The native form of this personal name is Bartók Béla. A personal name is the Proper name identifying an individual Person. This article uses the Western name order. A personal name is the Proper name identifying an individual Person.

Béla Bartók in 1927

Béla Viktor János Bartók (March 25, 1881 – September 26, 1945) was a Hungarian composer and pianist, considered one of the greatest composers of the 20th century. Events 1199 - Richard I is wounded by a crossbow bolt while fighting France which leads to his death on April 6. Year 1881 ( MDCCCLXXXI) was a Common year starting on Saturday (link will display the full calendar of the Gregorian calendar (or a Common Events 46 BC - Julius Caesar dedicates a Year 1945 ( MCMXLV) was a Common year starting on Monday (link will display the full calendar Hungarians (or Magyars, magyarok are an Ethnic group primarily associated with Hungary. A composer (literally meaning 'one who puts together' is a person who creates Music, usually in the medium of notation, for Interpretation and Performance A pianist (/'piənɪst/ is a Musician who plays the Piano. A professional pianist can perform solo pieces play with an ensemble or Orchestra Through his collection and analytical study of folk music he was one of the founders of ethnomusicology. Folk music can have a number of different meanings including Traditional music: The original meaning of the term "folk music" was synonymous This article is about the concept For the society and academic journal see Society for Ethnomusicology.

Biography

Childhood and early years (1881-1898)

Béla Bartók was born in the small Banatian town of Nagyszentmiklós in Austria-Hungary (now Sânnicolau Mare, Romania). The Banat is a geographical and historical region in Central Europe currently divided between three countries the eastern part lies in Romania (the counties Sânnicolau Mare (also spelled Sînnicolau Mare, Banat Bulgarian: Smikluš, Groß Sankt Nikolaus Nagyszentmiklós is a town in Timiş County Sânnicolau Mare (also spelled Sînnicolau Mare, Banat Bulgarian: Smikluš, Groß Sankt Nikolaus Nagyszentmiklós is a town in Timiş County Romania ( dated: Rumania, Roumania He displayed notable musical talent very early in life: according to his mother, he could distinguish between different dance rhythms that she played on the piano even before he learned to speak in complete sentences (Gillies 1990, 6). By the age of four, he was able to play 40 pieces on the piano, and his mother began formally teaching him the next year.

Béla was a small and sickly child, and suffered from a painful chronic rash until the age of five (Gillies 1990, 5). In 1888, when he was seven, his father (the director of an agricultural school) died suddenly, and Béla's mother then took him and his sister Erzsebet to live in Nagyszőlős (today Vinogradiv, Ukraine), and then to Pozsony (German: Pressburg, today Bratislava, Slovakia). Vynohradiv (Виноградів is a city in western Ukraine, Zakarpattia Oblast. Vynohradiv (Виноградів is a city in western Ukraine, Zakarpattia Oblast. Ukraine (Україна Ukrayina, /ukrɑˈjinɑ/ is a country in Eastern Europe. ARTICLE TEXT BEGINS AFTER THESE COMMENTS - PLEASE READ 1 Please do not edit the lead without reading ARTICLE TEXT BEGINS AFTER THESE COMMENTS - PLEASE READ 1 Please do not edit the lead without reading Slovakia (long form Slovak Republic; Slovak:, long form, is a Landlocked country in Central Europe with a population of over five million In Pozsony Béla gave his first public recital at age eleven to a warm critical reception. Among the pieces he played was his own first composition, written two years previously: a short piece called "The Course of the Danube" (de Toth 1999). Shortly thereafter László Erkel accepted him as a pupil.

Early musical career (1899-1908)

Bartók on his high school graduation

He studied piano under István Thoman, a former student of Franz Liszt, and composition under János Koessler at the Royal Academy of Music in Budapest from 1899 to 1903. The piano is a Musical instrument played by means of a keyboard that produces sound by striking steel strings with Felt covered hammers The Franz Liszt Academy of Music ( Hungarian: Liszt Ferenc Zeneművészeti Egyetem, often abbreviated as Zeneakadémia, "Music Academy" is There he met Zoltán Kodály, who influenced him greatly and became his lifelong friend and colleague. Zoltán Kodály ( Hungarian: Kodály Zoltán, ˈkodaːj ˈzoltaːn December 16 1882 &ndash March 6 1967 was a Hungarian Composer, Ethnomusicologist In 1903, Bartók wrote his first major orchestral work, Kossuth, a symphonic poem which honored Lajos Kossuth, hero of the Hungarian revolution of 1848. An orchestra is an instrumental ensemble, usually fairly large with string brass woodwind sections and possibly a percussion section as well Kossuth, Sz 75a BB 31 is a Symphonic poem by Béla Bartók inspired by the Hungarian politician Lajos Kossuth. A symphonic poem or tone poem is a piece of Orchestral Music in one movement in which some extramusical program provides a narrative or illustrative element Lajos Kossuth (ˈlɒjoʃ ˈkoʃut Monok, September 19 1802 &ndash Turin, March 20 1894 was a Hungarian lawyer politician and Regent-President The events leading to the revolution The Hungarian Diet (parliament was reconvened in 1825 to handle financial needs

