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Zoroastrianism / Mazdaism
Ahura Mazda
Zarathustra (Zoroaster)
aša (asha) / arta

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Overview of the Angels
Amesha Spentas · Yazatas
Ahuras · Daevas
Angra Mainyu

Scripture and worship

Avesta · Gathas
Vendidad
The Ahuna Vairya Invocation
Fire Temples

Accounts and legends

Dēnkard · Bundahišn
Book of Arda Viraf
Book of Jamasp
Story of Sanjan

History and culture

Zurvanism
Calendar · Festivals
Marriage
Eschatology

Adherents

Zoroastrians in Iran
Parsis · Iranis
• • •
Persecution of Zoroastrians

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Index of Related Articles

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The Gathas (Gāθās) are 17 hymns believed to have been composed by Zarathushtra (Zoroaster) himself. Zoroastrianism (ˌzɔroʊˈæstriəˌnɪzəm is the religion and philosophy based on the teachings Zoroastrianism (ˌzɔroʊˈæstriəˌnɪzəm is the religion and philosophy based on the teachings Ahura Mazda ( ae Ahura Mazdā) is the Avestan language name for a divinity exalted by Zoroaster as the one uncreated Creator Zoroaster ( Latinized from Greek variants) or Zarathushtra (from Avestan Zaraθuštra) also referred to as Zartosht (زرتشت Asha ( aša) or arta is the Avestan language term for a concept of cardinal importance to Zoroastrian theology and doctrine Yazata is the Avestan language word for a Zoroastrian concept ae Amesha Spenta ( ae Aməša Spənta) is an Avestan language term for a class of divinity/divine concepts in Zoroastrianism, and literally means "Bounteous Yazata is the Avestan language word for a Zoroastrian concept For the fictional character in the Marvel Universe series see Ahura (comics; for the river see Akhurian River. Daeva ( daēuua, daāua, daēva) is the Avestan language term for a particular sort of supernatural entity with disagreeable characteristics "Ahriman" redirects here For other uses see Ahriman (disambiguation. The Avesta is the primary collection of sacred texts of Zoroastrianism, composed in the Avestan language. The Vendidad or Videvdat is a collection of texts within the greater compendium of the Avesta. Ahuna Vairya is the Avestan language name of the most sacred of the Gathic hymns of the Avesta, the revered texts of Zoroastrianism. A Zoroastrian Fire Temple is a place of worship for Zoroastrians. The Dēnkard or Dēnkart ( Middle Persian: "Acts of Religion" is a 10th century compendium of the Mazdaen Zoroastrian beliefs and customs The Bundahishn, meaning "Primal Creation" is an account of Zoroastrian cosmogony and cosmology and reflects ancient Zoroastrian and even pre-Zoroastrian beliefs The Book of Arda Viraf is a Zoroastrian religious text that describes the dream-journey of a devout Zoroastrian (the 'Viraf' of the story through the next world The Jamasp Nameh (var Jāmāsp Nāmag, Jāmāsp Nāmeh, "Story of Jamasp" is a Middle Persian book of revelations The Story of Sanjan (also Qissa-i Sanjan or Kisse-i Sanjan) is an account of the early years of Zoroastrian settlers on the Indian subcontinent Zurvanism is a now-extinct branch of Zoroastrianism that had the divinity Zurvan as its First The Zoroastrian calendar is a religious Calendar used by members of the Zoroastrian faith and it is an approximation of the (tropical Solar calendar. Zoroastrianism has numerous festivals and holy days all of which are bound to the Zoroastrian calendar. In the Zoroastrian faith marriage is encouraged an institution greatly favoured by the religious texts. Zoroastrianism eschatology is the oldest Eschatology in recorded history Zoroastrians in Iran have had a long history being the oldest religious community of that nation to survive to the present-day The Iranis are an ethno-religious community of the Indian subcontinent; descendants of Zoroastrians who emigrated from Greater Iran (in the main from Zoroastrians have faced much religious discrimination including forced conversions harassments as well as being identified as Najis "ritually impure" A hymn is a type of Song, usually religious specifically written for the purpose of praise adoration or Prayer, and typically addressed to a deity/deities Zoroaster ( Latinized from Greek variants) or Zarathushtra (from Avestan Zaraθuštra) also referred to as Zartosht (زرتشت They are the most sacred texts of the Zoroastrian faith. Zoroastrianism (ˌzɔroʊˈæstriəˌnɪzəm is the religion and philosophy based on the teachings

Contents

Structure and organization

The Gathas are in verse, metrical in the nature of ancient Indo-Iranian religious poetry, which is extremely terse, and in which grammatical constructs are an exception. Indo-Iranian peoples consist of the Indo-Aryan, Iranian, Dardic and Nuristani peoples that is speakers of Indo-Iranian languages

