Citizendia
Your Ad Here

Part of a series on

Zoroastrianism


Portal
Primary topics

Zoroastrianism / Mazdaism
Ahura Mazda
Zarathustra (Zoroaster)
aša (asha) / arta

Angels and demons

Overview of the Angels
Amesha Spentas · Yazatas
Ahuras · Daevas
Angra Mainyu

Scripture and worship

Avesta · Gathas
Vendidad
The Ahuna Vairya Invocation
Fire Temples

Accounts and legends

Dēnkard · Bundahišn
Book of Arda Viraf
Book of Jamasp
Story of Sanjan

History and culture

Zurvanism
Calendar · Festivals
Marriage
Eschatology

Adherents

Zoroastrians in Iran
Parsis · Iranis
• • •
Persecution of Zoroastrians

See also

Index of Related Articles

This box: view  talk  edit

Atar (ātar, Avestan) is the Zoroastrian concept for "burning and unburning fire" and "visible and invisible fire" (Mirza, 1987:389). Zoroastrianism (ˌzɔroʊˈæstriəˌnɪzəm is the religion and philosophy based on the teachings Zoroastrianism (ˌzɔroʊˈæstriəˌnɪzəm is the religion and philosophy based on the teachings Ahura Mazda ( ae Ahura Mazdā) is the Avestan language name for a divinity exalted by Zoroaster as the one uncreated Creator Zoroaster ( Latinized from Greek variants) or Zarathushtra (from Avestan Zaraθuštra) also referred to as Zartosht (زرتشت Asha ( aša) or arta is the Avestan language term for a concept of cardinal importance to Zoroastrian theology and doctrine Yazata is the Avestan language word for a Zoroastrian concept ae Amesha Spenta ( ae Aməša Spənta) is an Avestan language term for a class of divinity/divine concepts in Zoroastrianism, and literally means "Bounteous Yazata is the Avestan language word for a Zoroastrian concept For the fictional character in the Marvel Universe series see Ahura (comics; for the river see Akhurian River. Daeva ( daēuua, daāua, daēva) is the Avestan language term for a particular sort of supernatural entity with disagreeable characteristics "Ahriman" redirects here For other uses see Ahriman (disambiguation. The Avesta is the primary collection of sacred texts of Zoroastrianism, composed in the Avestan language. The word "Gātha" means a "hymn of praise" in the earliest Indo-Iranian poetry The Vendidad or Videvdat is a collection of texts within the greater compendium of the Avesta. Ahuna Vairya is the Avestan language name of the most sacred of the Gathic hymns of the Avesta, the revered texts of Zoroastrianism. A Zoroastrian Fire Temple is a place of worship for Zoroastrians. The Dēnkard or Dēnkart ( Middle Persian: "Acts of Religion" is a 10th century compendium of the Mazdaen Zoroastrian beliefs and customs The Bundahishn, meaning "Primal Creation" is an account of Zoroastrian cosmogony and cosmology and reflects ancient Zoroastrian and even pre-Zoroastrian beliefs The Book of Arda Viraf is a Zoroastrian religious text that describes the dream-journey of a devout Zoroastrian (the 'Viraf' of the story through the next world The Jamasp Nameh (var Jāmāsp Nāmag, Jāmāsp Nāmeh, "Story of Jamasp" is a Middle Persian book of revelations The Story of Sanjan (also Qissa-i Sanjan or Kisse-i Sanjan) is an account of the early years of Zoroastrian settlers on the Indian subcontinent Zurvanism is a now-extinct branch of Zoroastrianism that had the divinity Zurvan as its First The Zoroastrian calendar is a religious Calendar used by members of the Zoroastrian faith and it is an approximation of the (tropical Solar calendar. Zoroastrianism has numerous festivals and holy days all of which are bound to the Zoroastrian calendar. In the Zoroastrian faith marriage is encouraged an institution greatly favoured by the religious texts. Zoroastrianism eschatology is the oldest Eschatology in recorded history Zoroastrians in Iran have had a long history being the oldest religious community of that nation to survive to the present-day The Iranis are an ethno-religious community of the Indian subcontinent; descendants of Zoroastrians who emigrated from Greater Iran (in the main from Zoroastrians have faced much religious discrimination including forced conversions harassments as well as being identified as Najis "ritually impure" Avestan is an Eastern Old Iranian language that was used to compose the sacred hymns and canon of the Zoroastrian Avesta. Zoroastrianism (ˌzɔroʊˈæstriəˌnɪzəm is the religion and philosophy based on the teachings

