In the 1830s, men wore dark coats, light trousers, and dark cravats for daywear. Women's sleeves reached their ultimate width in the gigot sleeve. Here, the boys (on holiday in the mountains) wear buff-colored belted knee-length tunics with yokes and full sleeves over trousers. The girls wear white dresses with colored aprons. The Family of Dr. Josef August Eltz, Austria, 1835.

1830s fashion in European and European-influenced clothing is characterized by an emphasis on breadth, initially at the shoulder and later in the hips, in contrast to the narrower silhouettes that had predominated between 1800 and the 1820s. Clothing (also called clothes, accoutrements, accouterments, or habiliments) protects the Human body from extreme Weather

Women's costume featured larger sleeves than were worn in any period before or since, which were accompanied by elaborate hairstyles and large hats.

Women's fashions

1833 Fashion Plate: evening dress (left) and two day dresses. The lady on the right wears a fichu-pelerine.

Brocade satin dress from Gazette des Salons

This portrait shows the pleated panels of fabric that trim the gown around the bust and shoulders, and the method of gathering fullness in the large sleeves. 1832.

Chemise, corset, and petticoats of 1831

Overview

In the 1830s, fashionable women's clothing styles had distinctive large "leg of mutton" or "gigot" sleeves, above large full conical skirts, ideally with a narrow, low waist between (achieved through corseting). Sleeve ( O Eng ''slieve'' or ''slyf'', a word allied to slip, cf A corset is a Garment worn to mold and shape the Torso into a desired shape for Aesthetic or medical purposes (either for the duration of wearing it or The bulkiness of women's garments both above and below the waist was intended to make the waist look smaller than it was — this was the final repudiation of any last lingering aesthetic influences of the Empire silhouette of ca. An Empire silhouette is created by a woman wearing a high-waisted dress gathered near or just under the bust with a long loose Skirt, which skims the body 1795-1825. Heavy stiff fabrics such as brocades came back into style, and many 18th-century gowns were brought down from attics and cut up into new garments. Brocade is a class of richly decorative shuttle-woven Fabrics often made in colored Silks and with or without Gold and Silver threads The combination of sloping shoulders and sleeves which were very large over most of the arm (but narrowing to a small cuff at the wrist) is quite distinctive to the day dresses of the 1830s.

Pelerines, or lace coverings draped over the shoulders, were popular (one of several devices, along with full upper-arm sleeves and wide necklines, to emphasize the shoulders and their width).

The ca. 1835 fashion plate (right) shows both male and female styles (note that it may not be obvious on first glance that the woman has a small waist, because of her large sleeves).

Gowns

The fashionable feminine figure, with its sloping shoulders, rounded bust, narrow waist and full hips, was emphasized in various ways with the cut and trim of gowns. To about 1835, the small waist was accentuated with a wide belt (a fashion continuing from the 1820s). Later the waist and midriff were unbelted but cut close to the body, and the bodice began to taper to a small point at the front waist. The fashionable corset now had gores to individually cup the breasts, and the bodice was styled to emphasize this shape. A gore is a segment of a three-dimensional shape fabricated from a two- Dimensional material A bodice is an article of Clothing for women covering the body from the neck to the waist

Evening dresses had very wide necklines and short, puffed sleeves reaching to the elbow from a dropped shoulder, and were worn with mid-length gloves. A glove ( Middle English from Old English glof) is a type of Garment (and more specifically a Fashion The width at the shoulder was often emphasized by gathered or pleated panels of fabric arranged horizontally over the bust and around the shoulders.

Day dresses generally had high necklines, and shoulder width was emphasized with pelerines or wide collars that rested on the gigot sleeves. Summer afternoon dresses might have wide, low necklines similar to evening dresses, but with long sleeves. Skirts were pleated into the waistband of the bodice, and held out with starched petticoats of linen or cotton. A petticoat or underskirt is an article of Clothing for Women; specifically an Undergarment to be worn under a Skirt, dress or

Around 1835, the fashionable skirt-length for middle- and upper-class women's clothes dropped from ankle-length to floor-length.

