- For the legendary fictional character, see Don Juan. Don Juan (Spanish or Don Giovanni (Italian is a legendary fictional Libertine whose story has been told many times by many authors
| Operas by Wolfgang Amadeus Mozart |
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Die Schuldigkeit des ersten Gebotes (1767) |
Don Giovanni (K.527; complete title: Il dissoluto punito, ossia il Don Giovanni, literally "The Rake Punish'd, or Don Giovanni") is an opera in two acts with music by Wolfgang Amadeus Mozart and libretto by Lorenzo da Ponte. Die Schuldigkeit des ersten Gebotes (The Obligation of the First and Foremost Commandment K Bastien und Bastienne (Bastien and Bastienne is a one-act Singspiel, comic Opera, with German libretto by Friedrich Wilhelm Weiskern La finta semplice ( The Pretended Simpleton) K 51 (46a is an Opera buffa in three acts for soloists and orchestra composed in 1769 Mitridate re di Ponto ( Mithridates, King of Pontus) K 87 (74a, is an early Opera seria in three acts by Wolfgang Amadeus Ascanio in Alba, K 111, is a Pastoral Opera in two parts ( Festa teatrale in due atti) by Wolfgang Amadeus Mozart Il sogno di Scipione, K 126, is a dramatic serenade in one act ( Azione teatrale) composed by Wolfgang Amadeus Mozart to Lucio Silla (K135 is an Italian Opera in three acts composed by Wolfgang Amadeus Mozart. La finta giardiniera ("The Pretended Garden-Girl" K 196 is an Italian Opera by Wolfgang Amadeus Mozart. Il re pastore ( The Shepherd King) is an Opera, K 208 written by Wolfgang Amadeus Mozart to an Italian Libretto Thamos König in Ägypten ( Thamos King of Egypt, or King Thamos, in English is a play by Tobias Philipp baron von Gebler for which between 1773 Zaide is an unfinished Opera, K 344 written by Wolfgang Amadeus Mozart in 1780 Idomeneo re di Creta ossia Ilia e Idamante ( Italian: Idomeneo King of Crete or Ilia and Idamante; usually referred to simply as Idomeneo Die Entführung aus dem Serail ( K 384; The Abduction from the Seraglio; also known as Il Seraglio) is an Opera Singspiel L'oca del Cairo is an Opera buffa in three acts K 422 begun by Wolfgang Amadeus Mozart in July 1783 but abandoned in October Lo sposo deluso ossia La rivalità di tre donne per un solo amante ( The Deluded Bridegroom or The Rivalry of Three Women for One Lover) is a two act Opera buffa Der Schauspieldirektor ( The Impresario) K 486 is a comic Singspiel written by Wolfgang Amadeus Mozart to a German Le nozze di Figaro ossia la folle giornata (Trans The Marriage of Figaro or the Day of Madness) K Così fan tutte ossia La scuola degli amanti ( Thus Do They All or The School For Lovers) K La clemenza di Tito (The Clemency of Titus K 621 is an Opera seria composed by Wolfgang Amadeus Mozart, with text after Metastasio The Magic Flute (German Die Zauberflöte, K 620 is an Opera in two acts composed in 1791 by Wolfgang Amadeus Mozart This is a selective list of the works of Wolfgang Amadeus Mozart, listed by genre. A rake is defined as a man habituated to immoral conduct Rakes are frequently Stock characters in novels Don Juan (Spanish or Don Giovanni (Italian is a legendary fictional Libertine whose story has been told many times by many authors Opera is an art form in which Singers and Musicians perform a Dramatic work (called an opera which combines a text (called a Libretto A libretto is the text used in an extended Musical work such as an Opera, Operetta, Masque, sacred or secular Oratorio and This article is about the librettist Lorenzo da Ponte For the Bishop of the same name see Vittorio Veneto. It was premiered in the Estates Theatre in Prague on October 29, 1787. The Estates Theatre or Stavovské divadlo is a historic Theatre in Prague, Czech Republic. Prague (ˈprɑːg Praha (ˈpraɦa see also other names) is the Capital and Largest city of the Czech Republic. Events 437 - Valentinian III, Western Roman Emperor, marries Licinia Eudoxia, daughter of his cousin Theodosius II Year 1787 ( MDCCLXXXVII) was a Common year starting on Monday (link will display the full calendar of the Gregorian calendar (or a Common
Of the many operas based on the legend of Don Juan, Don Giovanni is thought to be beyond comparison. Don Juan (Spanish or Don Giovanni (Italian is a legendary fictional Libertine whose story has been told many times by many authors Da Ponte's libretto was billed like many of its time as dramma giocoso: "giocoso" meaning comic, and "dramma" signifying an operatic text (an abbreviation of "dramma per musica"). Dramma giocoso (literally 'jocular drama' plural drammi giocosi) is the name of a genre of opera common in the mid-18th century Mozart entered the work into his catalogue as an "opera buffa". The term Opera buffa (plural Opere buffe) was at first used as an informal description of Italian Comic operas variously classified by their authors as Although often classified as comic, it is a unique blend of comic (buffa) and drama (seria). Subtitled "dramma giocoso", the opera blends comedy, melodrama and supernatural elements.