The 17 hymns of the Gathas consist of 238 verses, of about 1300 lines or 6000 words in total. They were later incorporated into the 72-chapter Yasna (chapter: ha or had, from the Avestan ha'iti, 'cut'), which in turn is the primary liturgical collection of texts within the greater compendium of the Avesta. Yasna ( Avestan: 'oblation' or 'worship' is the name of the primary liturgical collection of texts of the Avesta as well as the name of the Avestan is an Eastern Old Iranian language that was used to compose the sacred hymns and canon of the Zoroastrian Avesta. The Avesta is the primary collection of sacred texts of Zoroastrianism, composed in the Avestan language. The 17 hymns are identified by their chapter numbers in the Yasna, and are divided into five major sections:

28-34   Ahunavaiti Gatha   (cf. Ahuna Vairya), 100 stanzas, (3 verses, 7+9 syllable meter)
43-46   Ushtavaiti Gatha   'Having Happiness', 66 stanzas (5 verses, 4+7 syllable meter)
47-50   Spenta Mainyu Gatha   'Bounteous Spirit', 41 stanzas (4 verses, 4+7 syllable meter)
51   Vohu Khshathra Gatha   'Good Dominion', 22 stanzas (3 verses, 7+7 syllable meter)
53   Vahishto Ishti Gatha   'Best Beloved', 9 stanzas (4 verses, two of 7+5 and two of 7+5+5 syllables)

With the exception of Ahunavaiti Gatha, which is named after the Ahuna Vairya prayer (Yasna 27, not in the Gathas), the names of the Gathas reflect the first word(s) of the first hymn within them. Ahuna Vairya is the Avestan language name of the most sacred of the Gathic hymns of the Avesta, the revered texts of Zoroastrianism. Ahuna Vairya is the Avestan language name of the most sacred of the Gathic hymns of the Avesta, the revered texts of Zoroastrianism. The meter of the hymns is historically related to the Vedic tristubh-jagati family of meters. Vedic Sanskrit is an ancient Indian language, the language of the Vedas, the oldest Shruti texts of Hinduism. [1] Hymns of these meters are recited, not sung.

The sequential order of the Gathas is structurally interrupted by the Yasna Haptanghaiti ("seven-chapter Yasna", chapters 35-41, linguistically as old as the Gathas but in prose) and by two other minor hymns at Yasna 42 and 52. The Yasna Haptanghaiti ( ae Yasna Haptaŋhāiti) Avestan for "Worship in Seven Chapters" is a set of 7 hymns within the greater Yasna

Language

The language of the Gathas, Gathic or Old Avestan, belongs to the old Indo-Iranian language group which is a sub-group of Eastern families of the Indo-European languages. Avestan is an Eastern Old Iranian language that was used to compose the sacred hymns and canon of the Zoroastrian Avesta. The Indo-Iranian language group constitutes the easternmost extant branch of the Indo-European family of languages Much of what is understood of Gathic Avestan, both in vocabulary and grammar, is only due to Gathic Avestan's close affinity to Vedic Sanskrit. Vedic Sanskrit is an ancient Indian language, the language of the Vedas, the oldest Shruti texts of Hinduism.

It must be noted that the Gathas are in an otherwise unknown language. The dependency on Vedic Sanskrit is a significant weakness in the interpretation of the Gathas, as the two languages, though from a common origin, had developed independently. Sassanid era translations and commentaries (the Zend) have been used to interpret the Gathas, but by the 3rd century the Avestan language was virtually extinct, and a dependency of the medieval texts is often discouraged as the commentaries are frequently conjectural. The Sassanid Empire or Sassanian Dynasty or Sassanian Dynasty (ساسانیان) is the name used for the third Iranian dynasty and the second Persian empire While some scholars argue that an interpretation using younger texts is inadvisable (Geldner, Humbach), others argue that such a view is excessively skeptical (Spiegel, Darmesteter). Friedrich Karl Geldner ( December 17, 1852 &ndash February 5, 1929) was a German Linguist best known for his analysis and Friedrich (von Spiegel ( July 11, 1820, Kitzingen - December 15, 1905, München) was a German orientalist James Darmesteter ( March 28, 1849 &ndash October 10, 1894) French Author and Antiquarian, was born of The risks of mis-interpretation are real, but lacking alternates, such dependencies are perforce necessary.

