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Santa María de Iquique
Santa María de Iquique cover
Studio album by Quilapayún
Released 1970
Recorded August 1970
Genre Classical Music
Folk Music
Length 37:34
Label DICAP, WEA International
Producer Luis Advis/Quilapayún
Quilapayún chronology
Quilapayún IV (1970) 'Santa María de Iquique'
(1970)		 Vivir Como Él (1971)

Santa María de Iquique or Cantata Santa María de Iquique: Cantata Popular, is a cantata composed in 1969 by the Chilean music composer Luis Advis Vitaglich, combining elements of both classical and folkloric/indigenous musical traditions to produce what became known as a popular cantata and one of Quilapayún’s most acclaimed and popular musical interpretation. A studio album is an original collection of new tracks by a recording artist Quilapayún ( Pronounced: kee-lah-pah-YOON) are an Instrumental and vocal Folk music group from Chile and among the longest A music genre is a categorical and typological construct that identifies musical sounds as belonging to a particular category and type of music that can be distinguished from other Classical music is a broad term that usually refers to mainstream music produced in or rooted in the traditions of Western liturgical and Secular music Folk music can have a number of different meanings including Traditional music: The original meaning of the term "folk music" was synonymous In the Music industry, a record label can be a Brand and a Trademark associated with the Marketing of music recordings and Music Warner Music Group (WMG is the third-largest of the "big four" major record labels, the others being Sony BMG, EMI, and Universal In the Music industry, a record producer or music producer has many roles among them controlling the recording sessions coaching and guiding the musicians organizing Luis Advis Vitaglich ( February 10, 1935 - September 9, 2004) was a Chilean university professor of philosophy musical composer and author Quilapayún ( Pronounced: kee-lah-pah-YOON) are an Instrumental and vocal Folk music group from Chile and among the longest Quilapayún ( Pronounced: kee-lah-pah-YOON) are an Instrumental and vocal Folk music group from Chile and among the longest A cantata (derived from the Italian word 'cantare' meaning 'to sing' is a vocal composition with an instrumental Accompaniment and often Luis Advis Vitaglich ( February 10, 1935 - September 9, 2004) was a Chilean university professor of philosophy musical composer and author Quilapayún ( Pronounced: kee-lah-pah-YOON) are an Instrumental and vocal Folk music group from Chile and among the longest The theme of the cantata is an historical industrial dispute that ended with the massacre of miners in the northern Chilean city of Iquique in 1907. Iquique (iˈkike is a city in northern Chile, capital of Tarapacá Region, on the Pacific coast, west of the Atacama Desert and the Year 1907 ( MCMVII) was a Common year starting on Tuesday (link will display the full calendar of the Gregorian calendar (or a Common year The reading is impeccably executed by the Chilean actor Hector Devauchelle, who captures the increasingly tense struggle between the miners and their exploiters in the narrative. Instrumental interludes and songs empower the progression of the story leading to a final song which voices the miners demand for an end to exploitation with visions of an egalitarian and free world.

Contents

Composer's Notes

The following are the statements made by Luis Advis, that appeared on the original booklet that accompanied the record release in 1970.

“This work, dedicated to Quilapayún, was composed following the general guidelines of a classical cantata. Quilapayún ( Pronounced: kee-lah-pah-YOON) are an Instrumental and vocal Folk music group from Chile and among the longest A cantata (derived from the Italian word 'cantare' meaning 'to sing' is a vocal composition with an instrumental Accompaniment and often There is, albeit, a variant which refers to: literary-thematic aspects: the traditional religious motive has been replaced with one based on real events from the social order. ”

“The musical stylistics: rather than avoid the European traditions, it has been amalgamated with melodic trends, harmonic modulations and rhythmic nuclei of American or Hispanic-American root. “

“Instrumental aspects: of the traditional orchestra we have only preserved the violoncello and the double bass in supporting mode, joined by two guitars, two quenas, one charango and one Bombo legüero. The violoncello (abbreviated to cello, or 'cello, plural cellos or celli —the c is tʃ The double bass is the largest and lowest-pitched bowed String instrument used in the modern symphony orchestra. The quena (qina sometimes also written "kena" in English is the traditional Flute of the Andes. This article is about an instrument For the album by British Trip-Hop band Morcheeba, see Charango. Bombo legüero is an Argentine Drum traditionally made of a hollowed tree trunk and covered with cured skins of animals such as goats cows or sheep “

“Narrative aspects: the classical recitative chant has been replaced by spoken narration. Recitative /rɛsɪtə'tiv/ (also known by its Italian name "recitativo" (/retʃita'tivo/ is a style of delivery (much used in Operas Oratorios This contains rhythmic and metrical elements with the aim of not breaking the sonorous totality. ”

History

The Cantata Santa Maria de Iquique represented Quilapayun at the Segundo Festival de la Nueva Canción Chilena (NCCh) (Second Festival of the New Chilean Song). Quilapayún ( Pronounced: kee-lah-pah-YOON) are an Instrumental and vocal Folk music group from Chile and among the longest

Despite the success of the work, it had its share of critics within the music world at the time of its release; some critics saw this work as too pretentious, complex and classical for it to be part of a popular neo-folkloric movement. This debate over what was authentic, what served “the cause” would grow in the years following the cantata’s release – creating serious dialectical confrontations on what materials were to be included or excluded from the NCCh.