The Danish philosopher Søren Kierkegaard wrote a long essay in his book Enten/Eller (Either/Or) in which he argues, quoting Charles Gounod, that Mozart's Don Giovanni is “a work without blemish, of uninterrupted perfection. Søren Aabye Kierkegaard (ˈsœːɐn ˈkʰiɐ̯kəˌɡ̊ɒˀ in Danish Anglicized as;) Published in two volumes in 1843 Either/Or (original Danish title Enten-Eller) is an influential book written by the Danish philosopher Biography Gounod was born in Paris, the son of a pianist mother and a draftsman father ”[1] The finale, in which Don Giovanni refuses to repent, has been a captivating philosophical and artistic topic for many writers including George Bernard Shaw, who in Man and Superman parodied the opera (with explicit mention of the Mozart score for the finale scene between the Commendatore and Don Giovanni). Repentance is a change of thought and action to correct a wrong and gain Forgiveness from the one wronged George Bernard Shaw ( (26 July 1856 &ndash 2 November 1950 was an Irish Playwright. Man and Superman by George Bernard Shaw was written in 1903 as a four act drama responding to those who had questioned Shaw as to why he had never written a play
A screen adaptation of the opera was made under the title Don Giovanni in 1979, and was directed by Joseph Losey. Plot summary In the Joseph Losey ( January 14, 1909 in La Crosse Wisconsin – June 22, 1984 in Some of the great Don Giovannis on the opera stage have been the basses Ezio Pinza, Cesare Siepi and Norman Treigle, and the baritones Dietrich Fischer-Dieskau, Thomas Hampson and Thomas Allen. The Italian bass Ezio Pinza ( 18 May 1892 - 9 May 1957 was one of the outstanding Opera singers of the first half Cesare Siepi (born Milan, February 10, 1923) is an Italian opera singer generally considered to be one of the finest basses Norman Treigle (né Adanelle Wilfred Treigle 6 March, 1927 - 16 February 1975) was born in New Orleans Louisiana, the fifth and The German Baritone Dietrich Fischer-Dieskau (born 28 May 1925 is a German singer and conductor of Classical music, one of the most famous Thomas Allen may refer to Thomas Allen (alderman, Chicago Alderman Thomas Allen (mathematician (1542–1632 English mathematician
As a staple of the standard operatic repertoire, it appears as number seven on Opera America's list of the 20 most-performed operas in North America. Opera America, officially OPERA America, is a service organization in North America promoting the creation presentation and enjoyment of Opera. [2]
Contents |
Composition and premieres
The libretto was finished in June 1787 and the score was completed on October 28 of the same year, with both composer and librettist hard at work making alterations throughout the rehearsal period, and slightly delaying the premiere. A libretto is the text used in an extended Musical work such as an Opera, Operetta, Masque, sacred or secular Oratorio and Events 306 - Maxentius is proclaimed Roman Emperor. 312 - Battle of Milvian Bridge: Constantine It is generally accepted that the orchestra likely performed the overture at sight, the ink barely dry on the page. The score calls for double woodwinds, horns and trumpets, timpani, basso continuo for the recitatives, and the usual strings. Figured bass, or thoroughbass, is a kind of integer Musical notation used to indicate intervals, chords and Nonchord tones in relation The composer also specified occasional special musical effects. For the ballroom scene at the end of the first act, Mozart calls for no less than three onstage ensembles to play separate dance music in synchronization, each in their respective meter, accompanying the dancing of the principal characters. In Act II, Giovanni is seen to play the mandolin, accompanied by pizzicato strings. When the statue of the Commendatore speaks for the first time later in the act, Mozart adds three trombones to the accompaniment.
