De re aedificatoria (English: On the Art of Building) is a classic architectural treatise written by Leon Battista Alberti between 1443 and 1452. English is a West Germanic language originating in England and is the First language for most people in the United Kingdom, the United States Leon Battista Alberti ( February 14, 1404 &ndash April 25, 1472) was an Italian author artist Architect, Poet [1] Although largely dependent on Vitruvius' De architectura, it was the first theoretical book on the subject written in the Italian Renaissance and in 1485 became the first printed book on architecture. Marcus Vitruvius Pollio (born c 80–70 BC died after c 15 BC was a Roman Writer, Architect and Engineer (possibly praefectus fabrum De architectura ( Latin: "On architecture" is a treatise on Architecture written by the Roman Architect Vitruvius The Italian Renaissance began the opening phase of the Renaissance, a period of great cultural change and achievement in Europe that spanned the period from the end of the 14th It was followed in 1486 with the first printed edition of Vitruvius.
Alberti’s Ten Books consciously echoes Vitruvius' writing, but he also adopts a critical attitude toward his predecessor. In his discussion, Alberti includes a wide variety of literary sources, including Plato and Aristotle, presenting concise version of sociology of architecture. Biography Early life Birth and family Plato was born in Athens Greece Aristotle (Greek Aristotélēs) (384 BC – 322 BC was a Greek philosopher a student of Plato and teacher of Alexander the Great. Sociology (from Latin: socius "companion" and the suffix -ology "the study of" from Greek λόγος lógos "knowledge" The term architecture (from Greek αρχιτεκτονικήarchitektoniki) can be used to mean a process a profession or documentation Unlike Vitruvius's book, Alberti's tells architects how buildings should be built, not how they were built. De re aedificatoria is subdivided into ten books and includes:
- Book One: Lineaments
- Book Two: Materials
- Book Three: Construction
- Book Four: Public Works
- Book Five: Works of Individuals
- Book Six: Ornament
- Book Seven: Ornament to Sacred Buildings
- Book Eight: Ornament to Public Secular Buildings
- Book Nine: Ornament to Private Buildings
- Book Ten: Restoration of Buildings
In his survey of desirable floor plans for sacred buildings— "temples" in his phrase— Alberti begins with the ideal form of the circle, which is expressed in numerous examples of Nature. Nine ideal centrally-planned geometrical shapes are recommended for churches; besides the circle he lists the square, the hexagon, octagon, decagon and dodecagon, all derived from the circle, and, derived from the square, rectangles that exhibit the square and a half, square and a third and double square, all of which have enharmonic parallels in music. Chapels add small geometric figures to the basic circles and polygons to give a great variety of floor plans, in which each geometrical figure retains its clear unity and simple ratios that bind all elements of the plans and elevations into a harmonic unity.
De Re Aedificatoria remained the classic treatise on architecture from the 16th until the 18th century.
Notes
- ^ Cecil Grayson, in Kunstkronik 213 (1960:359ff, and Münchener Jahrbuch der Bildenden Kunst 11 (1960), demonstrated that the bulk of the composition was carried out between these dates.
References
- Alberti, Leon Battista. De re aedificatoria. On the art of building in ten books. (translated by Joseph Rykwert, Neil Leach, and Robert Tavernor). Cambridge, Mass. : MIT Press, 1988
- Grafton, Anthony. Leon Battista Alberti: master builder of the Italian Renaissance. New York: Hill and Wang, 2000.
- Wittkower, Rudolph. Architectural Principles in the Age of Humanism (London: Tiranti) 1962; (New York: Random House) 1965. Part I. i "Alberti's Program of the Ideal Church"; , part ii "Alberti's Approach to Antiquity in Architecture"; part IV. iii "Alberti's 'Generation' of Ratios"
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