The bluescreen setup. Shadows and uneven lighting can be corrected, or even integrated into the effect, during the process.

The final image

Chroma key is a technique for mixing two images or frames together, in which a color (or a small color range) from one image is removed (or made transparent), revealing another image behind it. An image (from Latin imago) or picture is an artifact usually two-dimensional that has a similar appearance to some subject &mdashusually This technique is also referred to as color keying, colour-separation overlay (CSO; primarily by the BBC^[1]), greenscreen, and bluescreen. It is commonly used for weather forecast broadcasts, wherein the presenter appears to be standing in front of a large map, but in the studio it is actually a large blue or green background. Weather forecasting is the application of science and technology to predict the state of the atmosphere for a future time and a given location A map is a visual representation of an area—a symbolic depiction highlighting relationships between elements of that space such as objects, Regions, and Themes A studio is a Artist 's or worker's workroom or an artist and his or her Employees who work within that studio The meteorologist stands in front of a bluescreen, and then different weather maps are added on those parts in the image where the color is blue. If the meteorologist himself wears blue clothes, his clothes will become replaced with the background video. This also works for greenscreens, since blue and green are considered the colors least like skin tone. This technique is also used in the entertainment industry, the iconic theatre shots in Mystery Science Theater 3000, for example. Mystery Science Theater 3000 is an American Cult television comedy series created by Joel Hodgson and produced

History

Prior to the introduction of digital compositing, the process was a complex and time consuming one known as "traveling matte". Digital compositing is the process of digitally assembling multiple images to make a final image typically for print motion pictures or screen display For the technique of creating backgrounds see Matte painting. The blue screen and traveling matte method were developed in the 1930s and were used to create special effects for The Thief of Bagdad. The Thief of Bagdad is a British 1940 fantasy film directed by Ludwig Berger, Michael Powell and Tim Whelan, with uncredited contributions by

The credit for development of the blue screen is given to Larry Butler, who won the Academy Award for Special Effects for the Thief of Bagdad in 1940. He had invented the blue screen and traveling matte technique in order to achieve the visual effects which were unprecedented in 1940. He was also the first special effects man to have created these effects in Technicolor, which was in its infancy at the time. Technicolor is the trademark for a series of color film processes pioneered by Technicolor Motion Picture Corporation

In 1950, Warner Bros. employee and ex-Kodak researcher Arthur Widmer began working on an ultra violet traveling matte process. Warner Bros Entertainment Inc (or Warner Bros, Warner Bros Pictures) is one of the world's largest producers of Film and Eastman Kodak Company ( is an American multinational Public company which produces imaging and photographic materials and equipment Arthur Widmer ( July 25 1914, Washington DC – May 28 2006, Los Angeles California) was an American Ultraviolet ( UV) light is Electromagnetic radiation with a Wavelength shorter than that of Visible light, but longer than X-rays He also began developing bluescreen techniques: one of the first films to use them was the 1958 adaptation of the Ernest Hemingway novella, The Old Man and the Sea, starring Spencer Tracy. Year 1958 ( MCMLVIII) was a Common year starting on Wednesday (link will display full calendar of the Gregorian calendar. Ernest Miller Hemingway (July 21 1899 — July 2 1961 was an American novelist short-story writer, and Journalist. The Old Man and the Sea is a Novella (just over 100 pages in length by Ernest Hemingway, written in Cuba in 1951 and published in Spencer Tracy ( April 5, 1900 – June 10, 1967) was a two-time Academy Award -winning Actor of stage and ^[2]

The background footage was shot first and the actor or model was filmed against a bluescreen carrying out their actions. To simply place the foreground shot over the background shot would create a ghostly image over a blue-tinged background. The actor or model must be separated from the background and placed into a specially-made "hole" in the background footage. The bluescreen shot was first rephotographed through a blue filter so that only the background is exposed. A special film is used that creates a black and white negative image — a black background with a subject-shaped hole in the middle. This is called a 'female matte'. The bluescreen shot was then rephotographed again, this time through a red and green filter so that only the foreground image was cast on film, creating a black silhouette on an unexposed (clear) background. This is called a 'male matte'.

The background image is then rephotographed through the male matte, and the shot rephotographed through the female matte. An optical printer with two projectors, a film camera and a 'beam splitter' combines the images together one frame at a time. An optical printer is a device consisting of one or more film Projectors mechanically linked to a Movie camera. This part of the process must be very carefully controlled to ensure the absence of 'black lines'. During the 1980s, minicomputers were used to control the optical printer. A minicomputer (colloquially mini) is a class of multi-user Computers that lies in the middle range of the computing spectrum in between the largest Multi-user For The Empire Strikes Back, Richard Edlund created a 'quad optical printer' that accelerated the process considerably and saved money. Star Wars Episode V The Empire Strikes Back is a 1980 Space opera Film directed by Irvin Kershner. Richard Edlund, ASC (born December 6 1940) is a multi-Academy Award-winning US special effects cinematographer He received a special Academy Award for his innovation. "The Oscar" redirects here for the film see The Oscar (film.