"The Middle Persian translation seldom offers an appropriate point of departure for a detailed scholarly approach to the Gathas, but an intensive comparison of its single lines and their respective glosses with their Gathic originals usually reveals the train of thought of the translator. Middle Persian is the Middle Iranian language/ethnolect of Southwestern Iran that during Sassanid times (224-654 CE became a Prestige dialect This obviously reflects the Gatha interpretation by the priests of the Sasanian period, the general view of which is closer to the original than what is sometimes taught about the Gathas in our time. The Sassanid Empire or Sassanian Dynasty or Sassanian Dynasty (ساسانیان) is the name used for the third Iranian dynasty and the second Persian empire "[2]

There are four monumental translations of the Gathas worth noting: The earlier James Darmesteter version (Le Zend-Avesta, 1892-1893) which is based on a translation "from below", that is, based on the later middle Persian commentaries and translations. The other three are Christian Bartholomae's Die Gathas des Awesta (1905, Strassburg: Trübner), Helmut Humbach's The Gathas of Zarathushtra (1959, Heidelberg: Winter), and Stanley Isler's The Gathas of Zarathustra (1975, Acta Iranica IV, Leiden: Brill). These three texts exploit the "Vedic" approach, and Bartholomae's was the first of its kind.

The problems that face a translator of the Avestan Gathas are significant: "No one who has ever read a stanza of [the Gathas] in the original will be under any illusions as to the labour which underlies the effort [of translating the hymns]. The most abstract and perplexing thought, veiled further by archaic language, only half understood by later students of the seer's own race and tongue, tends to make the Gathas the hardest problem to be attempted by those who would investigate the literary monuments. "[3]

Content

Some of the verses of the Gathas are directly addressed to the Omniscient Creator Ahura Mazda. Ahura Mazda ( ae Ahura Mazdā) is the Avestan language name for a divinity exalted by Zoroaster as the one uncreated Creator These verses, devotional in character, expound on the divine essences of truth (Asha), the good-mind (Vohu Manah), and the spirit of righteousness. Asha ( aša) or arta is the Avestan language term for a concept of cardinal importance to Zoroastrian theology and doctrine Vohu Manah is the Avestan language term for a Zoroastrian concept frequently translated as "Good Purpose" or "Good Mind" but more literally Some other verses are addressed to the public that may have come to hear the prophet, and in these he exhorts his audience to live a life as Ahura Mazda has directed, and pleads to Ahura Mazda to intervene on their behalf.

Other verses, from which some aspects of Zoroaster's life have been inferred, are semi-(auto)biographical, but all revolve around Zarathustra's mission to promote his view of the Truth (again Asha). Asha ( aša) or arta is the Avestan language term for a concept of cardinal importance to Zoroastrian theology and doctrine For instance, some of the passages describe Zarathustra's first attempts to promote the teachings of Ahura Mazda, and the subsequent rejection by his kinsmen. This and other rejection led him to have doubts about his message, and in the Gathas he asked for assurance from Ahura Mazda, and requests repudiation of his opponents.

The various hymns appear to have been composed at different periods in his life, and read chronologically, a certain earnestness and conviction in his message are apparent. While in earlier verses, Zarathustra occasionally expresses his doubts on his own suitability of the mission, he never wavers in his conviction that the message is correct. A tone of contentment and belief in his vindication is apparent only in the last few hymns, and to the last, where he officiates at the wedding of his youngest daughter, he remains the persevering predicant.

Aspects of Zoroastrian philosophy are distributed over the entire collection of Gathas. There is no systematic arrangement of doctrine in the texts.

Excerpts

The following excerpts are from the translation by Humbach & Ichaporia. [4]

Zoroaster asks Mazda for guidance
Zoroaster asks Mazda for blessings
Rhetorical questions posed by Zoroaster
Zoroaster to his own followers
Zoroaster to the followers of the druj

Bibliography

  1. ^ Schlerath, Bernfried (1969), “Der Terminus aw. Gāθā”, Münchener Studien zur Sprachwissenschaft 25: 99-103 
  2. ^ Humbach, Helmut (2001). "Gathas: The texts". Encyclopedia Iranica 10. Cosa Mesa: Mazda.  
  3. ^ Moulton, James Hope (1906), “Bartholomae's Lexicon and Translation of the Gathas (Review)”, The Classical Review 20 (9): 471-472 
  4. ^ Humbach, Helmut & Ichaporia, Pallan (1994), The Heritage of Zarathustra, A new translation of his Gathas, Heidelberg: Winter 

Further reading

Select translations available online:

See also

Dictionary

Gathas

-proper noun

  1. (Zoroastrianism) 17 hymns believed to have been composed by Zarathustra (Zoroaster) himself. They are the most sacred texts of the Zoroastrian faith.
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