The music of Richard Strauss, whom he met at the Budapest premiere of Also sprach Zarathustra in 1902, was the most significant influence on his early work. Richard Georg Strauss (11 June 1864 &ndash 8 September 1949 was a German Composer of the late Romantic era and early modern era particularly noted Budapest ( also /ˈbʊ-/) is the capital city of Hungary. As the largest city of Hungary it serves as the country's principal Political, Also sprach Zarathustra op 30 is a Tone poem by Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche 's book When visting a holiday resort in the summer of 1904, Bartók overheard the eighteen-year-old nanny Lidi Dósa from Kibéd in Maros-Torda in Transylvania sing folk songs to the children under her care. This sparked his life long dedication to folk music. From 1907 his music also began to be influenced by Claude Debussy, whose compositions Kodály had brought back from Paris. Achille-Claude Debussy (aʃil klod dəbysi (August 22 1862 &ndash March 25 1918 was a French Composer. Bartók's large-scale orchestral works were still in the style of Johannes Brahms and Richard Strauss, but also around this time he wrote a number of small piano pieces which show his growing interest in folk music. Johannes Brahms ( pronounced ˈbʁaːms (May 7 1833 &ndash April 3 1897 was a German Composer The first piece to show clear signs of this new interest is the String Quartet No. 1 in A minor (1908), which has folk-like elements in it. The String Quartet No 1 in A minor by Béla Bartók was completed in 1909

In 1907, Bartók began teaching as a piano professor at the Royal Academy. This position freed him from touring Europe as a pianist and enabled him to stay in Hungary. Among his notable students were Fritz Reiner, Sir Georg Solti, György Sándor, Ernő Balogh, Lili Kraus, and, after Bartók moved to the United States, Jack Beeson and Violet Archer. WikipediaWikiProject Classical music#Biographical_infoboxes --> Frederick Martin “Fritz” Reiner ( December 19, 1888 WikipediaWikiProject Classical music#Biographical_infoboxes --> Sir Georg Solti, KBE ( 21 October 1912 György Sándor ( 21 September 1912 &ndash 9 December 2005) was a Hungarian Pianist, friend of Béla Bartók Ernő Balogh was a Hungarian pianist composer editor and teacher Lili Kraus ( April 3, 1903 - November 6, 1986) was a Hungarian Pianist. Jack Beeson (born July 15, 1921 in Muncie Indiana) is an American composer Violet Archer ( April 24, 1913 &ndash February 21, 2000) was a Canadian composer teacher pianist organist and percussionist

In 1908, inspired by both their own interest in folk music and by the contemporary resurgence of interest in traditional national culture, he and Kodály undertook an expedition into the countryside to collect and research old Magyar folk melodies. Hungarians (or Magyars, magyarok are an Ethnic group primarily associated with Hungary. Their findings came as a surprise: Magyar folk music had previously been categorised as Gypsy music. The Romani people (singular Rom, plural Roma as a Noun; also known as Romanies or Roma people) are an ethnic group with origins The classic example of this misconception is Franz Liszt's famous Hungarian Rhapsodies for piano, which were based on popular art-songs performed by Gypsy bands of the time. The Hungarian Rhapsodies, S244, R106 (Rapsodies hongroises Ungarische Rhapsodien Magyar rapszódiák is a set of 19 piano pieces based on Hungarian In contrast, the old Magyar folk melodies discovered by Bartók and Kodály bore little resemblance to the popular music performed by these Gypsy bands. Instead, they found that many of the folk-songs are based on pentatonic scales similar to those in Oriental folk traditions, such as those of Central Asia and Siberia. A pentatonic scale is a musical scale with five pitches per Octave in contrast to an heptatonic (seven note scale such as the Major scale Central Asia is a region of Asia from the Caspian Sea in the west to central China in the east and from southern Russia in the north to northern Pakistan in the south Siberia (Сиби́рь Sibir) is the name given to the vast region constituting almost all of Northern Asia and for the most part currently serving

Bartók and Kodály quickly set about incorporating elements of real Magyar peasant music into their compositions. Both Bartók and Kodály frequently quoted folk songs verbatim and wrote pieces derived entirely from authentic folk melodies, for instance Bartók's two volumes of For Children for solo piano containing 80 folk tunes to which he wrote accompaniment. Bartók's style in his art music compositions was a synthesis of folk music, classicism, and modernism. Bartók's melodic and harmonic sense was profoundly influenced by the folk music of Hungary, Romania, and many other nations, and he was especially fond of the asymmetrical dance rhythms and pungent harmonies found in Bulgarian music. Bulgarian music is part of the Balkan tradition which stretches across Southeastern Europe, and has its own distinctive sound

Middle years and career (1909-1939)

In 1909, Bartók married Márta Ziegler. Their son, Béla II, was born in 1910. In 1911, Bartók wrote what was to be his only opera, Bluebeard's Castle, dedicated to Márta. Opera is an art form in which Singers and Musicians perform a Dramatic work (called an opera which combines a text (called a Libretto Duke Bluebeard's Castle (A kékszakállú herceg vára literally The Castle of the Blue-Bearded Prince) is a one-act opera by Hungarian composer He entered it for a prize awarded by the Hungarian Fine Arts Commission, which rejected it out of hand as un-stageworthy (Leafstedt 1999). In 1917 Bartók revised the score in preparation for the 1918 première, for which he rewrote the ending. Following the 1919 revolution, he was pressured by the government to remove the name of the blacklisted librettist Béla Balázs (by then a refugee in Vienna) from the opera. The Hungarian Soviet Republic or Soviet Republic of Hungary (Magyarországi Tanácsköztársaság was a Communist regime established in Hungary from Béla Balázs ( 4 August 1884, Szeged – 17 May 1949, Budapest) born Herbert Bauer, was a Hungarian Bluebeard's Castle received only one revival, in 1936, before Bartók emigrated. For the remainder of his life, although he was passionately devoted to Hungary, its people and its culture, he never felt much loyalty to its government or its official establishments. Hungary (Magyarország 'mɔɟɔrorsaːg) officially in English the Republic of Hungary ( Magyar Köztársaság, literally Magyar (Hungarian Republic