Hairstyles and Headgear

Early 1830s hair was parted in the center and dressed in elaborate curls, loops and knots extending out to both sides and up from the crown of the head. Braids were fashionable, and were likewise looped over either ear and gathered into a topknot.

Bonnets with wide semicircular brims framed the face for street wear, and were heavily decorated with trim, ribbons, and feathers.

Married women wore a linen or cotton cap for daywear, trimmed with lace, ribbon, and frills, and tied under the chin. The cap was worn alone indoors and under the bonnet for street wear.

Underwear

Women's undergarments consisted of a knee-length linen chemise with straight, elbow length sleeves. Undergarments are clothes worn under other clothes often next to the skin Linen is a Textile made from the Fibers of the Flax plant Linum usitatissimum. The term chemise can refer to the classic smock or shift, or else can refer to certain modern types of women's undergarments and dresses Corsets compressed the waist and skirts were held in shape by layers of starched petticoats. A corset is a Garment worn to mold and shape the Torso into a desired shape for Aesthetic or medical purposes (either for the duration of wearing it or Starch, CAS # 9005-25-8 Chemical formula (C6H10O5n is a Polysaccharide

Outerwear

Riding habits consisted of a high-necked, tight-waisted jacket with the fashionable dropped shoulder and huge gigot sleeves, worn over a tall-collared shirt or chemisette, with a long matching petticoat or skirt. A riding habit is women's Clothing for Horseback riding. Since the mid-17th century a formal habit for riding Sidesaddle usually consisted of A Chemisette (from French "little Chemise " is an article of women's Clothing worn to fill in the front and neckline of any garment Tall top hats with veils were worn.

Shawls were worn with short-sleeved evening gowns early in the decade, but they were not suited to the wide gigot sleeves of the mid 1830s. A shawl ( Persian شال Shāl from Sanskrit: साडी śāṭī is a simple item of Clothing, loosely worn over the shoulders upper body and arms

For evening, especially in very cold climates, voluminous coats like opera coats with fur trim or fur linings were worn with the evening gown. An opera coat is an ankle- or floor-length loose-fitting coat of luxurious fabric such as Velvet, Brocade or Satin, to be worn over an Evening gown

Style gallery 1830-1835

1 - 1830	2 - 1831	3 - 1831	4 - 1831-32
5 - 1832	6 - 1834	7 - 1834	8 - 1835

1. Fashion plate from Mercure des Salons
2. Sophie Guillemette, Grand Duchess of Baden wears a white gown that just skims her ankles and a tawny-colored shawl. Her flat shoes have ribbon laces and square toes. 1831.
3. Therese von Schenk wears long sheer oversleeves over short puffed sleeves and an elaborate fabric-covered hat with plumes, 1831.
4. Mrs. Edward Kellogg wears the frilled indoor day cap of a married woman with a wide ribbon bow tied under her chin. Her simple dark gown has gigot sleeves and a modestly broad neckline, filled in with a ruffed chemisette. A Chemisette (from French "little Chemise " is an article of women's Clothing worn to fill in the front and neckline of any garment
5. Fashion plate from Wiener Moden, in which anatomical accuracy gives way to the desire to present a trendy fashion silhouette. The afternoon dress has a wide, low neckline and long sleeves.
6. German fashion of 1834 with echoes of the Renaissance: a wide-necked black gown features a tight belt at the raised waistline. The Renaissance (from French Renaissance, meaning "rebirth" Italian: Rinascimento, from re- "again" and nascere Hair is worn in elaborate curls and knots.
7. Caroline, Countess of Holnstein wears her hair severely parted in the center front and across the top of her head. Her long hair is braided, and the braids are looped over either ear and wound into a knot at the crown of her head. She wears a white gown with a wide belt and gathers at the front to emphasise the bust under a pink satin coat with a fur collar and fur trim. German, 1834.
8. Fashion plate from Wiener Zeitschrift

