Gasparo Landi (1756-1830) was an Italian painter of the Neoclassic period. Year 1756 ( MDCCLVI) was a Leap year starting on Thursday (link will display the full calendar of the Gregorian calendar (or a For the game see 1830 (board game. Year 1830 ( MDCCCXXX) was a Common year starting on Friday (link will display Italy (Italia officially the Italian Republic, (Repubblica Italiana is located on the Italian Peninsula in Southern Europe, and on the two largest
He was born at Piacenza, but later trained with Pompeo Batoni and Domenico Corvi at Rome. Piacenza ( Placentia in Latin and old-fashioned English, Piasëinsa in the local dialect of Emiliano-Romagnolo) is a Pompeo Girolamo Batoni ( 25 January, 1708 - 4 February, 1787) was an Italian painter whose style incorporated elements of the French Domenico Corvi (1721 - 1803 was a prominent Italian painter at the close of the 18th century active in an early Neoclassic style in Rome and surrounding sites He was Director and President of the Academy of St. Luke at Rome, and obtained the first prize at the Academy at Parma in 1781. The Accademia di San Luca, (the "Academy of Saint Luke" was an association of artists in Rome founded in 1593 with the directorship of Federico Zuccari, with the Rome ( Roma ˈroma Roma is the capital city of Italy and Lazio, and is Italy's largest and most populous city with more than 2 Parma is a City in the Italian region of Emilia-Romagna near Modena famous for its Architecture and the fine countryside around it He died at Rome. He contributed canvases for the Pitti Palace, a Maries at the Tomb and a Burial of the Virgin and a The Ascent to Calvary for the cathedral at Piacenza. The Palazzo Pitti, in English sometimes called the Pitti Palace, is a vast mainly Renaissance Palace in
References
- Bryan, Michael (1889). in Walter Armstrong and Robert Edmund Graves: Dictionary of Painters and Engravers, Biographical and Critical (Volume II L-Z). York St. #4, Covent Garden, London; Original from Fogg Library, Digitized May 18, 2007: George Bell and Sons, page 11.
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