After his disappointment over the Fine Arts Commission prize, Bartók wrote little for two or three years, preferring to concentrate on collecting and arranging folk music. He collected first in the Carpathian Basin (the then Kingdom of Hungary), where he notated Hungarian, Slovakian, Romanian and Bulgarian folk music. The Pannonian Basin or Carpathian Basin is a large basin in Central Europe. This article describes the History of Hungary between the end of Ottoman Hungary in 1699 and the end of Austria-Hungary 1919 Hungarian folk music includes a broad array of styles including the recruitment dance Verbunkos, the Csárdás and Nóta. History of Slovak music Music has long occupied an important and distinguished place in Slovak cultural life Romania is a European country whose population consists mainly (approx Bulgarian music is part of the Balkan tradition which stretches across Southeastern Europe, and has its own distinctive sound He also collected in Moldavia, Wallachia and in 1913 in Algeria. Moldavia (Moldova is a geographic and historical region and former Principality in Eastern Europe, corresponding to the territory between Eastern Carpathians This article is about the region in what is now Southern Romania Algeria ( ar [[Arabic]] الجزائر, Al Jaza'ir ælʤæˈzæːʔir Amazigh: ⴷⵥⴰⵢⴻⵔ Dzayer) officially the People's However, the outbreak of World War I forced him to stop these expeditions, and he returned to composing, writing the ballet The Wooden Prince in 1914–16 and the String Quartet No. 2 in 1915–17, both influenced by Debussy. World War I (abbreviated WWI; also known as the First World War, the Great War, and the War to End All Ballet as a Musical form is a musical composition intended for ballet performance. The Wooden Prince (A fából faragott királyfi Op 13 Sz 60 is a one act pantomime Ballet composed by Béla Bartók in 1914-1916 (orchestrated The String Quartet No 2 by Béla Bartók was written between 1915 and October 1917 in Rákoskeresztúr in Hungary. Achille-Claude Debussy (aʃil klod dəbysi (August 22 1862 &ndash March 25 1918 was a French Composer. It was The Wooden Prince which gave him some degree of international fame. The Wooden Prince (A fából faragott királyfi Op 13 Sz 60 is a one act pantomime Ballet composed by Béla Bartók in 1914-1916 (orchestrated

Raised as a Roman Catholic, Bartók had by his early adulthood become an atheist, and considered the existence of God as undecidable and unnecessary. Atheism He later became attracted to Unitarianism, and publicly converted to the Unitarian faith in 1916. Unitarianism as a theology is the belief in the single personality of God in contrast to the doctrine of the Trinity (three persons in one God His son later became president of the Hungarian Unitarian Church (Hughes 1999–2007).

He subsequently worked on another ballet, The Miraculous Mandarin influenced by Igor Stravinsky, Arnold Schoenberg, as well as Richard Strauss, following this up with his two violin sonatas (written in 1921 and 1922 respectively) which are harmonically and structurally some of the most complex pieces he wrote. The Miraculous Mandarin or The Wonderful Mandarin (A csodálatos mandarin German: Der Wunderbare Mandarin Igor Fyodorovich Stravinsky (Игорь Фёдорович Стравинский) ( &ndash 6 April 1971 was a Russian born Composer, considered by many to Arnold Schoenberg ( pronounced ˈʃøːnbɛrk (13 September 1874 &ndash 13 July 1951 was an Austrian and later American Composer, associated with Richard Georg Strauss (11 June 1864 &ndash 8 September 1949 was a German Composer of the late Romantic era and early modern era particularly noted A violin sonata is a musical composition for solo Violin, which is nearly always accompanied by a Piano or other keyboard instrument or by Figured bass The Miraculous Mandarin, a sordid modern story of prostitution, robbery, and murder, was started in 1918, but not performed until 1926 because of its sexual content. The Miraculous Mandarin or The Wonderful Mandarin (A csodálatos mandarin German: Der Wunderbare Mandarin Prostitution is the act of performing Sexual activity in exchange for Money. Robbery is the Crime of seizing Property through Violence or Intimidation. Murder is the unlawful killing of another human person with Malice aforethought, as defined in Common Law countries Generally speaking human sexuality is how people experience and express themselves as sexual beings He wrote his third and fourth string quartets in 1927–28, after which his compositions demonstrate his mature style. The String Quartet No 3 by Béla Bartók was written in September 1926 in Budapest. The String Quartet No 4 by Béla Bartók was written from July to September 1927 in Budapest. A string quartet is a Musical ensemble of four String instruments &mdash usually two Violins a Viola and Cello &mdash or a piece Notable examples of this period are Divertimento for strings (1939) and Music for Strings, Percussion and Celesta (1936). Music for Strings Percussion and Celesta Sz 106 BB 114 is one of the best-known compositions by the Hungarian Composer Béla Bartók The String Quartet No. 5 (1934) is written in somewhat more traditional style. The String Quartet No 5 Sz 102 BB 110 by Béla Bartók was written between August 6 and September 6, 1934. Bartók wrote his sixth and last string quartet in 1939, the sadness of which has been related to the death of Bartók’s mother and the glooming of war in Europe. The String Quartet No 6 by Béla Bartók was written from August to November 1939 in Budapest.

Bartók divorced Márta in 1923, and married a piano student, Ditta Pásztory. His second son, Péter, was born in 1924.

In 1936 he traveled to Turkey to collect and study folk music. Turkey (Türkiye known officially as the Republic of Turkey ( is a Eurasian Country that stretches

World War II and last years (1940–1945)

In 1940, as the European political situation worsened after the outbreak of World War II, Bartók was increasingly tempted to flee Hungary. World War II, or the Second World War, (often abbreviated WWII) was a global military conflict which involved a majority of the world's nations, including He was strongly opposed to the Nazis and Hungary’s siding with Germany. After the Nazis had come to power in Germany, he had refused to give concerts there and broke from his German publisher. His liberal views were causing him a great deal of trouble from the establishment in Hungary. Having first sent his manuscripts out of the country, Bartók reluctantly emigrated to the U.S. with Ditta Pásztory. The United States of America —commonly referred to as the They settled in New York City. The City of New York After joining them in 1942, Péter Bartók enlisted in the United States Navy. Béla Bartók, Jr. remained in Hungary.