Style gallery 1835-1839

1 - 1830s	2 - 1835	3 - 1834-36	4 - 1837
5 -1837	6 - 1837	7 - 1838	8 - 1838

1. 1830s Riding habits have fashionable full sleeves. A riding habit is women's Clothing for Horseback riding. Since the mid-17th century a formal habit for riding Sidesaddle usually consisted of
2. Marie Lafont-Porcher's hair is styled in a high knot with wide side-curls; her gauzy gown has a neck ruff and a wide collar, and she wears a fur piece similar to that in the Gazette des Salons fashion plate above, 1835.
3. Conservative, middle-class fashion: Eliza Clarke Cory Clench wears a white cap with a large striped ribbon bow that contrasts with her bright green dress. Canada, 1834-36.
4. Viennese fashion plate for February 1837 shows front and back views of the newly fashionable dangling clusters of curls on the sides worn with an ornate knot of hair at the crown. A headband is worn for evening. The waist is still defined by a wide belt, but it sits lower on the body.
5. By 1837, fullness was dropping from just off the shoulder to the middle of the arm. The bonnet is smaller than those worn earlier in the decade, and black lace mitts (fingerless gloves) are worn with the white day dress. Hair is worn in wide clusters of short sausage curls. French.
6. Mathilde, Gräfin Lynar wears a brown velvet gown with snug shoulders and lower sleeves, and fullness at the middle of the arm. The waist is darted to fit and comes to a small point in front. Hair is smoothed above the ears and wound into a braided crown. German, 1837.
7. Adélaide d'Orléans wears a heavily decorated straw bonnet over a frilled cap, 1838.
8. A dress for the theatre features a pelisse with chenille fringe skirt and sleeves, and is worn over a ruffled underskirt.

Caricature gallery

1 - 1830

1. "Waist and Extravagance", ca. 1830 fashion satire

Men's fashion

Spread shirt collar and dark cravat, 1831

Men's fashion silhouette of 1837 shows broad shoulders and a narrow, tightly cinched waist.

Overview

In this period, men's fashion plates continue to show an ideal silhouette with broad shoulders, and a narrow, tightly cinched waist.

Shirts and cravats

Shirts of linen or cotton featured tall standing collars, increasing worn "spread" and later turned down rather than turned up over the chin, and were worn with wide cravats tied in a soft bow; dark cravats were popular for day wear. A shirt is a cloth garment for the upper body Originally an item of underwear worn exclusively by men it has become in American English a catch-all term for In Clothing, a collar is the part of a Shirt, Dress, coat or Blouse that fastens around or frames the Neck.

Coats and waistcoats

Frock coats (in French redingotes) increasingly replaced tail coats for informal day wear, and might be double-breasted. A frock coat is a man's coat characterised by knee-length skirts all around the base popular during the Victorian and Edwardian period The redingote is a type of coat that has had several forms over time Shoulder emphasis fell lower on the arm; shoulders were sloped and puffed sleeve heads gradually shrank and then disappeared. Waistcoats or vests were single- or double-breasted, with shawl or notched collars, and extremely tight through the waist. A waistcoat (sometimes called a wescot, Vest or a vestee in Canada and the US) is a sleeveless upper-body Garment Corsets or corset-like garments were worn by many men to draw in the waistline.

A cutaway morning coat was worn with light trousers for any formal daytime occasion; evening dress called for a dark tail coat and trousers.

Trousers

Full-length trousers began to have the modern fly-front closure, replacing the earlier fall-front. Trousers are an item of Clothing worn on the lower part of the body from the waist to the ankles covering both legs separately (rather than with cloth stretching across Breeches remained a requirement for formal functions at the British court (as they would be throughout the century). Breeches continued to be worn for horseback riding and other country pursuits, especially in Britain, with tall fitted boots.