In an unrestricted sense, atar is heat - that is, thermal energy, manifest as fire or other luminous source when visible. In this sense, atar is an attribute of sources of heat and light, an adjectival form of nominative singular atarsh (ātarš). In later Zoroastrianism, atar (in middle Persian: ādar or ādur) is iconographically conflated with fire itself, which in middle Persian is ataksh, one of the primary objects of Zoroastrian symbolism. The etymology of atar is unknown (Boyce, 2002:1). The yazata Atar is not of Indo-Iranian origin (Dhalla 1938:174). Yazata is the Avestan language word for a Zoroastrian concept

Contents

In scripture

In the Gathic texts

Atar is already evident in the Gathas, the oldest texts of the compendium of the Avesta and believed to have been composed by Zoroaster himself. The word "Gātha" means a "hymn of praise" in the earliest Indo-Iranian poetry The Avesta is the primary collection of sacred texts of Zoroastrianism, composed in the Avestan language. Zoroaster ( Latinized from Greek variants) or Zarathushtra (from Avestan Zaraθuštra) also referred to as Zartosht (زرتشت At this juncture, as in the Yasna Haptanghaiti (the seven-chapter Yasna that structurally interrupts the Gathas and is linguistically as old as the Gathas themselves), atar is still - with only one exception - an abstract concept simply an instrument, a medium, of the Creator and is not yet the hypostasis of heat and light that it was to become in the later texts. The Yasna Haptanghaiti ( ae Yasna Haptaŋhāiti) Avestan for "Worship in Seven Chapters" is a set of 7 hymns within the greater Yasna Yasna ( Avestan: 'oblation' or 'worship' is the name of the primary liturgical collection of texts of the Avesta as well as the name of the Hypostatic abstraction, also known as hypostasis or subjectal abstraction, is a formal operation that takes an element of information such as might be expressed

In the most ancient texts, atar is a medium, a faculty, through which judgement is passed and reflects the pre-Zoroastrian institution of ordeal by heat (Avestan: garmo-varah, heat ordeal; cf. Boyce 1996:ch. 6). So, for example, justice is administered through atar (Yasna 31. 3, 34. 4, 36. 2, 47. 2), the blazing atar (31. 19, 51. 9), through the heat of atar (43. 4), through the blazing, shining, molten metal (ayangha Khshushta, 30. 7, 32. 7, 51. 9). An individual who has passed the fiery test, has attained physical and spiritual strength, wisdom, truth and love with serenity (30. 7). However, among all the references to atar in the oldest texts, it is only once addressed independently of Ahura Mazda. Ahura Mazda ( ae Ahura Mazdā) is the Avestan language name for a divinity exalted by Zoroaster as the one uncreated Creator In this exception, atar is spoken of in the third person masculine singular: "He detects sinners by hand-grasping" (Yasna 34. 4). Altogether, "there are said to have been some 30 kinds of fiery tests in all. " (Boyce, 2002:1)