Bartók never became fully at home in the U. S. He initially found it difficult to compose. Although well-known in America as a pianist, ethnomusicologist, and teacher, he was not well known as a composer, and there was little interest in his music during his final years. He and his wife Ditta gave concerts. For several years, supported by a research grant, they worked on a large collection of Serbo-Croatian folk songs. Bartók's difficulties during his first years in the US were mitigated by publication royalties, teaching, and performance tours. While their finances were always precarious, it is a myth that he lived and died in poverty and neglect. There were enough supporters to ensure that there was sufficient money and work available for him to live on. Bartók generally refused outright charity. Though he was not a member of ASCAP, the society paid for any medical care he needed in his last two years and Bartók accepted this. The American Society of Composers Authors and Publishers ( ASCAP) is a non-profit Performance rights organization that protects its

The first symptoms of his leukemia began in 1940, when his right shoulder began to show signs of stiffening. Leukemia or leukaemia (Greek leukos λευκός, "white" aima αίμα, "blood" is a Cancer of the Blood In 1942 symptoms increased, and he started having bouts of fever, but the disease was not diagnosed in spite of medical examinations. Finally, in April 1944, leukemia was diagnosed, but by this time little could be done. As his body failed, Bartók's creative energy reawakened and he produced a final set of masterpieces, partly thanks to the violinist Joseph Szigeti and the conductor Fritz Reiner (Reiner had been Bartók's friend and champion since his days as Bartók's student at the Royal Academy). "Szigeti" redirects here For other uses see Szigeti (disambiguation. WikipediaWikiProject Classical music#Biographical_infoboxes --> Frederick Martin “Fritz” Reiner ( December 19, 1888 Bartók's last work might well have been the String Quartet No. 6 but for Serge Koussevitsky's commission for the Concerto for Orchestra. The String Quartet No 6 by Béla Bartók was written from August to November 1939 in Budapest. WikipediaWikiProject Classical music#Biographical_infoboxes -->Dr In Art, a commission is the hiring and payment for the creation of a piece often on behalf of another Concerto for Orchestra ( Sz 116 BB 127 is a five-movement musical work for orchestra composed by Béla Bartók in 1943 Koussevitsky's Boston Symphony Orchestra premièred the work in December 1944 to highly positive reviews. The Boston Symphony Orchestra is an American orchestra based at Symphony Hall in Boston Massachusetts, USA Concerto for Orchestra quickly became Bartók's most popular work, although he did not live to see its full impact. He was also commissioned in 1944 by Yehudi Menuhin to write a Sonata for Solo Violin. Yehudi Menuhin Baron Menuhin, OM, KBE (April 22 1916 – March 12 1999 was an American -born Violinist and conductor who spent The Sonata for Solo Violin Sz 117 BB 124 is a sonata for unaccompanied Violin composed by Béla Bartók. In 1945 Bartók composed his Piano Concerto No. 3, a graceful and almost neo-classical work, and he began work on his Viola Concerto. Béla Bartók's Piano Concerto No 3 in E major Sz 119 BB 127 is a musical composition for piano with orchestral accompaniment Béla Bartók wrote his Viola Concerto (BB128 in July-August 1945, in Saranac Lake New York, while suffering from the terminal stages of Leukemia He had not completed the scoring at his death.

Béla Bartók on 1000 Hungarian forint banknote (1983, no longer used). The forint ( Currency code HUF) is the Currency of Hungary. It is divided into 100 Fillér, although fillér coins have not been

Bartók died in New York from leukemia (specifically, of secondary polycythemia) on September 26, 1945 at age 64. Leukemia or leukaemia (Greek leukos λευκός, "white" aima αίμα, "blood" is a Cancer of the Blood Polycythemia (or polycythaemia or erythrocytosis) is a condition in which there is a net increase in the total number of Blood cells, primarily Red Events 46 BC - Julius Caesar dedicates a Year 1945 ( MCMXLV) was a Common year starting on Monday (link will display the full calendar His funeral was attended by only ten people, including his friend the pianist György Sándor (anon. 2006). György Sándor ( 21 September 1912 &ndash 9 December 2005) was a Hungarian Pianist, friend of Béla Bartók Bartok's body was initially interred in Ferncliff Cemetery in Hartsdale, New York, but during the final year of communist Hungary in the late 1980s, his remains were transferred to Budapest for a state funeral on July 7, 1988 with interment in Budapest's Farkasréti Cemetery. Ferncliff Cemetery and Mausoleum is located on Secor Road in the hamlet of Hartsdale, town of Greenburgh, Westchester County, New York, about Hartsdale is a hamlet and a census-designated place (CDP located in the town of Greenburgh, Westchester County New York. Budapest ( also /ˈbʊ-/) is the capital city of Hungary. As the largest city of Hungary it serves as the country's principal Political, A state funeral is a public funeral ceremony held to honour Heads of state or other important people of national significance Events 1456 - A retrial verdict acquits Joan of Arc of heresy 25 years after her death Year 1988 ( MCMLXXXVIII) was a Leap year starting on Friday (link displays 1988 Gregorian calendar) Farkasréti Cemetery or Farkasrét Cemetery (Farkasréti temető is one of the most famous cemeteries in Budapest.