One drawback to the traditional traveling matte is that the cameras shooting the images to be composited can't be easily synchronized. For decades, such matte shots had to be done "locked-down" so that neither the matted subject nor the background would move at all. Later, computer-timed motion control cameras alleviated this problem, as both the foreground and background could be filmed with the same camera moves. Motion control photography is a Special effects technique used in Film that enables precise repetition of camera movements usually to facilitate Special effects

Petro Vlahos was awarded an Academy Award for his development of these techniques. Petro Vlahos is a Hollywood Special effects pioneer who developed the color-difference Bluescreen process for the Motion Picture Research Council and with His technique exploits the fact that most objects in real-world scenes have a color whose blue color component is similar in intensity to their green color component. Zbig Rybczynski also contributed to bluescreen technology. Zbigniew Rybczyński (born January 27 1949) is an Academy Award winning Polish Filmmaker who has won numerous prestigious industry awards both

Some films make heavy use of chroma key to add backgrounds that are constructed entirely using computer-generated imagery (CGI). Computer animation Computer-generated imagery (also known as CGI) is the application of the field of Computer graphics or more specifically 3D computer graphics Performances from different takes can even be composited together, which allows actors to be filmed separately and then placed together in the same scene. Chroma key allows performers to appear to be in any location without even leaving the studio.

Computer development also made it easier to incorporate motion into composited shots, even when using handheld cameras. Reference-points can now be placed onto the colored background (usually as a painted grid, X's marked with tape, or equally spaced tennis balls attached to the wall). In post-production, a computer can use the references to adjust the position of the background, making it match the movement of the foreground perfectly.

Weathermen often use a field monitor to the side of the screen to see where they are putting their hands. A newer technique is to project a faint image onto the screen.

The process

The principal subject is filmed or photographed against a background consisting of a single color or a relatively narrow range of colors, usually blue or green because these colors are considered to be the furthest away from skin tone. Blue is a Colour, the Perception of which is evoked by Green is a Color, the perception of which is evoked by light having a spectrum dominated by energy with a Wavelength of roughly 520–570- nm. The portions of the video which match the preselected color are replaced by the alternate background video. This process is commonly known as "keying", "keying out" or simply a "key". Compositing is the combining of visual elements from separate sources into single images often to create the illusion that all those elements are parts of the same scene

In analog color TV, color is represented by the phase of the chroma subcarrier relative to a reference oscillator. Chroma key is achieved by comparing the phase of the video to the phase corresponding to the preselected color. In-phase portions of the video are replaced by the alternate background video.

In digital color TV, color is represented by a triple of numbers (red, green, blue). Chroma key is achieved by a simple numerical comparison between the video and the preselected color. If the color at a particular point on the screen matches (either exactly, or in a range), then the video at that point is replaced by the alternate background video.

Clothing

A chroma key subject must not wear clothing similar in color to the chroma key color(s) (unless intentional), because the clothing may be replaced with the background video. An example of intentional use of this is when an actor wears a blue covering over a part of their body to make it invisible in the final shot. This technique is used in the Harry Potter films to create the effect of an invisibility cloak. A cloak of Invisibility is a theme that has occurred in Fiction, and is a device which is under some scientific inquiry

Background

Blue is generally used for both weather maps and special effects because it is complementary to human skin tone. Blue is a Colour, the Perception of which is evoked by The illusions used in the Film, Television, Theater, or Entertainment industries to simulate the imagined events in a story are traditionally called Complementary colors are pairs of Colors that are of “opposite” Hue in some Color model. Human beings, humans or man (Origin 1590–1600 L homō man OL hemō the earthly one (see Humus The skin is the outer covering of living tissue of an animal (or plant However, in many instances, green has become the favored color because digital cameras retain more detail in the green channel and it requires less light than blue. Green is a Color, the perception of which is evoked by light having a spectrum dominated by energy with a Wavelength of roughly 520–570- nm. Green not only has a higher luminance value than blue but also in early digital formats the green channel was sampled twice as often as the blue, making it easier to work with. The choice of color is up to the effects artists and the needs of the specific shot. In the past decade, the use of green has become dominant in film special effects. Also, the green background is favored over blue for outdoors filming where the blue sky might appear in the frame and could accidentally be replaced in the process. Although green and blue are the most common, any color can be used. Red is usually avoided due to its prevalence in normal human skin pigments, but can be often used for objects and scenes which do not involve people. Occasionally, a magenta background is used. Magenta is a purplish red Color evoked by lights with less power in yellowish-green Wavelengths than in blue and red wavelengths ( complements of magenta have

With better imaging and hardware, many companies are avoiding the confusion often experienced by weather presenters, who must otherwise watch themselves on a monitor to see the image shown behind them, by lightly projecting a copy of the background image onto the blue/green screen. This allows the presenter to accurately point and look at the map without referring to monitors.

Even lighting

The biggest challenge when setting up a bluescreen or greenscreen is even lighting and the avoidance of shadow, because it is best to have as narrow a color range as possible being replaced. A shadow is an area where direct light from a light source cannot reach due to obstruction by an object A shadow would present itself as a darker color to the camera and might not register for replacement. This can sometimes be seen in low-budget or live broadcasts where the errors cannot be manually repaired. The material being used affects the quality and ease of having it evenly lit. Materials which are shiny will be far less successful than those that are not. A shiny surface will have areas that reflect the lights making them appear pale, while other areas may be darkened. A matte surface will diffuse the reflected light and have a more even color range. In order to get the cleanest key from shooting green screen it is necessary to create a value difference between your subject and your green screen. In order to differentiate the subject and screen use a two stop difference either by making the green screen two stops higher than the subject or visa versa.

See also

• Chroma key programming
• Compositing
• Federal Standard 1037C
• Drew Carey's Green Screen Show
• Film production
• Front projection effect
• Matte (filmmaking)
• Primatte chromakey technology
• Optical printer
• Rear projection effect
• Reverse bluescreen
• Signal processing
• Sodium vapor process
• Video

References

External links

• Make Your Own Bluescreen and Backdrop Stand
• How to build a mobile green/blue screen
• How Blue Screens Work
• Compositing and blue/green software and tutorials for iMovie