Also in the early texts, tangential to its role in establishing guilt, atar is the light of revelation through which Zoroaster is selected for prophet-hood, the Zarathushtra Mainyu Athra (Yasna 31. 3), radiated by Wisdom/Mazda (43. 9), bearing the conviction of "Good Purpose" (Vohu Manah, 43. 4; see also Amesha Spenta), and enlightening one’s inner-self (46. ae Amesha Spenta ( ae Aməša Spənta) is an Avestan language term for a class of divinity/divine concepts in Zoroastrianism, and literally means "Bounteous 7). Within this framework of the concept of divine illumination, atar radiates the "other lights" (31. 7), the essence (of Mazda) from which insight and wisdom permeate the universe. So also Zoroaster's injunction to always pray in the presence of atar – either towards the sun, or towards their own hearths - so as to better concentrate their devotions on asha, righteousness, and the virtue that should be striven for (Yasna 43. Asha ( aša) or arta is the Avestan language term for a concept of cardinal importance to Zoroastrian theology and doctrine 9, see also Boyce, 1975:455).

In later texts

The Gathic role of atar as the medium for detecting guilt is not directly evident in the later texts of the Avesta, but reappears in modified form as an allegory of burning and annihilating the Angra Mainyu through righteousness, "where Asha Vahishta is identified at times with the household fire on the hearth. "Ahriman" redirects here For other uses see Ahriman (disambiguation. " There, "identification in the realms of matter and of spirit serves only to bring more into prominence the main tenets of Zoroaster's teachings in regard to Asha" (Dhalla, 1938:170). A vestige of the ancient institution of ordeal by heat is nonetheless present in Vendidad 4. 54-55, where speaking against the truth and violating the sanctity of promise is punishable by flogging and is detected by the consumption of "water, blazing, of golden color, having the power to detect guilt. " The Zend translation/commentary on this passage translates "blazing" as having brimstone and sulphur, and notes that innocence or guilt was established by the consumption of this 'guilt-detecting liquid'. Similarly, in the Denkard, Adharbad Maraspand - the Sassanid era high-priest to whom the collation of the Avesta texts is attributed - is purported to have nine measures of "unburning molten zinc" applied to his chest as proof of accuracy of the sacred texts.

Seen chronologically, the transition from atar as a vehicle of judgement to Atar Yazata the divinity presiding over blazing fire is abrupt. Yazata is the Avestan language word for a Zoroastrian concept While the older Gathic Avestan texts have heat (and thus fire) associated with harsh judgement, the Younger Avestan texts have the divinity Atar completely representing and being represented by fire itself; and associated with warmth and light and essential for growth. Asha Vahishta's association with atar is however carried forward, and they are often mentioned together (Yasna 62. 3, Nyashes 5. 9, etc). So also in their roles as protectors, for "when the Evil Spirit assailed the creation of Good Truth, Good Thought and Fire intervened" (Yasht 13. 77)

It is in the later texts that Atar is personified as 'the son' of Ahura Mazda (standard appellation, Yasna 25. 7 et al) and is addressed as "full of glory and full of healing remedies" (Nyash 5. 6). In Yasna 17. 11, Atar is "master of the house", recalling the role of the hearth fire in the Gathas. The same passage enumerates the "five kinds of fire":

  1. atar berezi-savah, "the highly beneficent atar", qualified in Zend texts as 'the fire that eats food but drinks no water', and the kind of fire that burns in an Atash-Behram, the highest grade of Fire temple. A Zoroastrian Fire Temple is a place of worship for Zoroastrians.
  2. atar vohu-fryana, "the atar of good affection", later qualified as 'the fire diffusing goodness', and 'the fire that consumes both water and food'.
  3. atar urvazishta, "the atar of greatest bliss", later qualified as 'the fire of happy life', and 'the fire that drinks water but eats no food'.
  4. atar vazishta, "the atar most swift", later qualified as the fire in clouds, i. e. lightening, and as 'the fire that neither drinks water nor eats food'.
  5. atar spenishta, "the atar most holy", described in "Zend" texts as 'the fire of prosperity' and as the spiritual fire burning before Ohrmuzd. Ahura Mazda ( ae Ahura Mazdā) is the Avestan language name for a divinity exalted by Zoroaster as the one uncreated Creator

The description of the fires in the Sassanid era commentaries (the Zend texts) differs slightly from those described in the Bundahishn ('Original Creation', completed in the 11th or 12th century). In the latter, the description of the first and last kind of fire is reversed.