The opera was first performed on October 29 in Prague with the full title Il Dissoluto Punito ossia il Don Giovanni Dramma giocoso in due atti. Events 437 - Valentinian III, Western Roman Emperor, marries Licinia Eudoxia, daughter of his cousin Theodosius II The work was rapturously received, as was often true of Mozart's work in Prague; see Mozart and Prague. The composer Wolfgang Amadeus Mozart is often said to have had a special relationship with the city of Prague and its people The Prager Oberamtszeitung reported "Connoisseurs and musicians say that Prague has never heard the like", and added that "the opera . . . is extremely difficult to perform". [3] The Provincialnachrichten of Vienna reported, "Herr Mozart conducted in person and welcomed joyously and jubilantly by the numerous gathering. "[4]
Mozart also supervised the Vienna premiere of the work, which took place on May 7, 1788. Events 558 - In Constantinople, the dome of the Hagia Sophia collapses Year 1788 ( MDCCLXXXVIII) was a Leap year starting on Tuesday (link will display the full calendar of the Gregorian calendar (or a Leap For this production, he wrote two new arias with corresponding recitatives: Don Ottavio's aria Dalla sua pace (composed on April 24 for the tenor Francesco Morella, K. Recitative /rɛsɪtə'tiv/ (also known by its Italian name "recitativo" (/retʃita'tivo/ is a style of delivery (much used in Operas Oratorios Events 1479 BC - Thutmose III ascends to the throne of Egypt, although power effectively shifts to Hatshepsut (according to 540a), Elvira's aria In quali eccessi … Mi tradì quell'alma ingrata (composed on April 30 for the soprano Catarina Cavalieri, K. Events 313 - Roman emperor Licinius unifies the entire Eastern Roman Empire under his rule 540c)[5] and the duet between Leporello and Zerlina Per queste tue manine (composed on April 28, K. Events 1192 - Assassination of Conrad of Montferrat (Conrad I King of Jerusalem, in Tyre, two days after his title 540b).
Performance practices
The final ensemble was generally omitted till the mid 20th century, and does not appear in the Viennese libretto of 1788. Mozart also made a shortened version. However, the ensemble is always performed in full today. Another "historic" approach is to cut Don Ottavio's aria Il mio tesoro, which was substituted in the Viennese premiere for the tenor Francesco Morella with Dalla sua pace. Vienna ( in Wien; see also other names) is the Capital of Austria, and is also one of the nine States of Austria. One or the other of these arias is still often left out. The duet, Per queste tue manine, composed specifically for the Viennese premiere, is still often cut in performance.
Roles
| Role | Voice type | World Premiere Cast, October 29, 1787, (the composer conducting) |
Vienna Premiere Cast,[6] May 7, 1788, (the composer conducting) |
|---|---|---|---|
| Don Giovanni, a young, extremely licentious nobleman | baritone or bass-baritone | Luigi Bassi | Francesco Albertarelli |
| Il Commendatore (Don Pedro) | bass | Giuseppe Lolli | Francesco Busani |
| Donna Anna, his daughter, betrothed to Don Ottavio | soprano | Teresa Saporiti | Aloysia Weber |
| Don Ottavio | tenor | Antonio Baglioni | Francesco Morella |
| Donna Elvira, a lady of Burgos abandoned by Don Giovanni | soprano | Caterina Micelli | Caterina Cavalieri |
| Leporello, Don Giovanni's servant | bass or bass-baritone | Felice Ponziani | Francesco Benucci |
| Masetto, lover of Zerlina | bass | Giuseppe Lolli | Francesco Busani |
| Zerlina, a peasant girl | soprano | Teresa Bondini (born: Saporiti) | Luisa Mombelli |
| Chorus: peasants, servants, young ladies, musicians | |||