He left his Third Piano Concerto almost finished at his death. For the Viola Concerto he only left rough notes, and it was never generally accepted as part of the Bartók canon. Both works were later completed by his pupil, Tibor Serly. Tibor Serly ˈʃɛrli}} ( Losonc, 25 November 1901 – London, 8 October 1978) was a Hungarian Violist, György Sándor was the soloist in the first performance of the Third Piano Concerto on 8 February 1946. Events 421 - Constantius III becomes co- Emperor of the Western Roman Empire. Year 1946 ( MCMXLVI) was a Common year starting on Tuesday (link will display full 1946 calendar of the Gregorian calendar. The Viola Concerto was revised and polished in the 1990s by Peter Bartók, and this version is considered to be closer to what Bartók may have intended.

There is a statue of Béla Bartók in Brussels, Belgium near the central train station in a public square, Spanjeplein-Place d'Espagne. Brussels (Bruxelles pronounced; Brussel pronounced) officially the Brussels Capital-Region, is The Kingdom of Belgium is a Country in northwest Europe. It is a founding member of the European Union and hosts its headquarters as well as those Another statue stands in London, opposite South Kensington Underground Station. Still another is in front of one of the houses that Bartók owned in the hills above Budapest, which is now a museum.

Music

Further information: List of compositions by Béla Bartók

Bartók's music reflects two trends that dramatically changed the sound of music in the 20th century: the breakdown of the diatonic system of harmony that had served composers for the last 200 years (Griffiths, 7); and the revival of nationalism as a source for musical inspiration, a trend that began with Mikhail Glinka and Antonín Dvořák in the last half of the 19th century(Einstein, 332). This is a near complete list of compositions by Béla Bartók. Mikhail Ivanovich Glinka (Михаи́л Ива́нович Гли́нка ( –) was the first Russian composer to gain wide recognition inside his own country Antonín Leopold Dvořák ( (often pronounced in English as; DVOR-zhahk; September 8 1841 – May 1 1904 was a Czech composer of Romantic music, who employed In his search for new forms of tonality, Bartók turned to Hungarian folk music, as well as to other folk music of the Carpathian Bassin and even of Algeria and Turkey; and in so doing he became influential in that stream of modernism which exploited indigenous music and techniques (Botstein, 6).

His music can be grouped roughly in accordance with the different periods in his life.

Youth: Late-Romanticism (1890-1902)

The works of his youth are of a late-Romantic style. Between 1890 and 1894 (nine to 13 years of age) he wrote 31 pieces with corresponding opus numbers. Year 1890 ( MDCCCXC) was a Common year starting on Wednesday (link will display the full calendar of the Gregorian calendar (or a Common Year 1894 ( MDCCCXCIV) was a Common year starting on Monday (link will display the full calendar of the Gregorian calendar (or a Common He started numbering his works anew with ‘opus 1’ in 1894 with his first large scale work, a piano sonata. Up to 1902, Bartók wrote in total 74 works which can be considered in Romantic style. Most of these early compositions are either scored for piano solo or include a piano. Additionally, there is some chamber music for strings. Compared to his later achievements, these works are of less importance.

New influences (1903–1911)

Under the influence of Richard Strauss (among others Also sprach Zarathustra) (Stevens 1993, 15–17), Bartók composed in 1903 Kossuth, a symphonic poem in ten tableaux. Richard Georg Strauss (11 June 1864 &ndash 8 September 1949 was a German Composer of the late Romantic era and early modern era particularly noted Thus Spoke Zarathustra (German Also sprach Zarathustra, sometimes translated Thus Spake Zarathustra) subtitled A Book for All and None In 1904 followed his Rhapsody for piano and orchestra which he numbered opus 1 again, marking it himself as the start of a new era in his music. Year 1904 ( MCMIV) was a Leap year starting on Friday (link will display calendar of the Gregorian calendar (or a Leap year starting on An even more important occurrence of this year was his overhearing the eigtheen-year-old nanny Lidi Dósa from Transylvania sing folk songs, sparking Bartók’s life long dedication to folk music (Stevens 1993, 22). Transylvania (Ardeal or ro ''Transilvania'' Erdély, see also other denominations) is a Central European region located in the eastern half of the Carpathian In Bartók’s view, a composer can work in three ways with folk music. The first option is to keep a genuine folk melody intact and provide the scoring including harmonisation and accompaniment to it. In Music, accompaniment is the art of playing along with a soloist or ensemble, often known as the Lead, in a Supporting manner He likened this work to the mounting of a gem; as a gem is in fact not the jeweller’s own creation. When critised for not composing his own melodies, Bartók pointed out that Molière and Shakespeare mostly based their plays on well-known stories too. Jean-Baptiste Poquelin, also known by his Stage name, Molière, ( January 15, 1622 – February 17 1673) was a French William Shakespeare ( baptised A composer’s second option is to compose in folk style and create everything, including melodies, himself. The third and last option is to compose art music, in which elements of folk music are a sublimated inspiration, for instance the rhythm or the use of modal scales. Rhythm (from Greek ῥυθμός - rhythmos, "any measured flow or movement symmetry" is the variation of the length and accentuation of

Bartók became first acquainted with Debussy’s music in 1907 and regarded his music highly. Achille-Claude Debussy (aʃil klod dəbysi (August 22 1862 &ndash March 25 1918 was a French Composer. Year 1907 ( MCMVII) was a Common year starting on Tuesday (link will display the full calendar of the Gregorian calendar (or a Common year He was influeced by Debussy as witnessed by the Fourteen Bagatelles (1908). These made Ferruccio Busoni exclaim ‘At last something truly new!’ (Bartók, 1948, 2:83). Ferruccio Dante Michelangiolo Benvenuto Busoni (April 1 1866 &ndash July 27 1924 was an Italian Composer, Pianist, musical educator and conductor. Until 1911, Bartók composed widely differing works which ranged from adherence to romantic-style, to folk song arrangements and to his modernist opera Bluebeard’s Castle. Duke Bluebeard's Castle (A kékszakállú herceg vára literally The Castle of the Blue-Bearded Prince) is a one-act opera by Hungarian composer The negative reception of his work led him to focus on folk music research after 1911 and abandon composition with the exception of folk music arrangements (see List of compositions by Béla Bartók. Year 1911 ( MCMXI) was a Common year starting on Sunday (link will display the full calendar of the Gregorian calendar (or a Common year This is a near complete list of compositions by Béla Bartók.