Despite this the work was the highlight of the NCCh and a masterpiece of the Nueva Canción in Latin America and many musicologists and musicians consider it one of the most important recorded musical composition in Latin American music history. Nueva Canción (Spanish for 'new song' is a movement in Latin American music that was developed first in the Southern Cone of South America - Argentina Chile and Uruguay - Musicology ( Greek: μουσική = "music" and λόγος = "word" or "reason" is the scholarly study of Music

This great appreciation for the work didn’t appear to be shared by some members of Quilapayun who saw in the existing work considerable room for improvement. Quilapayún ( Pronounced: kee-lah-pah-YOON) are an Instrumental and vocal Folk music group from Chile and among the longest In 1978, they assigned the Belgian/argentine writer Julio Cortázar to restructure part of the original text and they introduced minor modifications to the original recorded arrangements for a new version and recording. Year 1978 ( MCMLXXVIII) was a Common year starting on Sunday (link displays the 1978 Gregorian calendar) Julio Cortázar, born Jules Florencio Cortázar ( August 26, 1914 &ndash February 12, 1984) was an Argentine Author This was done without consulting the composer of the work, Luis Advis, who upon hearing of the recording expressed great dismay and publicly attacked the artistic integrity of both Quilapayun and Julio Cortázar. Luis Advis Vitaglich ( February 10, 1935 - September 9, 2004) was a Chilean university professor of philosophy musical composer and author [1]

Song listing

  1. ”Pregón” / Announcement (Solo vocal: Eduardo Carrasco) – 2:11
  2. ”Preludio instrumental” / Instrumental Prelude – 5:45
  3. ”Relato I” / Narrative I (Narration: Héctor Devauchelle) – 2:11
  4. ”Canción I” / Choral Song I (“El sol en desierto grande…” / The sun in the great desert) – 2:21
  5. ”Interludio instrumental I” / Instrumental Interlude I – 1:33
  6. ”Relato II” / Narrative II (Narration: Héctor Devauchelle) – 1:21
  7. ”Canción II” / Solo Song II [“Vamos mujer…” / We must leave woman…] (Solo vocal: Rodolfo Parada) – 2:08
  8. ”Interludio instrumental II” / Instrumental Interlude II – 1:44
  9. ”Relato III” / Narrative III (Narration: Héctor Devauchelle) – 1:35
  10. ”Interludio cantado” /Sung interlude [“Se han unido con nosotros…” / They’ve joined with us] (solo vocals: Carlos Quezada) – 2:05
  11. ”Relato IV” / Narrative IV (Narration: Héctor Duvauchelle) – 1:00
  12. ”Canción III” / Song III [“Soy obrero pampino…” / I am a pampean worker…] (solo vocals: Willy Oddó) – 1:44
  13. ”Interludio instrumental III” / Instrumental Interlude III – 1:55
  14. ”Relato V” / Narrative V (Narration: Héctor Devauchelle) – 2:14
  15. ”Canción letanía” / Supplicatory song (“Murieron tres mil seisientos…” / Three thousand six hundred died…) - 1:33
  16. ”Canción IV” / Song IV [“A los hombres de la Pampa…” / To the men of the Pampa. Eduardo Carrasco Pirard (born July 15, 1940 in Santiago) is a Chilean musician university professor of philosophy and founder of the legendary Chilean Rodolfo Parada Lillo is a Chilean musician composer engineer and anthropologist Guillermo "Willy" Oddó Parraguez (1943 - 7 November 1991)is a Chilean musician and engineer member and leading vocalist of the Chilean musical ensemble . . ] (Solo vocals: Eduardo Carrasco) – 2:55
  17. ”Pregón II” / Announcement II (Solo Vocals: Hernán Gómez) – 0:32
  18. ”Canción final” / Final Song (“Ustedes que ya escucharon…” / You, who have now heard…) (Solo vocals: Patricio Castillo) – 2:50

Personnel

Additional Personnel

References and other sources

Lasko, Susan. Eduardo Carrasco Pirard (born July 15, 1940 in Santiago) is a Chilean musician university professor of philosophy and founder of the legendary Chilean Eduardo Carrasco Pirard (born July 15, 1940 in Santiago) is a Chilean musician university professor of philosophy and founder of the legendary Chilean Rodolfo Parada Lillo is a Chilean musician composer engineer and anthropologist Guillermo "Willy" Oddó Parraguez (1943 - 7 November 1991)is a Chilean musician and engineer member and leading vocalist of the Chilean musical ensemble A narrator (or the extremely rarely used female equivalent narratress) is within any story (literary work movie play verbal account etc The violoncello (abbreviated to cello, or 'cello, plural cellos or celli —the c is tʃ The double bass is the largest and lowest-pitched bowed String instrument used in the modern symphony orchestra. Songs of Struggle, Songs of Hope: The Chilean New Song. Senior Essay (USA, 1977)

  1. ^ García, José Manuel. La Nueva Canción Chilena. 1a Ed. 2001 LiteraMusica [1]

External links

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