In culture and tradition

A Parsi-Zoroastrian Jashan ceremony (here the blessing of a home in Pune, India)
A Parsi-Zoroastrian Jashan ceremony (here the blessing of a home in Pune, India)

As a divinity

During the late Achaemenid era, adar - as the quintessence of the Yazata Adar - was incorporated in the Zoroastrian hierarchy of angels. Pune (ˈpuːneɪ Marathi: पुणे Hindi: पूना formerly Poona, is the second largest city in the state of Maharashtra The Achaemenid Empire or Achaemenid Persian Empire ( haχɒmaneʃijɒn (558–330 BC was the first of the Persian Empires to rule over significant portions of Yazata is the Avestan language word for a Zoroastrian concept In that position, Adar is a helper of Asha Vahishta (Avestan, middle Persian: Ardvahisht), the Amesha Spenta responsible for the luminaries. ae Amesha Spenta ( ae Aməša Spənta) is an Avestan language term for a class of divinity/divine concepts in Zoroastrianism, and literally means "Bounteous From among the flowers associated with the Zoroastrian angels, Adar's is the marigold (calendula) (Bundahishn 27. Calendula ( Ca-lén-du-la, pot marigold) is a genus of about 12-20 species of annual or perennial Herbaceous 24).

The importance of the divinity Adar is evident from a dedication to the entity in the Zoroastrian calendar: Adar one of only five lower-ranking divinities that have a month-name dedication. The Zoroastrian calendar is a religious Calendar used by members of the Zoroastrian faith and it is an approximation of the (tropical Solar calendar. Additionally, Adar is the name of the ninth day of the month in the Zoroastrian religious calendar, and the ninth month of the year of the civil Iranian calendar of 1925 (modern Persian: Azar) which has month-names derived from those used by the Zoroastrian calendar.

In Zoroastrian cosmogony, Adar was the seventh of the seven creations of the material universe. It is only with Adars assistance, who serves as the life-force, that the other six creations begin their work (Bundahishn 3. 7-8; more logically explained in Zatspram 3. 77-83).

The cult of fire

Although Zoroastrians revere fire in any form, the temple fire is not literally for the reverence of fire, but together with clean water (see Aban), is an agent of ritual purity. Apas ( ae-Latn āpas) is the Avestan language term for "the waters" which&mdashin its innumerable Clean, white "ash for the purification ceremonies [is] regarded as the basis of ritual life", which "are essentially the rites proper to the tending of a domestic fire, for the temple cult is that of the hearth fire raised to a new solemnity" (Boyce, 1975:455). For, "the man who sacrifices unto fire with fuel in his hand, with the Baresman in his hand, with milk in his hand, with the mortar for crushing the branches of the sacred Haoma in his hand, is given happiness" (Yasna 62. Haoma is the Avestan language name of a plant and its divinity both of which play a role in Zoroastrian doctrine and in later Persian culture and mythology 1; Nyashes 5. 7)

The Zoroastrian cult of fire is apparently much younger than Zoroastrianism itself and appears at approximately the same time as the shrine cult, first evident in the 4th century BCE (roughly contemporaneous with the introduction of Adar as a divinity). There is no allusion to a temple cult of fire in the Avesta proper, nor is there any old Persian language word for one. The Old Persian language is one of the two attested Old Iranian languages (besides Avestan) Moreover, Boyce suggests that the temple cult of fire was instituted in opposition to the image/shrine cult, an alien form of worship, and "no actual ruins of a fire temple have been identified from before the Parthian period" (Boyce, 1975:454).