New inspiration and experimentation (1916–1921)

His pessimistic attitude towards composing was lifted by the stormy and inspiring contact with Klára Gombossy in the summer of 1915 (Gillies 1993, 405). Year 1915 ( MCMXV) was a Common year starting on Friday (link will display the full calendar of the Gregorian calendar (or a Common year This interesting episode in Bartók's life remained hidden until it was researched by Denijs Dille between 1979 and 1989 (Dille 1990, 257-277). Bartók started composing again, including the Suite for piano opus 14 (1916), and The Miraculous Mandarin (1918) and he completed The Wooden Prince (1917). The Miraculous Mandarin or The Wonderful Mandarin (A csodálatos mandarin German: Der Wunderbare Mandarin

Bartók felt the result of the First World War as a personal tragedy (Stevens 1993, 3). World War I (abbreviated WWI; also known as the First World War, the Great War, and the War to End All Many regions he loved were severed from Hungary: Transylvania, the Banat where he was born, and Pozsony where his mother lived. Hungary (Magyarország 'mɔɟɔrorsaːg) officially in English the Republic of Hungary ( Magyar Köztársaság, literally Magyar (Hungarian Republic Transylvania (Ardeal or ro ''Transilvania'' Erdély, see also other denominations) is a Central European region located in the eastern half of the Carpathian The Banat is a geographical and historical region in Central Europe currently divided between three countries the eastern part lies in Romania (the counties ARTICLE TEXT BEGINS AFTER THESE COMMENTS - PLEASE READ 1 Please do not edit the lead without reading Additionally, the hostile attitude towards Hungary of many successor states to the Austro-Hungarian empire largely prohibited his folk music research. Hungary (Magyarország 'mɔɟɔrorsaːg) officially in English the Republic of Hungary ( Magyar Köztársaság, literally Magyar (Hungarian Republic Thrown largely onto himself, he experimented with extreme compositional practices. The summit is the Sonata for Violin and Piano No. 1. This last piece with an opus number (21) lacks clear melodies and almost lacks tonality. Tonality is a system of Music in which specific hierarchical pitch relationships are based on a key "center" or tonic. With the noteworthy Eight Improvisations on Hungarian Peasant Songs (1920), Sonata for Violin and Piano No. 2 (1922) and the sunny Dance Suite (1923, year of his second marriage), we have summed up all Bartók’s works of 1919–25.

Maturity (1926-1945)

In 1926, Bartók needed a significant piece for piano and orchestra with which he could tour in Europe and America. Year 1926 ( MCMXXVI) was a Common year starting on Friday (link will display the full calendar of the Gregorian calendar. In the preparation for writing his First Piano Concerto, he wrote his Sonata, Out of Doors, and Nine Little Pieces, all for solo piano (Gillies 1993, 173). Out of Doors is a set of five piano solo pieces Sz 81 BB 89 written by Béla Bartók in 1926 Later Bartók said that around this ‘piano year’ his compositions moved from a Beethovian to a Bachian aesthetic. He increasingly found his own voice of his maturity. This mature style is hard to define let alone to stick under one term. Actually, it is, like Stravinsky’s music, characterised by a synthesis of many influeces: Bach and pre-Bachian music, classicism and folk music. Igor Fyodorovich Stravinsky (Игорь Фёдорович Стравинский) ( &ndash 6 April 1971 was a Russian born Composer, considered by many to WikipediaWikiProject Composers#Lead section.2 This article is written in British English including maximised use of "-ise" For the works or study of works from classical antiquity see Classics Classicism, in the arts, refers generally to In his mature period, Bartók wrote relatively few works but most of them are large-scale compositions for large settings. Only his voice works have programmatic titles and his late works often adhere to classical forms.

Among his masterworks are all the six String quartets (1908, 1917, 1927, 1928, 1934, and 1939), the Cantata Profana (1930, this was Bartók’s favorite amongst his own work), the Music for Strings, Percussion and Celesta (1936), the Concerto for Orchestra (1943) and the Third Piano Concerto (1945).

Bartók also made a lasting contribution to the literature for younger students: for his son Péter's music lessons, he composed Mikrokosmos, a six-volume collection of graded piano pieces. Béla Bartók 's composition for Piano Mikrokosmos Sz 107 BB 105 consists of 153 progressive pieces in six volumes written between 1926 and It remains popular with piano teachers today.

Music-theoretical analysis

Paul Wilson lists as the most prominent characteristics of Bartók's music from late 1920s onwards the influence of the Carpathian basin and European art music, and his changing attitude toward (and use of) tonality, but without the use of the traditional harmonic functions associated with major and minor scales (Wilson 1992, 2-4). Paul Wilson is a music theorist and Professor of Music Theory and Composition at the University of Miami Frost School of Music, in The Pannonian Basin or Carpathian Basin is a large basin in Central Europe. A diatonic function, in tonal Music theory, is the specific recognized Roles of Notes or chords in relation to the key.