Cavalieri (Donna Elvira) had been the first Konstanze in The Abduction from the Seraglio; Benucci (Leporello) the first Figaro in The Marriage of Figaro, and Weber, Mozart's sister-in-law, frequently sang in his works. Events 437 - Valentinian III, Western Roman Emperor, marries Licinia Eudoxia, daughter of his cousin Theodosius II Year 1787 ( MDCCLXXXVII) was a Common year starting on Monday (link will display the full calendar of the Gregorian calendar (or a Common Events 558 - In Constantinople, the dome of the Hagia Sophia collapses Year 1788 ( MDCCLXXXVIII) was a Leap year starting on Tuesday (link will display the full calendar of the Gregorian calendar (or a Leap This article is related to a series of articles under the main article Voice type. A bass-baritone is a high-lying bass that shares certain qualities with the Baritone Voice type. This article is related to a series of articles under the main article Voice type. Maria Aloysia Louise Antonia Weber (c 1760 &ndash 8 June 1839) was a German Soprano, remembered primarily for her association with the composer The tenor is the highest male voice within the Modal register, just above the Baritone voice Die Entführung aus dem Serail ( K 384; The Abduction from the Seraglio; also known as Il Seraglio) is an Opera Singspiel Le nozze di Figaro ossia la folle giornata (Trans The Marriage of Figaro or the Day of Madness) K
Synopsis
Don Giovanni, a young nobleman, after a life of amorous conquests, meets defeat in his three encounters: with Donna Elvira, whom he has deserted but who still follows him; with Donna Anna, whose father, the Commendatore, Giovanni kills in escaping from an unsuccessful attempt at rape and as a result postpones her marriage to Don Ottavio; and with Zerlina, whom he vainly tries to lure from her fiancé, the peasant Masetto. All vow vengeance on the Don and his harassed servant Leporello. Elvira alone weakens in her resolution and attempts reconciliation and hope that the Don reforms. Don Giovanni's destruction and deliverance to hell are effected by the cemetery statue of the Commendatore, who had accepted the libertine's invitation to supper.
Act 1
The garden of the Commendatore
Leporello is keeping watch outside Donna Anna's house. Don Giovanni, Leporello's master, has crept into the house in order to seduce Donna Anna. (Leporello aria: "Notte e giorno faticar -- I work night and day"). Donna Anna appears, chasing a masked Giovanni. She wishes to know who he is and she cries for help. (Trio: "Non sperar, se non m'uccidi - You shan't flee, unless you kill me"). The Commendatore, Anna's father, appears and challenges Giovanni to a duel while Donna Anna flees for help. Giovanni stabs the Commendatore, kills him, and escapes unrecognized. Anna, upon returning with her fiancé, Don Ottavio, is horrified, and Don Ottavio swears to avenge his betrothed's father. (Duet: "Fuggi, crudele fuggi -- Flee, cruel one, flee").
A public square outside Don Giovanni's palace
Giovanni and Leporello arrive and hear a woman speaking of having been recently spurned and calling for revenge (Elvira aria: "Ah, chi mi dice mai -- Ah, who could tell me"). Giovanni starts to flirt with her but, as she turns to look at him, recognizes her as a recent conquest, Donna Elvira. Realizing this, he shoves Leporello forward, ordering him to tell Elvira the truth, and then hurries away.
Leporello endeavours to console Elvira and unrolls a list of Don Giovanni's lovers. Comically, he rattles off their number and their country of origin: 640 in Italy, 231 in Germany, 100 in France, 91 in Turkey, and 1,003 in Spain. (Leporello aria: "Madamina, il catalogo è questo -- My little lady, this is the catalogue"). In a frequently-cut recitative, Elvira vows vengeance.
When she leaves, a marriage procession with Masetto and Zerlina enters. Don Giovanni and Leporello arrive soon after. Giovanni immediately is attracted to Zerlina, and he attempts to remove the jealous Masetto by offering to host a wedding celebration at his castle. On realizing that Giovanni means to remain behind with Zerlina, Masetto becomes angry (Masetto aria: "Ho capito! Signor, sì -- I understand! Yes, dear sir"). Don Giovanni and Zerlina are soon alone and he immediately begins his seductive arts. (Duet: "Là ci darem la mano -- There we will entwine our hands").