That the cult of fire was a doctrinal modification and absent from early Zoroastrianism is still evident in the later Atash Nyash: in the oldest passages of that liturgy, it is the hearth fire that speaks to "all those for whom it cooks the evening and morning meal", which Boyce observes is not consistent with sanctified fire. The temple cult is an even later development: From Herodotus it is known that in the mid-5th century BCE the Zoroastrians worshipped to the open sky, ascending mounds to light their fires (The Histories, i. Herodotus of Halicarnassus ( Greek: Hēródotos Halikarnāsseús) was a Greek Historian who lived in the 5th century BC ( 484 BC&ndash 131). Strabo confirms this, noting that in the 6th century, the sanctuary at Zela in Cappadocia was an artificial mound, walled in, but open to the sky (Geographica XI. Strabo ( Greek: Στράβων 63/64 BC – ca AD 24 was a Greek historian, geographer and philosopher. Cappadocia (or Capadocia, Turkish Kapadokya, from Greek: Καππαδοκία / Kappadokía which in turn is from the Persian: The Geographica ( Ancient Greek: Γεωγραφικά Geōgraphiká) or Geography, is a 17-volume encyclopedia of geographical knowledge written 8. 4. 512).

By the Parthian era (250 BCE–226 CE), Zoroastrianism had in fact two kinds of places of worship: One, apparently called bagin or ayazan, sanctuaries dedicated to a specific divinity, constructed in honor of the patron saint/angel of an individual or family and included an icon or effigy of the honored. Parthia ( Middle Persian: اشکانیان Ashkâniân) was an Iranian civilization situated in the northeastern part of modern Iran The second were the atroshan, the "places of burning fire", which as Boyce (1997:ch. 3) notes, became more and more prevalent as the iconoclastic movement gained support. Following the rise of the Sassanid dynasty, the shrines to the Yazatas continued to exist, with the statues – by law - either being abandoned as empty sanctuaries, or being replaced by fire altars (so also the popular shrines to Meher/Mithra which retained the name Darb-e Mehr – Mithra's Gate - that is today one of the Zoroastrian technical terms for a fire temple). Yazata is the Avestan language word for a Zoroastrian concept This article is about the Zoroastrian Yazata Mithra (Miθra For other divinities with related names see the general article Mitra.

Also, as Schippman observed (loc. Cit. Boyce, 1975:462), even during the Sassanid era (226–650 CE) there is no evidence that the fires were categorized according to their sanctity. The Sassanid Empire or Sassanian Dynasty or Sassanian Dynasty (ساسانیان) is the name used for the third Iranian dynasty and the second Persian empire "It seems probable that there were virtually only two, namely the Atash-i Vahram [literally: "victorious fire", later misunderstood to be the Fire of Bahram, see Gnoli, 2002:512] and the lesser Atash-i Adaran, or 'Fire of Fires', a parish fire, as it were, serving a village or town quarter" (Boyce, 1975:462; Boyce 1966:63). Apparently, it was only in the Atash-i Vahram that fire was kept continuously burning, with the Adaran fires being annually relit. While the fires themselves had special names, the structures themselves did not, and it has been suggested that "the prosaic nature of the middle Persian names (kadag, man, and xanag are all words for an ordinary house) perhaps reflect a desire on the part of those who fostered the temple-cult [. . . ] to keep it as close as possible in character to the age-old cult of the hearth-fire, and to discourage elaboration" (Boyce, 2002:9).

The Indian Parsi-Zoroastrian practice of rendering the term athornan (presumably derived from the Avestan language "athravan") as "fire-priest" in the English language is based on the mistaken assumption that the athra* prefix derives from atar (Boyce, 2002:16-17). The term athravan does not appear in the Gathas, where a priest is a zaotar, and in its oldest attested use (Yasna 42. 6) the term appears to be synonymous with "missionary". In the later Yasht 13. 94, Zoroaster himself is said to have been an athravan, which in this context could not be a reference to atar if a cult of fire and its associated priesthood did not yet exist in Zoroaster's time. Thus, in all probability, "the word athravan has a different derivation" (Boyce, 2002:17)

In mythology and folklore

In Vendidad 1, Adar battles Aži Dahāka, the great dragon of the sky. Zahhāk or Zohhāk (in ضحاک is a figure of Persian mythology, evident in ancient Iranian Folklore as Aži Dahāka, the name by which he