Outerwear

Cloaks were worn with evening wear. A cloak is a type of loose Garment that is worn over indoor Clothing and serves the same purpose as an Overcoat &mdashit protects the wearer from the cold Overcoats with wide sleeves were worn with day wear. The term Overcoat is a type of long coat intended to be worn as the outermost garment

Hats and hairstyles

The crowns of tall hats were less curvy than in the previous period. For the item of clothing see Top hat. For the fictional TUGS character see Top Hat (TUGS. Hair was generally parted to one side. Curled hair and sideburns remained fashionable, along with moustaches.

Style gallery

1 - 1830s	2 - 1832	3 - 1833	4 - 1834
5 - 1834	6 - 1838-40	7 - 1838

1. 1830s fashion plate shows the small, high waist that was the ideal of French fashion in the 1830s. Frock coat (left) and morning coat (right).
2. Frederik Hansen Sødring wears a brocade waistcoat with a high black velvet shawl collar. The front flap of his fall-front trousers can be seen clearly in this 1832 portrait.
3. Antoine Julien Meffre-Rouzan of New Orleans painted in Paris, 1833, in evening wear. New Orleans (nʲuːˈɔrliənz nʲuːˈɔrlənz French: La Nouvelle-Orléans) is a major United States port city and the largest city in Louisiana Paris (ˈpærɨs in English; in French) is the Capital of France and the country's largest city The puffs at the shoulder of his coat are smaller than those worn in the 1820s, and his waistcoat has a slight point at the front waist.
4. 1834 portrait of Davy Crockett shows the fashionable dark cravat worn with a wide turn-over collar. Colonel David Stern Crockett ( August 17, 1786 March 6, 1836) was a celebrated 19th-century American Folk hero,
5. Portrait of John C. Calhoun in a sheer white formal cravat, dark coat, and fur-collared or lined overcoat, 1834. John Caldwell Calhoun (March 18 1782 &ndash March 31 1850 was a leading United States Southern politician and political philosopher from South Carolina during
6. A gentleman of the Wilkes Family, 1838-40, wears a dark cravat. His tall coat collar is notched and spreads onto his shoulders. The sleeve has just a hint of fullness at the sleeve head.
7. Zoo proprietor Edward Cross wears a red and black patterned waistcoat with brown trousers and a black tailcoat, cravat, and top hat, 1838.

Children's fashion

In this period, small boys wore sashed tunics over trousers, sometimes with a round-collared shirt underneath. (In Sketches by Boz, 1836, Charles Dickens described the earlier skeleton suit as ". Sketches by Boz is a collection of short pieces published by Charles Dickens in 1836. A skeleton suit is an outfit of Clothing for small boys popular from about 1790 to 1830 consisting of a tight short- or long- Sleeved coat or jacket . . one of those straight blue cloth cases in which small boys used to be confined, before belts and tunics had come in. . . . " [emphasis added]). Older boys wore short jackets and trousers with round-collared shirts.

Girls wore simplified versions of women's fashion.

Spanish boy, 1830	German boy, 1830	Austrian boy and girl, 1834	France, 1834
Germany, 1836	Germany, 1837	Young girl's frock with pantaloons, 1838	Young boy's suit, 1838

See also

• Victorian fashion

References

Ashelford, Jane: The Art of Dress: Clothing and Society 1500-1914, Abrams, 1996. The term " Victorian Fashion " refers to Fashion in Clothing in the Victorian era, or the reign of Queen Victoria (1837&ndash1901 ISBN 0-8109-6317-5

Goldthorpe, Caroline: From Queen to Empress: Victorian Dress 1837-1877, Metropolitan Museum of Art, New York, 1988, ISBN 0-87099-535-9

Tozer, Jane and Sarah Levitt, Fabric of Society: A Century of People and their Clothes 1770-1870, Laura Ashley Press, ISBN 0-9508913-0-4

External links

• The Romantic Era: Fashions 1825-1845
• 1840s Men's Fashions - circa 1840 Men's Fashion Photos (Daguerreotypes) with Annotations
• Men's fashion plates of the 1830s at Victoriana. com