Elvira arrives and thwarts the seduction (Elvira aria: "Ah, fuggi il traditor -- Flee from the traitor!"), followed shortly by Ottavio and Anna who are plotting vengeance on the still unknown murderer of Anna's father, when they run into Giovanni. Anna, unaware that she is speaking to her attacker, pleads for his help. Giovanni readily promises it, and asks - with great concern - what cruel man would dare to disturb her peace; obviously, he still sees a chance with Anna. But the Don is out of luck again: Elvira returns and announces Giovanni's recent betrayal of her. Giovanni answers her reproaches by declaring to Ottavio and Anna that Elvira is insane. (Quartet: "Non ti fidar, o misera -- Don't trust him, oh sad one"). With Giovanni's departing oath to help find the Commendatore's murderer, Anna suddenly recognizes Giovanni as her seducer and also his murderer. (Anna aria: "Or sai chi l'onore -- He is the one who robbed me of my honour"). Ottavio, not convinced, determines to keep an eye on his friend. (Ottavio aria: "Dalla sua pace -- On her peace. ")
Leporello, still half-determined to leave Don Giovanni, informs him that all the guests of the peasant wedding are in Giovanni's house, that he distracted Masetto from his jealousy, but that Zerlina's post-seduction return had spoiled everything. However, Don Giovanni remains cheerful and tells Leporello to organize a party. (Giovanni's champagne aria: "Fin ch'han dal vino -- Finally, with the wine. "). He hurries off to his palace.
Zerlina follows the jealous Masetto and tries to pacify him. (Zerlina's aria: "Batti, batti o bel Masetto -- Beat me, oh lovely Masetto"), but just as she manages to persuade him of her innocence, the Don's voice startles her, making her want to flee. Masetto's trust evaporating in an instant, the jealous groom hides and wants to see for himself what Zerlina will do when Giovanni arrives. In vain, Zerlina hides from the Don, but he continues the seduction before stumbling upon Masetto. Confused but quickly recovering, Giovanni claims Zerlina was very sad that Masetto was away from her, and he returns her temporarily. He then leads both to the bridal chamber, which has been lavishly decorated. Leporello has also invited three masked guests (the disguised Elvira, Ottavio, and Anna) who plan to catch Giovanni red-handed, if possible.
Ballroom
As the merriment proceeds, Don Giovanni leads Zerlina away, while Leporello distracts Masetto. When Zerlina's cry for help is heard, Leporello dashes off to warn his master. Don Giovanni tries to fool the onlookers by dragging his servant into the room with drawn sword and accuses him of seducing Zerlina. Elvira, Ottavio and Anna unmask, claiming that they now know all. The guests do not believe Giovanni and attack him, but he fights his way through the crowd and escapes. . .
Act 2
Outside Elvira's house
Leporello threatens to leave Giovanni, but the Don calms him with a peace offering of money. (Duet: "Eh via buffone -- Come on, buffoon"). Wanting to seduce Elvira's maid, Giovanni persuades Leporello to exchange cloak and hat with him. Elvira comes to her window. (Trio: "Ah taci, ingiusto core -- Ah, be quiet unjust heart"). Seeing an opportunity for a game, Giovanni hides, sending Leporello out in the open dressed as Giovanni and, from his hiding place sings a promise of repentance, expressing a desire to return to her. Elvira is convinced and descends to the street. She thinks that Leporello (who is wearing his master's clothes) is actually Giovanni. Leporello leads her away to keep her occupied while Giovanni attempts to seduce her maid while accompanying himself on the mandolin. (Giovanni aria: "Deh vieni alla finestra -- Come to the window").
Before Giovanni can complete his seduction of the maid, Masetto and his friends arrive, searching for Giovanni. Giovanni (dressed as Leporello) convinces the posse that he also wants Giovanni dead, and joins the hunt. After separating the group (Giovanni aria: "Metà di voi qua vadano -- Half of you go this way"), Giovanni "confiscates" all the firearms and beats up the unarmed Masetto, then flees laughing. Zerlina arrives and consoles Masetto. (Zerlina aria: "Vedrai carino -- Come dear one").
A dark courtyard
Leporello abandons Elvira. (Sextet: "Sola, sola in buio loco -- Alone in this dark place"). As he tries to escape, Ottavio arrives with Anna, consoling her in her grief. Just as Leporello is about to slip through the door, which he has difficulty finding, Zerlina and Masetto open it and, seeing him in his Giovanni regalia, catch him before he can escape. When Anna and Ottavio notice what is going on all move to surround Leporello, threatening him with death. Elvira tries to protect the man whom she thinks is Giovanni, claiming that he is her husband and begging for pity. The other four ignore her, and Leporello removes his cloak to reveal his true identity. While everyone is so taken aback in the confusion, Leporello is able to escape (Leporello aria: "Ah pietà signori miei -- Ah, pity me, my lords"). Given the circumstances, Ottavio is convinced of Giovanni's guilt and swears vengeance (Ottavio aria: "Il mio tesoro -- My treasure")[7] while Elvira is furious at Giovanni for betraying her. (Elvira aria: "Mi tradì quell'alma ingrata -- That ungrateful wretch betrayed me").