In Ferdowsi's Shahnameh, Hoshang, the grandson of the first man Gayomard, discovers fire in a rock. Hakīm Abū l-Qāsim Firdawsī Tūsī ( more commonly transliterated as Ferdowsi, (935&ndash1020 was a highly revered Persian Poet. Shāhnāmé, or Shāhnāma ((alternative spellings are Shahnama Shahnameh Shahname Shah-Nama, etc He recognizes it as the divine glory of God, offers homage to it, and instructs his people to so as well. Also in the Shahnameh is the legend of Sevavash, who passes through "the unburning fire" as proof of his innocence.

As a royal symbol

Silver coin of Ardashir I with a fire altar on its verso.
Silver coin of Ardashir I with a fire altar on its verso. Ardashir I, founder of the Sassanid dynasty, was ruler of Istakhr (206-241 subsequently Persia

During the Sassanid era (226–650 CE), the symbol of Fire plays much the same role that the winged sun Faravahar did during the Achaemenid period (648–330 BCE). The faravahar or farohar (transliteration varies is one of the best-known symbols of Zoroastrianism. The Achaemenid Empire or Achaemenid Persian Empire ( haχɒmaneʃijɒn (558–330 BC was the first of the Persian Empires to rule over significant portions of Beginning with Ardashir I, the founder of the Sassanid Empire, many of the kings of the dynasty issued one or more coins with a symbol of Fire on the verso, and seals and bullae with the fire symbol were common.

Silver coin of Yazdegerd II with a fire with two attendants.
Silver coin of Yazdegerd II with a fire with two attendants. Yazdegerd II, ("made by God" Izdegerdes) fifteenth Sassanid King of Persia, was the son of Bahram V (421&ndash438 and reigned

The first silver coins of the empire have helmeted busts of Ardashir I (r. Ardashir I, founder of the Sassanid dynasty, was ruler of Istakhr (206-241 subsequently Persia 226-241) or his father Papak on the obverse (a figure of the ruling monarch on the obverse is consistent throughout the dynasty), with a representation of a fire altar, accompanied by the legend atash i artakhshir, "Fire of Ardeshir", on the reverse. Ardashir's son, Shapur I (r. Shapur I was the second Sassanid King of the Second Persian Empire. 241-272), has much the same image but adds two attendants at the fire altar. On the coins of Hormizd I (also known as Ardashir II, r. Hormizd I was the third Sassanid King of Persia from 272 to 273 272-273), the emperor himself tends the fire with the help of an attendant. Bahram II (276-293) also appears himself, accompanied by what may be his queen and son. Bahram II was the fifth Sassanid King of Persia in 276&ndash293 Narseh (r. Narseh (whose name is also sometimes written as Narses or Narseus) was the seventh Sassanid King of Persia (293&ndash302 and son of Shapur 293-303) also attends the fire himself, this time alone. On the coins of Shapur III (r. Shapur III was the eleventh Sassanid King of Persia from 383 to 388 283-388), a divinity appears to be emerging from the fire. The shape of the fire altar in the coins of Yazdegerd II (r. Yazdegerd II, ("made by God" Izdegerdes) fifteenth Sassanid King of Persia, was the son of Bahram V (421&ndash438 and reigned 438-457) are similar to those in present-day fire temples. The legend introduced under Ardeshir yields to a mint mark and year of issue under Peroz (r. Peroz I (Pirooz Peirozes Priscus fr 33 Perozes Procop Pers I 3 and Agath 457-484), a feature evident in all the coins of the remaining dynasty.

See also

Bibliography

Further reading

Dictionary

atar

-noun

  1. Alternative spelling of attar.
© 2009 citizendia.org; parts available under the terms of GNU Free Documentation License, from http://en.wikipedia.org
Dapyx Software network: MP3 Explorer | Ebook Manager | Zenithic