Bartók is an influential modernist and his music used or may be analysed as containing various modernist techniques such as atonality, bitonality, attenuated harmonic function, polymodal chromaticism, projected sets, privileged patterns, and large set types used as source sets such as the equal tempered twelve tone aggregate, octatonic scale (and alpha chord), the diatonic and heptatonia seconda seven-note scales, and less often the whole tone scale and the primary pentatonic collection (Wilson 1992, 24-29). Modernism in music is characterized by a desire for or belief in progress and Science, Surrealism, anti-romanticism Political Advocacy, general Atonality in its broadest sense describes Music that lacks a tonal center, or key. The Musical use of more than one key simultaneously is polytonality. In music polymodal chromaticism is the use of any and all Musical modes sharing the same final simultaneously or in succession and thus creating a texture involving In Music a projected set is a technique where a collection of pitches or Pitch classes is extended in a texture through the emphasized simultaneous In Music a privileged pattern is a motive, figure, or chord which is repeated and transposed so that the transpositions form a recognizable An octatonic scale is an eight-note musical scale Among the most famous of these is a scale in which the notes ascend in alternating intervals of a whole step and a half step An octatonic scale is an eight-note musical scale Among the most famous of these is a scale in which the notes ascend in alternating intervals of a whole step and a half step

He rarely used the simple aggregate actively to shape musical structure, though there are notable examples such as the second theme from the first movement of his Second Violin Concerto, commenting that he "wanted to show Schoenberg that one can use all twelve tones and still remain tonal" (Gillies 1990, 185). More thoroughly, in the first eight measures of the last movement of his Second Quartet, all notes gradually gather with the twelfth (G♭) sounding for the first time on the last beat of measure 8, marking the end of the first section. The aggregate is partitioned in the opening of the Third String Quartet with C♯-D-D♯-E in the accompaniment (strings) while the remaining pitch classes are used in the melody (violin 1) and more often as 7-35 (diatonic or "white-key" collection) and 5-35 (pentatonic or "black-key" collection) such as in no. 6 of the Eight Improvisations. There, the primary theme is on the black keys in the left hand, while the right accompanies with triads from the white keys. In measures 50-51 in the third movement of the Fourth Quartet, the first violin and 'cello play black-key chords, while the second violin and viola play stepwise diatonic lines (Wilson 1992, 25). On the other hand, from as early as the Suite for piano, op. 14 (1914), he occasionally employed a form of serialism based on compound interval cycles, some of which are maximally distributed, multi-aggregate cycles (Gollin 2007). In Music, serialism is a technique for composition that uses sets to describe musical elements, and allows the manipulation of those

Béla Bartók memorial plaque in Baja, Hungary

Ernő Lendvai (1971) analyses Bartók's works as being based on two opposing systems, that of the golden section and the acoustic scale, and tonally on the axis system (Wilson 1992, 7). Baja ('bɒjɒ is a city in southern Hungary. It is the second largest city in Bács-Kiskun county after the county seat Kecskemét. Ernő Lendvai (1925 – 1993 was one of the first theorists to write on the appearance of the Golden section and Fibonacci series and how these are implemented in In Mathematics and the Arts two quantities are in the Golden ratio if the Ratio between the sum of those quantities and the larger one is the In Music, the acoustic scale is a seven note scale which starting on C contains the notes C D E F G A and B In Music the axis system, proposed by Ernő Lendvai (1971 p1-16 in his analysis of the use of Tonality in the music of Béla Bartók, is an

Milton Babbitt, in his 1949 critique of Bartók's string quartets, criticized Bartók for using tonality and non tonal methods unique to each piece. Milton Byron Babbitt (born May 10 1916 is an American Composer. Babbitt noted that "Bartók's solution was a specific one, it cannot be duplicated" (Babbitt 1949, 385). Bartók's use of "two organizational principles"—tonality for large scale relationships and the piece-specific method for moment to moment thematic elements—was a problem for Babbitt, who worried that the "highly attenuated tonality" requires extreme non-harmonic methods to create a feeling of closure (Babbitt 1949, 377–78).

Catalogues and opus numbers

The cataloguing of Bartók's works is somewhat complex. Bartók assigned opus numbers to his works three times, the last of these series ending with the Sonata for Violin and Piano No. 1 Op. 21 in 1921. He ended this practice because of the difficulty of distinguishing between original works and ethnographic arrangements, and between major and minor works. Since his death, three attempts - two full and one partial - have been made at cataloguing. The first, and still most widely used, is András Szöllősy's chronological Sz. András Szöllősy (IPA andraːʃ' sølːøːʃi (February 27 1921 &ndash December 6 2007 was the creator of the Szöllősy index (Sz numbers, from 1 to 121. Denijs Dille subsequently reorganised the juvenilia (Sz. 1-25) thematically, as DD numbers 1 to 77. The most recent catalogue is that of László Somfai; this is a chronological index with works identified by BB numbers 1 to 129, incorporating corrections based on the Béla Bartók Thematic Catalogue (Somfai [undated]). László Somfai (born 1934 is a Hungarian musicologist. He was born in 1934 in Jászladány.