A graveyard with the statue of the Commendatore.
Leporello tells Don Giovanni of his near-death experience, and Giovanni taunts him, throwing in a story of his own, one of a near-success with a woman in love with Leporello. But the servant is not amused, suggesting it could have been his wife, and Don Giovanni laughs aloud at his servant's protests. The voice of the statue warns Giovanni that his laughter will not last beyond sunrise. At the request of his master, Leporello reads the inscription upon the statue's base: "Vengeance here awaits my murderer. " The servant trembles, but the unabashed Giovanni orders him to invite the statue to dinner, threatening to kill him if he does not. (Duet: "Oh, statua gentilissima -- Oh most kind statue"). Leporello makes several attempts to invite the statue to dinner but for fear cannot complete the task. It falls upon Don Giovanni himself to complete the invitation thereby sealing his own doom. The statue nods its head and responds affirmatively.
Donna Anna's room.
Ottavio pressures Anna to marry him, but she thinks it inappropriate so soon after her father's death. He accuses her of being cruel, and she assures him that she loves him, and is faithful. (Anna aria: "Non mi dir -- Tell me not").
Don Giovanni's chambers
Giovanni revels in the luxury of a great meal and musical entertainment (during which the orchestra plays then-contemporary late 18th century music -- including a reference to the aria "Non più andrai" from Mozart's own Le nozze di Figaro), while Leporello serves. Le nozze di Figaro ossia la folle giornata (Trans The Marriage of Figaro or the Day of Madness) K (Finale "Già la mensa preparata -- Already the meal is prepared"). Elvira appears, saying that she no longer feels resentment for Giovanni, only pity. ("L'ultima prova dell'amor mio -- The final proof of my love"). Surprised by her lack of hatred, Giovanni asks what it is that she wants, and there follows her desperate plea that he change his life. This is met only with one reply: "Brava!", as Giovanni taunts her and then ignores her, praising wine and women as the "essence and glory of humankind". Hurt and angered, Elvira gives up and leaves. A moment later, her scream is heard from outside the walls of the palace, and she returns only to flee through another door. Giovanni orders Leporello to see what has upset her; upon peering outside, the servant also cries out, and runs back into the room with the news that the statue has appeared as promised. An ominous knocking sounds at the door. Leporello, paralyzed by fear, cannot answer it, so Giovanni opens it himself, revealing the statue of the Commendatore. ("Don Giovanni! a cenar teco m'invitasti - Don Giovanni! You've invited me to dine with you"). It exhorts the careless villain to repent of his wicked lifestyle, but Giovanni adamantly refuses. The statue sinks into the earth and drags Giovanni down with him. Hellfire surrounds Don Giovanni as he is carried below.
Donna Anna, Don Ottavio, Donna Elvira, Zerlina, and Masetto arrive, searching for the villain. They find instead Leporello under the table, shaken by the horrors he has witnessed and which he describes to the others. Since the conflict is over, Anna and Ottavio choose to wait until Anna's year of grieving is over before marrying; Elvira will spend the rest of her life in a convent; Zerlina and Masetto will finally go home for dinner; and Leporello will find a new master at a tavern.
The concluding chorus delivers the moral of the opera - "So ends he who evil did. The death of a sinner always reflects his life. " In the past, this ensemble was sometimes omitted by conductors who claimed that this concluding chorus was never really considered to be a part of the opera. However, this approach has not survived, and today's conductors almost always perform the complete opera as composed by Mozart.
