectively referred to as the Quattrocento (from the Italian for '400 or from "millequattrocento" 1400 The Accademia is best known now as a museum gallery of pre-1800s art in Venice, Italy. He took up residence in Venice in his twenties, at the latest by 1513. He was commissioned to complete a Madonna enthroned with four saints for the church of San Giustina in Padua in 1513[1]. Padua ( Padova 'padova Latin: Patavium, Padoa) is a city in the Veneto, northern Italy. The coloration of the painting is of Venetian style, but the duller visages in bejeweled setting recalls styles of previous generations. Visage is a British pop band Formed in 1978 the band became closely linked to the burgeoning New Romantic movement of the early 1980s

Romanino completed four frescoes in the nave of the cathedral of Cremona in 1519-1520 depicting stories of the Passion of Christ. In Romanesque and Gothic Christian Abbey, Cathedral Basilica and church Architecture, the nave is the Cremonese redirects here For the football team see US Cremonese Cremona is a City in northern Italy, situated His paintings have eclectic influences using Venetian coloration with Florentine-Lombard modeling. In the Cremona frescoes, the Lombard influence of Altobello Melone is strong, in the narrative and decorative elements of the fresco[2]. Altobello Melone (c 1490-1491 &ndash before May 3 1543 was an Italian painter of the Renaissance. By 1521, Romanino was replaced by Pordenone in the decoration of the church. Pordenone ( Friulian: Pordenon) is a Comune of Pordenone province of northeast Italy in the Friuli-Venezia Giulia

He then returned to Brescia to work (1521-1524) with Alessandro Bonvicino in the decoration of the "Cappella del Sacramento" in San Giovanni Evangelista. Brescia ( Lombard: Brèsa) is a city in the region of Lombardy in northern Italy. Alessandro Bonvicino (also Buonvicino; 1498 &ndash December 22, 1554) more commonly known as Il Moretto da Brescia, was an Italian His St. Matthew and the Angel depicts the apostle at work under candlelight, and represents one of the first such nocturnes in Italian painting, a device which Correggio and Cambiaso would soon pursue[3]. Luca Cambiasi (surname also written Cambiaso or Cangiagio; 1527&ndash1585 was an Italian painter, familiarly known as Lucchetto da Genova. He also helped decorate the Palazzo Averoldi.

In 1531 to 1532, he worked with Dosso Dossi in fresco decoration of Castel Buonconsiglio in Trento. Dosso Dossi (c 1490 &ndash 1542, real name Giovanni di Niccolò de Luteri, was an Italian Renaissance painter who belonged to the Ferrara School of Painting Trento (traditional English Trent; Italian: Trento; German: Trient; Latin: Tridentum; Note that many He completed organ shutters for the church of Asola on Augustus and the sibyl, and Sacrifice of Isaac. He died between 1559-1561. His main pupils were his son-in-law Lattanzio Gambara, Girolamo Muziano, and Stefano Rosa[4]. Lattanzio Gambara (c 1530 - 18 March 1574) was an Italian painter active in a Renaissance and Mannerist styles Girolamo Muziano (c 1532-1592 was an Italian painter active in a late- Renaissance or Mannerism style He is also known to have influenced artists such as Giulio Campi[5]

Anthology of Works

References

  1. ^ Museo Civico, Padua
  2. ^ Freedberg SJ. p 363
  3. ^ St. Matthew and the Angel from S. Giovanni Evangelista.
  4. ^ Museum Biography
  5. ^ In Campi's early work, Virgin and Child with SS Nazarius and Celsus (1527; Cremona, S Abbondio)

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