One characteristic style of music is his Night music, which he used mostly in slow movements of multi-movement ensemble or orchestral compositions in his mature period. Night Music is a musical style of the Hungarian composer Béla Bartók which he used mostly in slow movements of multi-movement Ensemble or Orchestra compositions A musical ensemble is a group of two or more Musicians who perform instrumental or vocal Music. It is characterised by "eerie dissonances providing a backdrop to sounds of nature and lonely melodies" (Schneider 2006, 84). The third movement of his Music for Strings, Percussion and Celesta (Adagio) (which is used in the suspense film The Shining) is an example of Night music style. Music for Strings Percussion and Celesta Sz 106 BB 114 is one of the best-known compositions by the Hungarian Composer Béla Bartók The Shining is a 1980 horror Film directed by Stanley Kubrick, based on Stephen King 's novel of the same name

Media

Bibliography

• Anon. 2006. "Gyorgy Sandor, Pianist and Bartok Authority, Dies at 93". The Juilliard Journal Online 21, no. 5 (February).
• Babbitt, Milton. 1949. "The String Quartets of Bartók". Musical Quarterly 35 (July): 377-85. Reprinted in The Collected Essays of Milton Babbitt, edited by Stephen Peles, with Stephen Dembski, Andrew Mead, and Joseph N. Straus, citation needed]. Princeton: Princeton University Press, 2003. ISBN 0691089663
• Bartók, Béla. 1948. Levelek, fényképek, kéziratok, kották. ("Letters, photographs, manuscripts, scores"), ed. János Demény, 2 vols. A Muvészeti Tanács könyvei, 1. –2. sz. Budapest: Magyar Muvészeti Tanács. English edition, as Béla Bartók: Letters, translated by Péter Balabán and István Farkas; translation revised by Elisabeth West and Colin Mason (London: Faber and Faber Ltd. ; New York: St. Martin's Press, 1971). ISBN 978-0571096381
• Botstein, Leon. "Modernism", Grove Music Online, ed. L. Macy (Accessed April 29, 2008), (subscription access)
• de Toth, June. 1999. "Béla Bartók: A Biography". Liner notes to Béla Bartók: Complete Piano Works 7-CD set, Eroica Classical Recordings [1]
• Dille, Denijs. 1990. Béla Bartók: Regard sur le Passé. (French, no English version available). Namur: Presses universitaires de Namur. ISBN-10: 2870371683 ISBN-13: 978-2870371688
• Einstein, Alfred. 1947. Music in the Romantic Era. New York: W. W. Norton.
• Gillies, Malcolm (ed. ). 1990. Bartók Remembered. London: Faber. ISBN 0571142435 (cased) ISBN 0571142443 (pbk)
• Gillies, Malcolm (ed. ). 1993. The Bartók Companion. London: Faber. ISBN 0571153305 (cloth), ISBN 0571153313 (pbk) New York: Hal Leonard. ISBN 0-931340-74-8
• Gillies, Malcolm. "Béla Bartók", Grove Music Online, ed. L. Macy (Accessed May 23, 2006), (subscription access)
• Gollin, Edward. 2007. "Multi-Aggregate Cycles and Multi-Aggregate Serial Techniques in the Music of Béla Bartók". Music Theory Spectrum 29, no. 2 (Fall): 143–76.
• Griffiths, Paul. 1978. A Concise History of Modern Music. London: Thames and Hudson. ISBN 0-500-20164-1
• Hughes, Peter. 1999–2007. "Béla Bartók" in Dictionary of Unitarian and Universalist Biography. [n. p. ]: Unitarian Universalist Historical Society. [2]
• Leafstedt, Carl S. 1999. Inside Bluebeard's Castle. New York: Oxford University Press. ISBN 0195109996
• Lendvai, Ernő. 1971. Béla Bartók: An Analysis of His Music. London: Kahn and Averill.
• Somfai, László. [undated]. "The 'BB' Numbering System", in "Mikrocosmos" [sic], ed. by Zoltán Kocsis, Philips 462 381-2.
• Schneider, David E. 2006. Bartók, Hungary, and the Renewal of Tradition: Case Studies in the Intersection of Modernity and Nationality. California Studies in 20th-Century Music 5. Berkeley: University of California Press. ISBN 978-0520245037
• Stevens, Halsey. 1964. The Life and Music of Béla Bartók, second edition. New York: Oxford University Press. ASIN: B000NZ54ZS (Third edition 1993, ISBN 978-0198163497)
• Wilson, Paul. 1992. The Music of Béla Bartók. New Haven: Yale University Press. ISBN 0300051115.

Further reading

• Antokoletz, Elliott (1984). The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music. Berkeley and Los Angeles: University of California Press. ISBN 0520046048
• Chalmers, Kenneth (1995). Bela Bartok. London: Phaidon.
• Kárpáti, János (1975). Bartók's String Quartets. Translated by Fred MacNicol. Budapest: Corvina Press.
• Somfai, László. 1981. Tizennyolc Bartók-tanulmány [Eighteen Bartók Studies]. Budapest: Zeneműkiadó. ISBN 9633303702
• Somfai, Lászlo. 1996. Béla Bartók: Composition, Concepts, and Autograph Sources. Ernest Bloch Lectures. Berkeley: University of California Press. ISBN 0520084853

External links

• Bartók Béla Memorial House, Budapest
• Bartók Béla Guitar transliteration videos
• Bartók was listed in the International Music Score Library Project
• Bartók and his relationship with Unitarianism
• A Genius on the IRT - Béla Bartók in New York review of Agatha Fassett’s chronicle of the last years of Bartók’s life
• Classical Cat page of Bartók links
• Gallery of Bartók portraits
• Bartók's Percussion Repertoire, from Bell Percussion's Composer Repertoire resource]
• Béla Bartok Audio Recordings - listen on Magazzini-Sonori Music Space (Italian)
• Bela Bartók at Pytheas Center for Contemporary Music

Recordings

• Kunst der Fuge: Béla Bartók - MIDI files
• Contrasts: Verbunkos (7. The International Music Score Library Project ( IMSLP) is a project for the creation of a virtual library of Public domain music scores, based on the 10 mb), Contrasts: Piheno (5. 86 mb), Contrasts: Sebes (8. 26 mb). Helen Kim (violin), Ted Gurch (clarinet), Adam Bowles (piano). From Luna Nova New Music Ensemble