Noted arias
- "Notte e giorno faticar" - Leporello in Act I, Scene I
- "Ah! chi mi dice mai" - Donna Elvira in Act I, Scene V
- "Madamina, il catalogo è questo" - Leporello in Act I, Scene V
- "Ho capito, signor, sì" - Masetto in Act I, Scene VIII
- "Là ci darem la mano" - Don Giovanni & Zerlina in Act I, Scene IX
- "Ah, fuggi il traditor" - Donna Elvira in Act I, Scene X
- "Don Ottavio. Madamina il catalogo è questo (also known as The Catalogue Aria) is an aria from Mozart 's opera Don Giovanni to an Italian . . Or sai chi l'onore" - Donna Anna in Act I, Scene XIII
- "Dalla sua pace" - Don Ottavio in Act I, Scene XIV
- "Fin ch'han dal vino" - Don Giovanni in Act I, Scene XV
- "Batti, batti, o bel Masetto" - Zerlina in Act I, Scene XVI
- "Deh, vieni alla finestra" - Don Giovanni in Act II, Scene III
- "Metà di voi qua vadano" - Don Giovanni in Act II, Scene IV
- "Vedrai, carino" - Zerlina in Act II, Scene VI
- "Ah, pietà! Signori miei!" - Leporello in Act II, Scene IX
- "Il mio tesoro" - Don Ottavio in Act II, Scene X
- "In quali. . . Mi tradì quell'alma ingrata" - Donna Elvira in Act II, Scene X
- "Troppo mi. . . Non mi dir" - Donna Anna in Act II, Scene XII
- "Don Giovanni, a cenar teco m'invitasti" - Don Giovanni, Leporello & Commendatore in Act II, scene XV
Don Giovanni and other composers
The sustained popularity of Don Giovanni has resulted in extensive borrowings and arrangements of the original. The most famous and probably the most musically substantial is the operatic fantasy, Réminiscences de Don Juan by Franz Liszt. Réminiscences de Don Juan (S/G418 is an Operatic fantasy by Franz Liszt on themes from Don Giovanni by Mozart The minuet from the Finale of Act I makes an incongruous appearance in the manuscript of Liszt's Fantasie on Two Motives from Mozart's "Marriage of Figaro", and Sigismond Thalberg uses the same minuet, along with Deh vieni alla finestra, in his Grand Fantaisie sur la serenade et le Minuet de Don Juan, Op. A minuet, sometimes spelled menuet, is a Social dance of French origin for two persons usually in 3/4 time. Fantasy on Themes from Mozart's Marriage of Figaro and Don Giovanni (Fantasie über Themen aus den Opern von Wolfgang Amadues Mozart Die Hochzeit Des Figaro und Don Giovanni Sigismond Thalberg ( January 8, 1812 &ndash April 27 1871) was a Composer and one of the most distinguished Virtuoso 42. Deh vieni alla finestra also makes an appearance in the Klavierübung of Ferruccio Busoni, under the title "Variations-Studie nach Mozart" (Variation-study after Mozart). Ferruccio Dante Michelangiolo Benvenuto Busoni (April 1 1866 &ndash July 27 1924 was an Italian Composer, Pianist, musical educator and conductor. Beethoven, Danzi and Chopin each wrote a series of variations on the duet between Don Giovanni and Zerlina, Là ci darem la mano. Ludwig van Beethoven ( English ˈlʊdvɪg væn ˈbeɪtoʊvən, 16 December 1770 &ndash 26 March 1827 was a German Composer and Pianist. Franz Ignaz Danzi ( June 15, 1763 - April 13, 1826) was a German Cellist, Composer and conductor,
The music from Don Giovanni has also featured in a number of movie soundtracks, including It Happened in Brooklyn, Parting Glances, Some Girls, Madagascar Skin, Il Cermonie, and The Bonfire of the Vanities. It Happened in Brooklyn is a 1947 MGM musical Romantic comedy Film directed by Richard Whorf and starring Parting Glances is an American film released in 1986. With its realistic look at urban gay life in the 1980s during the Ronald Reagan era and Madagascar Skin is a 1995 British film starring Bernard Hill and John Hannah. The Bonfire of the Vanities is a 1990 film adaptation of a novel by Tom Wolfe, also called The Bonfire of the Vanities. The aria Il mio tesoro is used as the main theme to the classic Ealing comedy Kind Hearts and Coronets. Kind Hearts and Coronets is a 1949 British Black comedy film produced by Ealing Studios. In addition, Là ci darem la mano is performed in Babette's Feast between one virginal female lead, Philippa, and her suitor, the opera singer Achille Papin, at a moment of romantic indecision that mirrors the circumstances of the opera. Babette's Feast (Babettes gæstebud is a 1987 Danish film written and directed by Gabriel Axel.
Media
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K527 Overture to Don Giovanni - Problems playing the files? See media help.
Selected recordings
- Riccardo Muti (1991) - EMI, William Shimell (Don Giovanni), Samuel Ramey (Leporello), Carol Vaness (Donna Elvira), Cheryl Studer (Donna Anna), Frank Lopardo (Don Ottavio), Susanne Mentzer (Zerlina), Natale de Carolis (Masetto), Jan-Hendrik Rootering (Il Commendatore), Wiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor
- Rene Jacobs (2007) - Harmonia Mundi, Johannes Weisser (Don Giovanni), Lorenzo Regazzo (Leporello), Alexandrina Pendachanska (Donna Elvira), Olga Pasichnyk (Donna Anna), Kenneth Tarver (Don Ottavio), Sunhae Im (Zerlina), Nikolay Borchev (Masetto), Alessandro Guerzoni (Il Commendatore), Freiburg Baroque Orchestra, Berlin RIAS Chamber Chorus
Awards: Gramophone Record of the Month (October 2007), Classics Today 10/10)
Notes
- ^ Naugle, David, PhD. WikipediaWikiProject Classical music#Biographical_infoboxes --> Riccardo Muti, Cavaliere di Gran Croce OMRI (b The EMI Group is a British music company comprising the major record company EMI Music – which operates several labels and is based in Kensington in The American Opera singer Samuel Edward Ramey (born March 28, 1942 in Colby Kansas) is Carol Vaness (born July 27, 1952) is an American lyric soprano Cheryl Studer (born October 24, 1955) is a Grammy Award winning American Dramatic soprano who has sung at many of the world's major Jan-Hendrik Rootering (born March 18, 1950 in Wedingfeld near Flensburg) is a German -born Bass-baritone, son of the Dutch The Vienna Philharmonic (in German: die Wiener Philharmoniker) is an Orchestra in Austria, regularly considered one of the finest in the René Jacobs (born October 30, 1946, Ghent) is a Belgian ( Flemish) musician "Harmonia Mundi" is also the title of a track on Mike Oldfield 's Music of the Spheres album Lorenzo Regazzo, born in Venice, Italy, is an opera singer His voice can be categorised as bass, Bass-baritone or basso cantante. "Søren Kierkegaard's Interpretation of Mozart's Opera Don Giovanni: An Appraisal and Theological Response" (PDF (160KB)) p. 2. Retrieved on 2007-10-30. Year 2007 ( MMVII) was a Common year starting on Monday of the Gregorian calendar in the 21st century. Events 637 - Antioch surrenders to the Muslim forces under Rashidun Caliphate after the Battle of Iron bridge.
- ^ OPERA America's "The Top 20" list of most-performed operas
- ^ Deutsch 1965, 303
- ^ Deutsch 1965, 304
- ^ OperaGlass at Opera.Stanford.Edu
- ^ Deutsch 1965, 313
- ^ It is at this point in the Vienna production of the opera that Zerlina manages to recapture a protesting Leporello, dragging him by the hair, calling for Masetto. Threatening him with a razor, she ties him to a stool as he attempts to sweet-talk her out of hurting him. (Duet: "Per queste tue manine - For these hands of yours"). Zerlina runs to find Masetto and the others, and, once more, Leporello manages to escape just before she returns. This scene, marked by low comedy, is almost never performed.
References
- Deutsch, Otto Erich, Mozart: A Documentary Biography. Stanford: Stanford University Press, 1965.
- Synopsis taken from The Opera Goer's Complete Guide by Leo Melitz, 1921 version. Year 1921 ( MCMXXI) was a Common year starting on Saturday (link will display full 1921 calendar of the Gregorian calendar
- Preface by Schünemann to a complete orchestral and vocal score published in 1974 by Dover publications, Inc. , NY
External links
- Don Giovanni: Score and critical report (German) in the Neue Mozart-Ausgabe
- Opera Guide Synopsis - Libretto - Highlights
- Opera in a nutshell Soundfiles (MIDI)
- (Italian) Original libretto
- Libretto in English
- Piano-Vocal Score of Don Giovanni from Indiana University
- The 1979 film's entry at IMDB
- Video Performances of Don Giovanni A free selection of videos to view online. The Neue Mozart-Ausgabe (abbreviated as "NMA" in English New Mozart Edition) is the second complete works edition of the music of Wolfgang Amadeus Indiana University is the flagship campus of the Indiana University system.
- Don Giovanni - Harmonia Mundi 2007 The new recording of Don Giovanni
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